Christian Albrecht Jensen, 1844 - Catherine Jensen, b. Lorenzen, nwunye onye na-ese ihe na akwa akwa - ọmarịcha nka

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In 1844 na Danish painter Christian Albrecht Jensen painted this masterpiece "Cathrine Jensen, b. Lorenzen, the artist's wife with turban". E wezụga nke ahụ, ọrụ nka gụnyere na Statens Museum maka Kunst (National Gallery nke Denmark)'s nchịkọta. Nke nkà nke oge a artpiece, nke bụ nke ngalaba ọha a na-agụnye na nkwanye ùgwù nke National Gallery nke Denmark.: . In addition to this, the alignment is in portrait format with a ratio of 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter Christian Albrecht Jensen was an artist from Denmark, whose art style can mainly be assigned to Realism. The Danish artist was born in the year 1792 in Bredstedt, Schleswig and died at the age of 78 in the year 1870.

Nhọrọ akụrụngwa gị

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Aluminom dibond (ọkpụkpụ ọla): This is a metal print manufactured on aluminium dibond material with an impressive effect of depth. The Aluminium Dibond Print is your best start to fine replicas on aluminum. For your Direct Print On Aluminum Dibond, we print your favorite work of art on the aluminium surface. The bright & white parts of the work of art shimmer with a silky gloss but without the glow. The direct UV print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely contemporary way to showcase artworks, because it draws attention on the image.
  • Poster (akwa akwa akwa): A poster print is a printed canvas with a granular finish on the surface. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6cm round about the painting, which facilitates the framing with your custom frame.
  • Mbipụta kwaaji: The canvas print is a printed cotton canvas stretched on a wood frame. It produces the exclusive effect of three dimensionality. Furthermore, a canvas generates a homelike, enjoyable appearance. The advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang up the Canvas print without extra wall-mounts. A canvas print is suited for all types of walls.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An print on acrylic glass, which is sometimes referenced as a an art print on plexiglass, transforms your chosen original work of art into marvellous home décor. The great benefit of a plexiglass print is that contrasts as well as small painting details will be exposed with the help of the very subtle tonal gradation. The real glass coating protects your selected art replica against sunlight and external influences for many decades.

Ederede iwu: We try whatever we can in order to describe our art products as precisely as possible and to showcase them visually on the different product detail pages. Please keep in mind that the tone of the print products and the print result may diverge to a certain extent from the representation on the device's monitor. Depending on your settings of your screen and the nature of the surface, color pigments might not be printed 100% realistically. Given that all are processed and printed manually, there might as well be slight differences in the motif's size and exact position.

Banyere ngwaahịa a

Bipụta ụdị ngwaahịa: ọmarịcha nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite nke ngwaahịa a: Germany
Ụdị ngwaahịa: a na-achọ
Ojiji ngwaahịa: mgbidi mgbidi, ụlọ ihe osise nka
Ntuziaka onyonyo: nhazi ihe osise
Ụdị anya: ( Ogologo: obosara) 3: 4
Ihe: ogologo bụ 25% mkpụmkpụ karịa obosara
Nhọrọ ihe dị: Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Aluminom dibond ọdịdị nha ebipụta: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhazi mbipụta nka: na-enweghị etiti

Tebụl a haziri ahazi nke ọrụ nka

Akụkụ nka: "Cathrine Jensen, b. Lorenzen, the artist's wife with turban"
nhazi ọkwa: sere
Okwu nche anwụ: nkà nke oge a
Century: 19th narị afọ
Afọ nka: 1844
Afọ nka: karịa afọ 170
Ụlọ ihe ngosi nka / mkpokọta: Statens Museum maka Kunst (National Gallery nke Denmark)
Ebe ngosi nka: Copenhagen, Denmark
Dị n'okpuru: Statens Museum maka Kunst (National Gallery nke Denmark)
License: ngalaba ọha
Site n'aka: National Gallery nke Denmark

Onye na-ese ihe

Ihe nkiri: Christian Albrecht Jensen
Aha ndị ọzọ: Jensen C. A., Christian Albrecht Jensen, Jensen Christian Albrecht
Gender: nwoke
Obodo onye nka: Danish
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Country: Denmark
Otu nka: omenkà nke oge a
styles: Ihe ngosi
Nwụrụ anwụ: 78 afọ
Amụrụ n'afọ: 1792
Amụrụ na (ebe): Bredstedt, Schleswig
Afọ nwụrụ: 1870
Ebe ọnwụ: Copenhagen, Hovedstaden, Denmark

© echekwabara ikike nwebiisinka, www.artprinta.com (Artprinta)

General description as provided from Statens Museum for Kunst (National Gallery of Denmark) (© - by Statens Museum for Kunst (National Gallery of Denmark) - www.smk.dk)

Museum label available only in Danish:

For the Golden Age nationally minded art judges were portrait painter C.A. Jensen's "virtuoso" and internationally-oriented style of painting suspicious by its worship of rapid brush strokes.

The artist left them raw and distinctive style gave that person the drawing with a volatility as an ethical gaze could occur without obligation.

The artist's wife In the portrait of the artist's wife seen the same manner of painting in, for example, the summary view of the bead chain shiny surface. But the portrayed changing appearance produced from a timeless angle.

Cathrine's right hand in front of the lap and the variegated turban, which forms a halo around her head, quotations from canonical female representations in European art: from antique Venus statues where hands covering modestly for Love Goddess bust and shot, and from the Renaissance painter Raphael's production of its mistress La Fornarina with a similar turban.

Pictorial Securing the love In this way, the artist metaphorically made his love in a double sense. He has raised the production of his wife beyond the immediate and committed at a time and place fixed image of been aimed femininity.

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