Corneille de Lyon, 1535 - Eserese nwoke nwere uwe aka - mbipụta nka mara mma

Nchịkọta ngwaahịa zuru ezu

This over 480 year old work of art "Portrait of a Man with Gloves" was created by the nwoke artist Corneille de Lyon. The n'elu 480 afọ mbụ nwere size nke 8 3/8 x 6 1/2 na (21,3 x 16,5 cm) ma were ihe osise ese Usoro of oil on wood. Besides, the artwork is included in the collection of Museumlọ ihe ngosi nka nke Obodo, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915 (ikike ngalaba ọha). The creditline of the artwork is the following: Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915. In addition to that, the alignment is portrait with an aspect ratio of 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. Corneille de Lyon was a male painter, whose art style can be attributed primarily to Mannerism. The Mannerist painter was born in the year 1500 na The Hague na nwụrụ anwụ na afọ nke 75 na 1575 na Lyon.

(© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Because this portrait is closely related to Corneille’s only documented painting (Louvre, Paris), it is a touchstone for attributions to the artist. Corneille pays particular attention to details of personal adornment: the fur collar, the ring on his index finger, and the ruffled cuffs of his shirt. Here Corneille includes the sitter’s hands, emphasized by the expensive gloves he holds. This work seems to reflect the artist’s northern roots and early style, whereas the surrounding portraits exhibit a more refined, courtly style that the artist developed in France.

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In the product dropdown menu you can select the material and size of your choice. Hence, we allow you to choose among the following options:

• Mbipụta kwaaji: The UV printed canvas applied on a wood frame. A printed canvas makes a cosy and pleasing ambience. Hanging a canvas print: The great advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up your Canvas print without any wall-mounts. A canvas print is suited for any kind of wall.
• Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with a true effect of depth. A direct Direct Print on Aluminum Dibond is the excellent start to fine art prints with aluminum. The white and bright parts of the original artwork shine with a silk gloss but without the glow.
• Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke (ya na mkpuchi iko n'ezie): A glossy print on acrylic glass, often described as a an art print on plexiglass, will change the original into marvellous décor and forms a distinct alternative option to canvas and aluminidum dibond fine art replicas. Your own replica of the work of art will be manufactured with state-of-the-art UV print machines. The plexiglass with real glass coating protects your chosen fine art print against light and heat for many years to come.
• Mpempe akwụkwọ ederede (akwa akwa akwa): The poster print is a printed sheet of flat cotton canvas with a slightly roughened surface structure. The print poster is particularly used for putting the art replica in a custom frame. Please bear in mind, that depending on the size of the poster we add a white margin between 2 - 6cm around the print motif, which facilitates the framing with a custom frame.

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Disclaimer: We try our best to describe the art products as clearly as possible and to illustrate them visually. Nonetheless, some tone of the print products and the printing may diverge slightly from the image on your device's screen. Depending on the settings of your screen and the nature of the surface, color pigments might not be printed as exactly as the digital version depicted here. In view of the fact that our art prints are printed and processed by hand, there may as well be slight discrepancies in the motif's size and exact position.

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