Carl Wilhelmson, 1899 - Nwanne nwanyị nka - mbipụta nka mara mma

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• Kwaaji: A canvas direct print is a printed cotton canvas mounted on a wood frame. Furthermore, a canvas print produces a lively and warm effect. A canvas print has the advantage of being low in weight. This means, it is quite simple to hang up the Canvas print without any wall-mounts. That is why, canvas prints are suitable for all types of walls.
• Akwụkwọ mmado ebipụtara (ihe kwaaji): Our poster print is a UV printed sheet of flat canvas with a slight surface finish, which reminds the original masterpiece. It is best designed for putting the art replica with a special frame. Please keep in mind, that depending on the size of the poster print we add a white margin of approximately 2-6 cm round about the painting to facilitate the framing.
• Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are metal prints with a true effect of depth. The Direct Print on Aluminum Dibond is the excellent introduction to fine art reproductions with alu. The white & bright parts of the original artwork shine with a silky gloss, however without any glow. Colors are luminous in the highest definition, fine details appear clear and crisp.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is sometimes referred to as a an art print on plexiglass, makes the original artwork into brilliant home décor. Your own copy of the work of art is being custom-made with the help of state-of-the-art UV print technology. This creates the impression of deep, vibrant colors.

Ozi dị mkpa: We try all that we can in order to depict our products as exact as possible and to illustrate them visually. Nevertheless, the colors of the print materials and the printing can vary somehwat from the presentation on your monitor. Depending on the settings of your screen and the quality of the surface, color pigments can unfortunately not be printed as realistically as the digital version depicted here. Because our are processed and printed by hand, there might as well be minor differences in the exact position and the size of the motif.

Nkọwa ndị ọzọ dị ka enyere site na Nationalmuseum Stockholm (© - nke Nationalmuseum Stockholm - www.nationalmuseum.se)

English: Wilhelmson portrays his younger sister Anna wearing a yellow and white striped dress seated at a table writing – perhaps a letter. Briefly lifting her pen from the paper, she gazes at the viewer. The work was painted in their childhood home at Fiskebäckskil in Bohuslän. The sun shines brightly through the window’s lace curtains and the open door. The entire room is sunlit, which evokes the feeling of an idyllic summer. The yellow colour is echoed in the walls, textiles and flowers. Wilhelmson har här avbildat sin yngre syster Anna som klädd i gul- och vitrandig klänning sitter vid ett bord och skriver – kanske på ett brev. Hon har lyft pennan från pappret för ett ögonblick och tittar upp mot betraktaren. Målningen är utförd i barndomshemmet i Fiskebäckskil i Bohuslän. Solskenet lyser starkt genom fönstrets spetsgardiner och genom den öppna dörren. Hela rummet är solbelyst och frammanar en känsla av sommaridyll. Den gula färgen går igen i väggar, textilier och blommor.

In 1899 Carl Wilhelmson created the modern art work of art. The piece of art has the following size: Ogologo: 116 cm (45,6 ″); Obosara: 90 cm (35,4 ″) Ekebere: Elu: 121 cm (47,6 ″); Obosara: 94 cm (37 ″); Omimi: 5 cm (1,9 ″). Ibe nka bụ akụkụ nke National Museum nke Stockholm art collection. We are happy to mention that this ngalaba ọha a na-enye artpiece na nkwanye ùgwù nke Nationalmuseum Stockholm na Wikimedia Commons.: . Ọzọkwa, nhazi ahụ dị na eserese format na a akụkụ ruru nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

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