Joseph Siffred Duplessis, 1776 - Madame de Saint-Morys (Eleanor Elizabeth Angelica Beauterne, 1742-1824) - ọmarịcha akwụkwọ nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa nke ngwaahịa nka a
a nka ochie ihe osise na-ese nwoke artist Joseph Siffred Duplessis na 1776. The 240 ụdị ọrụ nka nke afọ dị afọ nwere nha ndị a: 39 1/2 x 31 7/8 na (100,3 x 81 cm). Oil on canvas was applied by the artist as the medium of the artwork. Today, this artwork belongs to the digital art collection of Museumlọ ihe ngosi nka nke Obodo. a nka ochie ngalaba ọha artpiece is being supplied with courtesy of The Metropolitan Museum of Art, New York, Bequest of James A. Aborn, 1968. Creditline of the artwork: Bequest of James A. Aborn, 1968. Furthermore, alignment of the digital reproduction is Eserese ma nwee oke nke 1: 1.2, nke pụtara na ogologo 20% dị mkpụmkpụ karịa obosara.
Original information about the artwork by The Metropolitan Museum of Art (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)
The portrait was admired for its truthfulness and the delicate treatment of the draperies. In his copy of the 1777 Salon catalogue, Gabriel de Saint-Aubin made a small sketch which has permitted the identification of the sitter.
Tebụl a haziri ahazi nke ihe osise
Aha nke ọrụ nka: | "Madame de Saint-Morys (Eleanor Elizabeth Angelica Beauterne, 1742-1824)" |
nhazi ọkwa: | sere |
Otu sara mbara: | nka ochie |
Time: | 18th narị afọ |
Afọ nka: | 1776 |
Afọ nka: | ihe dị ka afọ 240 |
Agba na: | mmanụ na kwaaji |
Nha izizi nka: | 39 1/2 x 31 7/8 na (100,3 x 81 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Webụsaịtị ihe ngosi nka: | www.metmuseum.org |
License: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Bequest of James A. Aborn, 1968 |
Ebe E Si Nweta: | Bequest of James A. Aborn, 1968 |
Tebụl nchịkọta ihe nkiri
Aha onye nka: | Joseph Siffred Duplessis |
okike onye nka: | nwoke |
Obodo onye nka: | French |
Ọrụ: | onye na-ese ihe |
Obodo onye nka: | France |
Nhazi nke onye nka: | nna ukwu ochie |
Nwụrụ na afọ nke: | 77 afọ |
Afọ ọmụmụ: | 1725 |
Afọ nwụrụ: | 1802 |
Họrọ ihe ị chọrọ
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:
- Mbipụta kanvas: The printed canvas, which should not be mistaken with a canvas painting, is a digital replica printed on a canvas. A canvas print has the advantage of being relatively low in weight, meaning that it is easy to hang the Canvas print without additional wall-mounts. Canvas prints are suitable for all types of walls.
- Bipụta na iko acrylic na-egbuke egbuke: An acrylic glass print, often named a plexiglass print, changes an original into beautiful home decoration and offers a viable alternative option to dibond and canvas prints. The artwork will be manufactured with state-of-the-art UV direct print technology. The acrylic glass protects your selected art replica against light and heat for between four and six decades.
- Akwụkwọ mmado ebipụtara (ihe kwaaji): Our poster is a printed canvas with a slightly roughened surface texture, which reminds the actual masterpiece. A poster is perfectly qualified for putting your art replica using a custom-made frame. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm around the artwork, which facilitates the framing with your custom frame.
- Mbipụta aluminom (aluminium dibbond): This is a metal print made on aluminium dibond with an outstanding effect of depth - for a modern impression and a non-reflective surface structure. A direct Direct Print on Aluminum Dibond is your best start to fine art reproductions manufactured on aluminum.
Banyere ngwaahịa a
Bipụta ụdị ngwaahịa: | nka nka |
Usoro mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Production usoro: | UV kpọmkwem obibi |
Production: | emepụtara na Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ihe eji eme atụmatụ: | mgbidi gallery, mgbidi ịchọ mma |
Nhazi onyonyo: | usoro eserese |
Oke akụkụ: | 1: 1.2 (ogologo: obosara) |
Nsonaazụ nke akụkụ onyonyo: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ akụrụngwa: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nke mbipụta aluminom (aluminium dibond material) | 50x60cm - 20x24", 100x120cm - 39x47" |
Igwe onyonyo: | biko chere na mmeputakwa a enweghi etiti |
Ozi dị mkpa: We try everythig possible in order to describe our products as precisely as possible and to illustrate them visually in our shop. Nonetheless, the pigments of the print products and the imprint may diverge somehwat from the image on the monitor. Depending on the screen settings and the condition of the surface, not all colors are printed one hundret percent realistically. Since all are printed and processed manually, there may also be slight discrepancies in the size and exact position of the motif.
© echebe nwebiisinka | www.artprinta.com (Artprinta)