Alfred Stevens, 1874 - Mgbe bọọlụ gachara - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi mgbakwunye site na webụsaịtị ihe ngosi nka (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
This painting, also known as Confidence, is one of several by Stevens to treat the theme of consolation. As in his other works from the 1870s, here the anecdotal content of a letter containing distressing news asserts itself in a glimpse of the life of fashionable Parisian women in their elegant interiors. Stevens's subject matter and his meticulous attention to contemporary dress and decor elicited analogies to seventeenth-century Dutch and Flemish art; in fact, one critic called him the Gerard ter Borch of France.
Nkọwa nke ngwaahịa nka
a 19th narị afọ eserese aha ya Mgbe bọọlụ mere site Alfred Stevens. Emere izizi ihe karịrị afọ 140 na nha: 37 3/4 x 27 1/8 na (95,9 x 68,9 cm). Mmanụ na kwaaji was applied by the artist as the medium of the artpiece. The artpiece is included in the The Metropolitan Museum of Art's digital collection. With courtesy of: The Metropolitan Museum of Art, New York, Gift of Estate of Marie L. Russell, 1946 (public domain license). The creditline of the artwork is: Onyinye nke ala na ụlọ nke Marie L. Russell, 1946. Na mgbakwunye na nke a, nhazi nke mmepụta dijitalụ dị na Eserese usoro na oke nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. The painter Alfred Stevens was an artist from Belgium, whose art style can primarily be assigned to Romanticism. The European painter lived for 83 afọ, born in the year 1823 in Brussels, Bruxelles region, Belgium and passed away in 1906 in Paris, Ile-de-France, France.
Họrọ nhọrọ akụrụngwa gị
In the dropdown selection next to the product you can pick your prefered size and material. You can pick your favorite material and size among the subsequent choices:
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster print is a printed canvas paper with a slightly roughened structure on the surface. Please note, that depending on the size of the poster we add a white margin of around 2 - 6cm round about the print in order to facilitate the framing with a custom frame.
- Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with a true effect of depth. A non-reflective surface structure make a modern look. For our Direct Aluminium Dibond print, we print your selected artwork on the surface of the white-primed aluminum material.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is often denoted as a fine art print on plexiglass, makes your favorite original into wonderful décor and offers a distinct alternative option to aluminium and canvas prints. With an acrylic glass art print sharp contrasts as well as details will be recognizeable due to the subtle gradation of the picture. The real glass coating protects your custom art print against sunlight and heat for up to 6 decades.
- Kwaaji: A UV printed canvas material stretched on a wood stretcher frame. Your canvas print of this work of art will provide you with the unique chance of transforming your art print into a large size artpiece as you would see in a true gallery. Canvas prints are relatively low in weight, which means that it is easy to hang up the Canvas print without the support of any wall-mounts. That is why, canvas prints are suitable for all types of walls.
Ozi izugbe na onye na-ese ihe
Aha onye nka: | Alfred Stevens |
Aha utu aha: | Alfred Emile Leopold Joseph Victor Stevens, Stevens A., stevens alfred emile leopold victor, Stevens Alfred Emile Leopold Joseph Victor, alfd. stevens, Stevens Alfred Emile-Léopold, Alfred Stevens, Stevens Alfred, alfr. stevens, alfred emile leopold victor stevens, A. Stevens, stevens a. |
okike onye nka: | nwoke |
Obodo onye nka: | Onye Belgium |
Ọrụ: | onye na-ese ihe |
Obodo onye nka: | Belgium |
Nhazi nke onye nka: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Ihunanya |
Nwụrụ anwụ: | 83 afọ |
Afọ ọmụmụ: | 1823 |
Ebe omuma: | Brussels, Bruxelles mpaghara, Belgium |
Afọ ọnwụ: | 1906 |
Ebe ọnwụ: | Paris, Ile-de-France, France |
Data ndabere na ọrụ nka pụrụ iche
Aha nke eserese ahụ: | "After the Ball" |
Nchịkọta nke ọrụ nka: | sere |
Category: | nkà nke oge a |
Nhazi oge: | 19th narị afọ |
Ekepụtara: | 1874 |
Ogologo afọ nka nka: | ihe karịrị 140 afọ |
Agba na: | mmanụ na kwaaji |
Nha izizi: | 37 3/4 x 27 1/8 na (95,9 x 68,9 cm) |
Ụlọ ihe ngosi nka / ebe: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye Estate nke Marie L. Russell, 1946 |
Ebe E Si Nweta: | Onyinye nke ala na ụlọ nke Marie L. Russell, 1946 |
Nkọwapụta edemede
Nkewa edemede: | nka nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Nlụpụta: | arụpụtara na Germany |
Stockdị ngwaahịa: | a na-achọ |
Ihe eji eme atụmatụ: | nchịkọta nka (mmeputakwa), ihe ndozi ụlọ |
Ndozi onyonyo a: | usoro eserese |
Oke akụkụ onyonyo: | 1: 1.4 |
Ntụgharị nkọwa akụkụ: | ogologo bụ 29% mkpụmkpụ karịa obosara |
Nhọrọ akụrụngwa: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): | 50x70cm - 20x28", 100x140cm - 39x55" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x70cm - 20x28", 100x140cm - 39x55" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x70cm - 20x28" |
Ụdị mbipụta aluminom: | 50x70cm - 20x28", 100x140cm - 39x55" |
Igwe onyonyo: | agunyeghi |
Ozi dị mkpa: We try our best in order to depict our products as precisely as possible and to illustrate them visually on the product detail pages. Nonetheless, the colors of the print materials and the print result might differ marginally from the image on the monitor. Depending on the screen settings and the condition of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Considering that all fine art prints are processed and printed by hand, there may as well be slight deviations in the motif's exact position and the size.
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