Carlo Saraceni, 1598 - Paradaịs - mbipụta nka mara mma

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In the product dropdown lists you can choose the size and materialaccording to your preferences. Hence, we allow you to choose among the following options:

• Kwaaji: The printed canvas, which shall not be mistaken with a painting on a canvas, is a digital replica applied onto canvas. A canvas print has the advantage of being low in weight, which implies that it is easy to hang up the Canvas print without additional wall-mounts. That is why, a canvas print is suitable for all types of walls.
• Akwụkwọ mmado na ihe kwaaji: A poster is a printed canvas paper with a granular texture on the surface. It is optimally appropriate for putting the art copy with the help of a customized frame. Please bear in mind, that depending on the size of the poster we add a white margin of something between 2-6 cm around the print, which facilitates the framing.
• Mbipụta enyo acrylic: The acrylic glass print, which is often referenced as a print on plexiglass, changes an original into décor. With an acrylic glass fine art print contrasts and granular details will be more recognizeable with the help of the very fine gradation.
• Aluminom ihe eji eme ihe: This is a metal print made on aluminium dibond with an outstanding depth effect. A non-reflective surface make a fashionable impression. The Direct Print on Aluminum Dibond is the perfect start to art reproductions on aluminum. The bright and white sections of the work of art shine with a silky gloss but without any glow. The colors of the print are luminous and vivid in the highest definition, details are crisp. The direct UV print on Aluminum Dibond is one of the most demanded entry-level products and is a modern way to display fine art prints, since it puts all of the viewer’s attention on the whole artwork.

Legal note: We do our best to describe our products as precisely as possible and to display them visually in our shop. Nevertheless, the pigments of the printed materials and the printing might vary to a certain extent from the representation on the device's screen. Depending on the screen settings and the nature of the surface, colors might not be printed one hundret percent realistically. In view of the fact that the are printed and processed by hand, there may also be slight differences in the size and exact position of the motif.

Nkọwa ihe osise izizi sitere na The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

In this scene, representing Paradise, Christ and God the Father are above, surrounded by the symbols of the Evangelists and flanked by the Virgin and Saint John the Baptist. The foreground figures represent (left) the Doctors of the Church, (center) Saint George, and (right) Saint Christopher. It is likely that the man looking out from bottom left may be a portrait of the original (unidentified) patron. Saraceni left Venice for Rome in 1598, and this picture, which is based on an altarpiece by Francesco Bassano in the church of the Gesù, was painted about this time.

In 1598 Carlo Saraceni painted the baroque piece of art. The 420 year old version of the painting was made with the absolute size - N'ozuzu 21 3/8 x 18 7/8 na (54,3 x 47,9 cm); elu agba 20 7/8 x 18 3/8 inch (53 x 46,7 cm). Mmanụ na ọla kọpa was used by the Italian painter as the technique for the masterpiece. The piece of art belongs to the digital collection of The Metropolitan Museum of Art. This ngalaba ọha masterpiece is being provided with courtesy of The Metropolitan Museum of Art, New York, Theodore M. Davis Collection, Bequest of Theodore M. Davis, by exchange, 1971. The creditline of the artpiece is the following: Theodore M. Davis Collection, Bequest of Theodore M. Davis, by exchange, 1971. Na mgbakwunye na nke ahụ, nhazi ahụ bụ Eserese ya na oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Carlo Saraceni was a male painter from Italy, whose artistic style can be classified as Baroque. The artist lived for 41 afọ a mụrụ na 1579 in Venice, Venezia province, Veneto, Italy and died in the year 1620 in Venice, Venezia province, Veneto, Italy.

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