Thomas Lawrence, 1801 - Foto nke Charlotte na Sarah Carteret-Hardy - mbipụta nka mara mma.

Ihe nka a na-akpọ Portrait of Charlotte and Sarah Carteret-Hardy e kere nwoke British artist Thomas Lawrence in 1801. The 210 years old artwork was made with the following size Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in) and was painted on the medium mmanụ na kwaaji. Ihe ọzọ, ọrụ nka nwere ike na-elele na Ụlọ ihe ngosi nka nke Cleveland nchịkọta nka dijitalụ na Cleveland, Ohio, United States nke America. a nkà nke oge a ngalaba ọha work of art is supplied with courtesy of The Cleveland Museum of Art. Creditline of the artwork: Bequest of John L. Severance. Further, the alignment is Eserese ma nwee oke onyonyo nke 1: 1.2, which implies that the length is 20% shorter than the width. Thomas Lawrence was a painter from the United Kingdom, whose art style was primarily Romanticism. The British artist was born in the year 1769 na Bristol, Bristol, England, United Kingdom ma nwụọ mgbe ọ dị afọ 61 N'afọ 1830 na London, Greater London, England, United Kingdom.

Original artwork information from The Cleveland Museum of Art (© Copyright - by The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

Charlotte Savery Carteret-Hardy (1782–1850) and Sarah Carteret-Hardy (1780v1808) were the daughters of Lieutenant-Colonel Thomas Carteret-Hardy of the regiment known as the York Fuseliers. Charlotte became Mrs. Ralph Price in 1805, and Sarah married the topographer Daniel Lysons in 1801, the year this picture was painted. This work remained in the Hardy family until 1887.

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• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often denoted as a print on plexiglass, transforms the original work of art into brilliant décor. Beyond that, the acrylic art print is a viable alternative to aluminium and canvas art prints. The plexiglass protects your chosen fine art print against sunlight and external influences for many years.
• Mpempe akwụkwọ mmado ebipụtara na akwa akwa: The Artprinta poster is a printed sheet of flat canvas paper with a fine structure on the surface. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm around the print, which facilitates the framing with your custom frame.
• Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with an impressive depth, which creates a fashionable look throuch a surface structure, which is not reflective. A direct Direct Print on Aluminum Dibond is the best introduction to fine art replicas on aluminum. For your Direct Aluminium Dibond print, we print your chosen artpiece right onto the surface of the aluminum material. The bright & white sections of the original artwork shine with a silk gloss, however without glow. The colors are luminous in the highest definition, the fine details appear clear and crisp, and the print has a a matte look you can literally feel.
• Mbipụta kwaaji: A printed canvas, not to be mistaken with a painting on a canvas, is a digital copy printed directly on cotton canvas fabric. Your printed canvas of this artwork will let you turn your individual art print into a large collection piece like you would see in a gallery. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the help of any wall-mounts. Because of thatcanvas prints are suited for all kinds of walls.

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Ozi dị mkpa: We try whatever we can in order to describe our art products as accurate as possible and to demonstrate them visually in our shop. Nonetheless, the colors of the printed materials, as well as the print result might vary to a certain extent from the representation on the monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed 100% realistically. Given that our are printed and processed by hand, there might as well be slight differences in the size and exact position of the motif.

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