Corneille de Lyon, 1540 - Eserese nke nwoke - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ọ bụ ndị mepụtara ihe osise a istbụ nwe- Corneille de Lyon in 1540. E ji nha ya see nke mbụ ya: 6 7/8 x 6 1/8 na (17,5 x 15,6 cm). Oil on wood was applied by the artist as the technique for the artpiece. This work of art is included in the Ụlọ ihe ngosi nka nke Metropolitan mkpokọta nka. Nke nka ochie ngalaba ọha masterpiece na-gụnyere na n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, HO Havemeyer mkpokọta, Arịrịọ nke Oriakụ HO Havemeyer, 1929. In addition to that, the artpiece has the following creditline: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. Moreover, alignment of the digital reproduction is in portrait format and has a ratio of 1: 1.2, which implies that the length is 20% shorter than the width. The painter Corneille de Lyon was an artist, whose style can be attributed primarily to Mannerism. The Mannerist artist was born in 1500 in The Hague and died at the age of 75 in 1575.
Nhọrọ akụrụngwa gị
In the product dropdown selection you can select the size and materialaccording to your personal preferences. Choose your preferred material and size among the choices:
- Mbipụta kanvas: The canvas print, which should not be mistaken with a real canvas painting, is an image applied directly on cotton canvas. Canvas prints are relatively low in weight, which means that it is quite simple to hang up the Canvas print without extra wall-mounts. A canvas print is suited for any kind of wall.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a UV printed flat canvas paper with a slightly rough structure on the surface. It is particularly qualified for placing the art replica with a special frame. Please keep in mind, that depending on the size of the poster we add a white margin of around 2-6cm around the work of art to facilitate the framing with a custom frame.
- Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are metal prints with an outstanding effect of depth. A non-reflective surface make a fashionable look.
- Mbipụta enyo acrylic: The print on acrylic glass, which is often described as a UV print on plexiglass, transforms your chosen original into brilliant home decoration. What is more, the acrylic glass art print makes a viable alternative to dibond and canvas art prints.
Legal disclaimer: We try the best we can to depict the art products as precisely as it is possible and to display them visually in our shop. At the same time, the pigments of the printing material and the imprint may vary marginally from the representation on the device's monitor. Depending on the screen settings and the nature of the surface, not all color pigments will be printed as realistically as the digital version. Since all are processed and printed by hand, there might also be slight differences in the motif's exact position and the size.
Banyere ngwaahịa a
Ụdị ngwaahịa: | nka nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Ihe ngosi: | German mere |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa emebere: | ihe ndozi ụlọ, foto mgbidi |
Ntuziaka onyonyo: | nhazi ihe osise |
Oke akụkụ: | (ogologo: obosara) 1: 1.2 |
Oke akụkụ pụtara: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ akwa: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta aluminom (aluminium dibond ihe) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mbipụta nka: | adịghị |
Data ndabere gbasara nka nka izizi
Aha eserese: | "Ihe osise nke nwoke" |
Nhazi nka: | sere |
Okwu mkpokọta: | nka ochie |
oge: | 16th narị afọ |
Year: | 1540 |
Afọ nka: | ihe karịrị afọ 480 |
Usoro nka izizi: | mmanụ n'elu osisi |
Nha ihe osise izizi: | 6 7/8 x 6 1/8 na (17,5 x 15,6 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | www.metmuseum.org |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, HO Havemeyer mkpokọta, Arịrịọ nke Oriakụ HO Havemeyer, 1929 |
Ebe E Si Nweta: | Mkpokọta HO Havemeyer, Arịrịọ nke Oriakụ HO Havemeyer, 1929 |
Nkọwa onye nka
Aha onye nka: | Corneille de Lyon |
Gender: | nwoke |
Ọrụ: | onye na-ese ihe |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Omume |
Oge ndu: | 75 afọ |
Amụrụ n'afọ: | 1500 |
Ebe omuma: | The Hague |
Afọ ọnwụ: | 1575 |
Obodo ọnwụ: | Lyon |
Enwere ikike nwebiisinka ©, Artprinta.com (Artprinta)
(© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)
Based on the sitter’s costume, this portrait of a self-assured inhabitant of Lyon may be dated around 1540–50.