William Luson Thomas, 1862 - Eserese Nna nna, sitere na akụkọ London egosipụtara - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
(© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)
In a rustic kitchen a farmer examines a portrait that his young son has drawn on a slate as the rest of the family look on admiringly. Knight's paintings of rural families and boys at play relied upon genre types developed a few decades before by David Wilkie and William Mulready. Knight here echoes a theme found in the biographies of famous artists--Vasari, for example, recorded how Giotto, when a shepherd boy, drew pictures of his flock on rocks that attracted the attention of the Florentine painter Cimabue, who then took the youth on as an apprentice. This print, executed by the leading engraver Thomas, was published one year before Knight’s early death at the age of forty, and the related oil painting is at the Tunbridge Wells Museum and Gallery.
Nke a gafee 150 esere ihe nka afọ afọ William Luson Thomas. The artwork was painted with the following size: Onyonyo: 9 1/8 × 12 1/2 na (23,2 × 31,7 cm) Mpempe akwụkwọ: 9 3/4 × 12 15/16 na (24,8 × 32,8 cm). Ihe osise osisi was used by the British artist as the medium of the piece of art. This artpiece is in the the Ụlọ ihe ngosi nka nke Metropolitan digital art collection, which is located in New York City, New York, United States of America. This ngalaba ọha work of art is included, courtesy of The Metropolitan Museum of Art, New York, Gift of Donato Esposito, 2015. : Gift of Donato Esposito, 2015. Furthermore, alignment is odida obodo na a akụkụ ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara.
Nweta nhọrọ akụrụngwa ịchọrọ
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:
- Mbipụta iko acrylic na-egbuke egbuke (ya na mkpuchi iko n'ezie): The print on acrylic glass, which is often referred to as a print on plexiglass, makes your favorite original into amazing décor and is a good alternative to canvas and dibond fine art replicas. The artwork will be made with modern UV printing machines. The great advantage of an acrylic glass fine art print is that contrasts as well as minor image details become visible with the help of the fine gradation.
- Poster (akwa akwa akwa): The Artprinta poster print is a printed sheet of canvas with a nice surface structure. Please bear in mind, that depending on the size of the poster we add a white margin of around 2-6cm around the work of art, which facilitates the framing with a custom frame.
- Kwaaji: The canvas print, not to be mistaken with an artwork painted on a canvas, is a digital replica printed directly on canvas material. Canvas prints are relatively low in weight, which means that it is quite simple to hang up the Canvas print without additional wall-mounts. Canvas prints are suited for any kind of wall.
- Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print with an impressive depth effect. A direct Aluminium Dibond Print is your ideal start to prints made on aluminum. The bright & white parts of the original artwork shine with a silk gloss but without glow. The colors are vivid and luminous in the highest definition, the details of the print are very clear, and you can perceive the matte appearance of the art print surface.
Ozi omenka
Aha onye nka: | William Luson Thomas |
Aliases: | Thomas William Luson, William Luson Thomas |
Gender: | nwoke |
Obodo onye nka: | British |
Ọrụ: | printmaker, illustrator, publisher |
Obodo onye nka: | United Kingdom |
nhazi ọkwa: | omenkà nke oge a |
Nwụrụ na afọ nke: | 70 afọ |
Afọ ọmụmụ: | 1830 |
Afọ ọnwụ: | 1900 |
Obodo ọnwụ: | Chertsey, Surrey, England, United Kingdom |
Nkọwa ihe osise
Aha ọrụ nka: | "Grandfather's Portrait, fromIllustrated London News" |
Nhazi nka: | sere |
Otu sara mbara: | nkà nke oge a |
Century: | 19th narị afọ |
Emepụtara n'afọ: | 1862 |
Afọ nka: | ihe karịrị afọ 150 |
Agba na: | ihe osise osisi |
Akụkụ nke ihe osise izizi: | Onyonyo: 9 1/8 × 12 1/2 na (23,2 × 31,7 cm) Mpempe akwụkwọ: 9 3/4 × 12 15/16 na (24,8 × 32,8 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
website: | www.metmuseum.org |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Onyinye nke Donato Esposito, 2015 |
Ebe kredit nke ọrụ nka: | Onyinye nke Donato Esposito, 2015 |
Ozi ndabere ngwaahịa
Bipụta ngwaahịa: | ezi nka mmeputakwa |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite ngwaahịa: | German mmepụta |
Stockdị ngwaahịa: | na mmepụta ihe |
Ojiji ngwaahịa: | Ụlọ ihe ngosi nka, ụlọ mgbidi |
Nhazi: | usoro odida obodo |
Njikwa oyiyi: | 4:3- (ogologo: obosara) |
Ntụgharị nkọwa akụkụ: | ogologo bụ 33% ogologo karịa obosara |
Ụdị ihe dị iche iche: | mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nha ebipụta aluminom: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
ụba: | enweghị etiti |
Legal note: We try the best we can in order to describe our art products in as much detail as possible and to demonstrate them visually in our shop. Although, the colors of the print materials, as well as the imprint might differ slightly from the presentation on the device's monitor. Depending on your screen settings and the quality of the surface, color pigments can unfortunately not be printed 100% realistically. Bearing in mind that the fine art prints are printed and processed manually, there may as well be slight discrepancies in the size and exact position of the motif.
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