Jean-Baptiste Greuze, 1780 - Princess Varvara Nikolaevna Gagarina (1762-1802) - ọmarịcha akwụkwọ nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ihe osise na aha Princess Varvara Nikolaevna Gagarina (1762-1802) dị ka art copy
a nka ochie ihe osise e kere site na nwoke artist Jean-Baptiste Greuze. The painting was made with the size: Oval, 31 1/2 x 25 in (80 x 63,5 cm) and was crafted with the Usoro of oil on canvas. Moveover, this artpiece can be viewed in in the digital art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The nka ochie ngalaba ọha artpiece is being supplied with courtesy of The Metropolitan Museum of Art, New York, Gift of Mrs. William M. Haupt, from the collection of Mrs. James B. Haggin, 1965. Furthermore, the artwork has the creditline: Onyinye nke Oriakụ William M. Haupt, sitere na nchịkọta Oriakụ James B. Haggin, 1965. What is more, the alignment is portrait with an aspect ratio of 3 : 4, which means that ogologo bụ 25% mkpụmkpụ karịa obosara. Jean-Baptiste Greuze was a painter, whose style can mainly be classified as Rococo. The artist was born in the year 1725 in Tournus, Bourgogne-Franche-Comte, France and passed away at the age of 80 na 1805.
Nkọwa ndị ọzọ sitere na weebụsaịtị The Metropolitan Museum of Art (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Varvara Nikolaevna Golitsyna, who was born on July 7, 1762, married Prince Sergei Sergeyevich Gagarin (1745-1798) and was the mother of four children. She died at thirty-nine. As Greuze never went to Russia, the princess must have visited Paris either shortly before or after her wedding. Her pose is distant and formal, while her costume is not unlike the dresses worn by the queen, Marie Antoinette (1755-1793), in the early 1780s.
Nkọwa ahaziri nke mpempe nka
Aha nke ihe nka: | "Princess Varvara Nikolaevna Gagarina (1762-1802)" |
Nhazi nka nka: | sere |
Okwu mkpokọta: | nka ochie |
Century: | 18th narị afọ |
Emepụtara n'afọ: | 1780 |
Ogologo afọ nka nka: | ihe dị ka afọ 240 |
Usoro nka izizi: | mmanụ na kwaaji |
Nha izizi nka: | Oval, 31 1/2 x 25 inch (80 x 63,5 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Ibe weebụ: | www.metmuseum.org |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Onyinye nke Oriakụ William M. Haupt, sitere na nchịkọta Oriakụ James B. Haggin, 1965 |
Ebe E Si Nweta: | Onyinye nke Oriakụ William M. Haupt, sitere na nchịkọta Oriakụ James B. Haggin, 1965 |
Banyere onye na-ese ihe
aha: | Jean-Baptiste Greuze |
Aha nka ndị ọzọ: | גרץ ז'אן בפטיסט, greuze jean-baptiste, J.B. Greüse, Cruise Jean-Baptiste, Greuze Jean Baptiste, Attribué a Greuze, Grouse Jean-Baptiste, De Gruse Jean-Baptiste, jan-baptiste greuze, greuze jean baptiste, Gruze Jean-Baptiste, Creuze Jean-Baptiste, Greuze J.-B., J. Baptist Greuze, Jean Baptiste Greuze, Gruce, Jean-Baptiste Greuze, jean bapt. greuze, M. Greuse, J. B. Greuze, D'apres M. Greuze, Gruize, Gruze, Jean-Bapt. Greuze, Gruce Jean-Baptiste, Greuse, g. b. greuze, J. P. Greuze, Grenze, J. B. Greuzes, J.B Greuse, Greuzs, Creuze, i. b. greuze, Creuse Jean-Baptiste, jean baptist greuze, jean b. greuze, Gruse, John Baptist Greuze, Greuz, Grouse, J. B. Greuse, greuze j.b., Grueze, J.B. Greuze, Greuzes, M. Greuze, J. Bapt. Greuze, Gruise, Greuze, Gruese, jan bapt. greuze, jan baptiste greuze, Greuse Jean-Baptiste, greuze j. b., Greuze Jan Bapt., De Gruse, Greuze Jean-Baptiste, joh. bapt. greuze, I.B. Greuze, J.-B. Greuse, J.-B. Greuze, Johann Baptist Greuze, Grëz Zhan-Batist, Creuse |
okike onye nka: | nwoke |
Obodo onye nka: | French |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Mba onye si: | France |
Otu nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Rococo |
Akwụsị: | 80 afọ |
Afọ amụrụ: | 1725 |
Ebe omuma: | Tournus, Bourgogne-Franche-Comte, France |
Nwụrụ n'afọ: | 1805 |
Obodo ọnwụ: | Paris, Ile-de-France, France |
Nweta nhọrọ akụrụngwa ọkacha mmasị gị
Maka mbipụta nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha dị iche iche. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:
- Metal (aluminium debond mbipụta): An Aluminium Dibond print is a material with an impressive effect of depth, which makes a fashionable look throuch a surface structure, that is non-reflective. The Aluminium Dibond Print is your ideal start to fine art replicas produced with alu. The bright and white sections of the original artpiece shine with a silk gloss, however without the glare. The colors are luminous in the highest definition, the details appear crisp, and you can literally perceive a matte appearance of the surface.
- Ugogbe acrylic ebipụtara: An acrylic glass print, often referenced as a fine art print on plexiglass, will change the artwork into lovely wall décor. In addition to that, the acrylic fine art print forms a viable alternative option to canvas or aluminium dibond prints. The real glass coating protects your custom fine art print against sunlight and external influences for between 40-60 years.
- Mbipụta kwaaji: The UV printed canvas material stretched on a wooden stretcher frame. It creates a distinctive effect of three dimensionality. How do I hang a canvas on my wall? The advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang up your Canvas print without the support of additional wall-mounts. That is why, a canvas print is suitable for all types of walls.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster is a printed canvas with a nice structure on the surface. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2 - 6cm around the print motif to facilitate the framing.
Ozi ndabere edemede
Nkewa edemede: | ezi nka mmeputakwa |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo |
Mmalite nke ngwaahịa a: | Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
Ihe eji eme atụmatụ: | ihe ndozi mgbidi, gallery mgbidi |
Ndozi onyonyo a: | nhazi ihe osise |
Ụdị anya: | 3:4- (ogologo: obosara) |
Akụkụ akụkụ pụtara: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Akwa mmeputakwa dị: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhọrọ nha mbipụta aluminom: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhazi mbipụta nka: | agunyeghi |
Nkwupụta iwu: We try everythig possible to describe the art products as accurately as possible and to demonstrate them visually. At the same time, the pigments of the printed materials and the print result may diverge somehwat from the representation on your monitor. Depending on your settings of your screen and the nature of the surface, color pigments may not be printed one hundret percent realistically. Considering that the are processed and printed manually, there may also be minor deviations in the motif's size and exact position.
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