Bronzino, 1530 - Eserese nke nwoke na-eto eto - mbipụta nka mara mma

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Mbipụta nka ọhụhụ nke onwe gị

Eserese nke Nwa okorobịa was by Bronzino. The masterpiece measures the size: 37 5/8 x 29 1/2 na (95,6 x 74,9 cm) na arụpụtara ya na Usoro mmanụ n'elu osisi. Nowadays, the work of art forms part of the digital collection of Museumlọ ihe ngosi nka nke Obodo located in New York City, New York, United States of America. This classic art artwork, which is part of the public domain is being provided with courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, HO Havemeyer mkpokọta, Arịrịọ nke Oriakụ HO Havemeyer, 1929. Additionally, the artpiece has the creditline: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. Besides this, the alignment of the digital reproduction is Eserese ma nwee oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

Nye iwu ihe onwunwe nke nhọrọ gị

Maka ngwaahịa ọ bụla anyị na-enye ụdị nha na ihe dị iche iche. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

  • Kwaaji: The UV printed canvas stretched on a wooden frame. Hanging your canvas print: Canvas prints are relatively low in weight. This means, it is easy to hang up the Canvas print without the use of any wall-mounts. A canvas print is suited for any type of wall.
  • Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with a true depth. The Direct Print on Aluminum Dibond is the excellent introduction to art replicas with aluminum. For the Print On Aluminum Dibond, we print the chosen work of art onto the aluminium composite white-primed surface. The colors of the print are luminous and bright, fine details of the print are clear and crisp. This direct UV print on Aluminum Dibond is the most popular entry-level product and is an extremely modern way to display fine art reproductions, because it puts all of the viewer’s attention on the replica of the artwork.
  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster is a printed flat canvas with a fine surface texture, that resembles the actual masterpiece. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm around the artwork to facilitate the framing with a custom frame.
  • Bipụta na iko acrylic na-egbuke egbuke: An acrylic glass print, which is sometimes labelled as a an art print on plexiglass, makes an original artwork into marvellous home décor. The artwork is manufactured with the help of state-of-the-art UV print technology.

Nkwupụta iwu: We try all that we can in order to describe the art products as exact as we can and to exhibit them visually on the different product detail pages. Please bear in mind that some tone of the printed materials, as well as the imprint might differ marginally from the representation on your monitor. Depending on the screen settings and the quality of the surface, not all colors can be printed 100% realistically. Bearing in mind that all are processed and printed by hand, there might also be slight deviations in the motif's exact position and the size.

Ozi ederede ahaziri

Nkewa ngwaahịa: nka nka
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Produzọ mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Mmalite nke ngwaahịa a: emepụtara na Germany
Stockdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa emebere: ụlọ mmepụta ihe nka, foto mgbidi
Nhazi: nhazi ihe osise
Njikwa oyiyi: 3: 4
Ihe: ogologo bụ 25% mkpụmkpụ karịa obosara
Materials: acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ.
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Mpempe akwụkwọ Dibony (ihe alumnium) nha: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhazi mmeputa nka nka: na-enweghị etiti

Nkọwa nka ahaziri

Aha eserese: "Ihe osise nke Nwa okorobịa"
Nhazi nke ihe nka: sere
Otu sara mbara: nka ochie
Time: 16th narị afọ
Emepụtara na: 1530
Afọ nka: 490 afọ
Usoro izizi: mmanụ n'elu osisi
Nha ihe osise izizi: 37 5/8 x 29 1/2 na (95,6 x 74,9 cm)
Ụlọ ihe ngosi nka / mkpokọta: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
website: Museumlọ ihe ngosi nka nke Obodo
Ụdị ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, HO Havemeyer mkpokọta, Arịrịọ nke Oriakụ HO Havemeyer, 1929
kreditline ọrụ nka: Mkpokọta HO Havemeyer, Arịrịọ nke Oriakụ HO Havemeyer, 1929

Nyocha ngwa ngwa nke onye na-ese ihe

Ihe nkiri: bronzino
okike nke onye nka: nwoke
Obodo onye nka: Italian
Ọrụ: onye na-ese ihe
Mba onye si: Italy
Nkewa onye nka: nna ukwu ochie
Afọ ọnwụ: 69 afọ
Afọ ọmụmụ: 1503
Nwụrụ n'afọ: 1572

Edochiri ederede a site na nwebiisinka © | Artprinta.com

(© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

The sitter of this arresting portrait remains unknown, but he was part of Bronzino’s close circle of literary friends in Florence and probably holds a book of poetry. The artist was himself a poet, delighting as much in the beauty of language as he did in the witty and fanciful details of his paintings. Here, viewers would have appreciated the carved grotesque heads on the table and chair, and the almost hidden, masklike face suggested in the folds of the youth’s breeches as comments on masks and disguises. Bronzino has delineated a sophisticated visual identity for his sitter.

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