Tanzio da Varallo, 1620 - Eserese nke nwoke - mbipụta nka mara mma

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Additional information on the original artwork by The Cleveland Museum of Art (© - The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

This portrait of an unknown man includes a detailed representation of a rapier, a sword worn with civilian dress and used in duels. On the basis of style, the rapier in this painting belonged to a distinctive group of sword hilts decorated between about 1570 and 1600. It was probably made in northern Italy.The son of a Piedmontese architect, Tanzio spent most of his life in northern Italy, but worked briefly in Rome and southern Italy, mainly Naples. These trips brought him under the influence of Caravaggio, whose dramatic realism Tanzio integrated into his own elegant, decorative style.

Ozi nka ahaziri

Aha nka: "Ihe osise nke nwoke"
Nhazi: sere
Nhazi nka: nka ochie
oge: 17th narị afọ
Afọ nka: 1620
Afọ nka: ihe dị ka afọ 400
Usoro nka izizi: mmanụ na kwaaji
Akụkụ izizi: Nhazi: 125 x 99,5 x 7 cm (49 3/16 x 39 3/16 x 2 3/4 na); Edebereghị: 97,8 x 72,2 cm (38 1/2 x 28 7/16 na)
Ụlọ ihe ngosi nka / ebe: Velọ ihe ngosi nka nke Cleveland
Ebe ngosi nka: Cleveland, Ohio, United States nke America
Ibe weebụ: Velọ ihe ngosi nka nke Cleveland
Ụdị ikike nka: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
Ebe kredit nke ọrụ nka: Leonard C. Hanna, Jr. Fund

Tebụl onye na-ese ihe

Aha onye nka: Tanzio na Varallo
Obodo onye nka: Italian
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Mba onye si: Italy
Nkewa onye nka: nna ukwu ochie
Ụdị nke onye na-ese ihe: Baroque
Oge ndu: 52 afọ
Afọ ọmụmụ: 1580
Nwuru: 1632

Ozi ngwaahịa ahaziri

Nkewa ngwaahịa: nka nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo
Production: German mmepụta
Stockdị ngwaahịa: a na-achọ
A na-atụ aro iji ngwaahịa eme ihe: foto mgbidi, ụlọ ihe osise nka
Ndepụta: nhazi ihe osise
Ụdị anya: 3: 4 - ( Ogologo: obosara)
Nsonaazụ: ogologo bụ 25% mkpụmkpụ karịa obosara
Ụdị akwa: Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhọrọ Dibond (ihe alumnium) nhọrọ: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhazi mbipụta nka: na-enweghị etiti

Họrọ nhọrọ ihe onwunwe

The product dropdown menu gives you the possibility to choose a material and a size of your choice. Choose among the following product options now to match your preferences in size and material:

  • Akwụkwọ mmado ebipụtara (ihe kwaaji): A poster print is a printed sheet of cotton canvas with a slightly roughened finish on the surface, that resembles the original artwork. It is optimally suited for putting the art copy with a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2 - 6cm around the painting, which facilitates the framing with a custom frame.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, often denoted as a an art print on plexiglass, makes your original artwork into home décor and makes a great alternative to aluminium and canvas fine art replicas. The great benefit of a plexiglass art print is that contrasts and granular color details become identifiable because of the fine gradation of the picture. The plexiglass with real glass coating protects your custom fine art print against light and external influences for decades.
  • Mbipụta kwaaji: A UV printed canvas stretched on a wooden frame. A canvas creates the distinctive impression of three-dimensionality. Canvas Prints have the advantage of being low in weight, which means that it is easy to hang up your Canvas print without any wall-mounts. Because of thatcanvas prints are suited for any kind of wall.
  • Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are metal prints with an impressive depth effect, which creates a fashionable impression by having a surface structure, which is not reflective. A direct Direct Print on Aluminum Dibond is your best introduction to the sophisticated world of art replicas with aluminum. The bright & white parts of the artwork shine with a silky gloss but without any glare.

Onyinye ngwaahịa nka

a 17th narị afọ nka nwere aha Eserese nke nwoke bụ onye omenkà Ịtali mere Tanzio na Varallo in 1620. The version of the masterpiece measures the size - Framed: 125 x 99,5 x 7 cm (49 3/16 x 39 3/16 x 2 3/4 in); Unframed: 97,8 x 72,2 cm (38 1/2 x 28 7/16 in). Oil on canvas was used by the Italian artist as the technique for the piece of art. Today, this work of art is included in the Ụlọ ihe ngosi nka nke Cleveland art collection in Cleveland, Ohio, United States of America. We are pleased to mention that the work of art, which belongs to the ngalaba ọha a na-enye ya site n'ikike nke Velọ ihe ngosi nka nke Cleveland. Ego: Leonard C. Hanna, Jr. Fund. E wezụga nke a, nhazi ahụ bụ Eserese na a akụkụ ruru nke 3: 4, which implies that the length is 25% shorter than the width. The painter Tanzio da Varallo was a European artist from Italy, whose artistic style can mainly be classified as Baroque. The Baroque painter was born in 1580 ma nwụọ na afọ nke 52 na 1632.

Ederede iwu dị mkpa: We try our best to depict the products as clearly as possible and to demonstrate them visually in our shop. Although, the tone of the printing material and the imprint can diverge somehwat from the image on your screen. Depending on your settings of your screen and the condition of the surface, not all color pigments are printed as realisitcally as the digital version shown here. Given that all our art reproductions are processed and printed manually, there might also be minor discrepancies in the exact position and the size of the motif.

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