Joseph Wright, 1770 - Eserese nwanyị - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Isiokwu
Eserese nwanyị is a masterpiece by the male artist Joseph Wright. Emere eserese ahụ na nha: 49 7/8 x 40 inch (126,7 x 101,6 cm) e were kwa ihe-ọcha tee ya mmanụ na kwaaji. N'ịga n'ihu, ihe osise ahụ dị n'ime Ụlọ ihe ngosi nka nke Metropolitan nchịkọta. Anyị nwere obi ụtọ ikwupụta na ngalaba ọha piece of art is supplied with courtesy of The Metropolitan Museum of Art, New York, Gift of Heathcote Art Foundation, 1986. The creditline of the artwork is: Gift of Heathcote Art Foundation, 1986. What is more, the alignment of the digital reproduction is Eserese with a ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. Joseph Wright was a painter, whose style was mainly Baroque. The artist lived for 63 years and was born in the year 1734 in Bordentown, Burlington county, New Jersey, United States and passed away in the year 1797.
Nkọwa mgbakwunye site na webụsaịtị ihe ngosi nka (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Joseph Wright of Derby was the first major British painter to work almost entirely outside London. Most of his patrons were merchants or industrialists from the Midlands or members of the local gentry. This portrait of an unknown lady was probably painted about 1770, the high point of Wright's early career as a portraitist, and is a fine example of the direct, descriptive style he employed—far removed from the artificial conventions favored in London society.
Nkọwa na artpiece
Aha nka nka: | "Ihe osise nke nwanyị" |
Nchịkọta nke ọrụ nka: | sere |
Okwu mkpokọta: | nka ochie |
Nhazi oge: | 18th narị afọ |
Afọ okike: | 1770 |
Ogologo afọ nka nka: | ihe karịrị afọ 250 |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Ogo nke ọrụ nka izizi: | 49 7/8 x 40 inch (126,7 x 101,6 cm) |
Ụlọ ihe ngosi nka / ebe: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye Heathcote Art Foundation, 1986 |
Ebe kredit nke ọrụ nka: | Onyinye nke Heathcote Art Foundation, 1986 |
Tebụl onye na-ese ihe
aha: | Joseph Wright |
Aha ndị ọzọ: | Wright Joseph, Joseph Wright |
okike onye nka: | nwoke |
Obodo onye nka: | British |
Ọrụ: | onye na-ese ihe |
Country: | United Kingdom |
Nhazi nke onye nka: | nna ukwu ochie |
Ụdị nka: | Baroque |
Akwụsị: | 63 afọ |
Afọ ọmụmụ: | 1734 |
Ebe omuma: | Bordentown, Burlington County, New Jersey, Njikota Obodo Amerika |
Afọ nwụrụ: | 1797 |
Nye iwu ihe ị họọrọ
Ndepụta ndetu ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha nke gị. Nhọrọ ndị a dị maka n'otu n'otu:
- Kwaaji: The canvas print, which shall not be mistaken with a painting on a canvas, is a digital replica printed on an industrial printing machine. A canvas has a exclusive effect of three-dimensionality. The printed canvas produces a attractive and positive impression. A canvas of your favorite artpiece will allow you to transform your personal into a large size artpiece as you would see in a real gallery. A canvas print has the advantage of being relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without any wall-mounts. That is why, a canvas print is suitable for all kinds of walls.
- Aluminom ihe eji eme ihe: These are metal prints on aluminium dibond material with a true depth. The white and bright parts of the artpiece shimmer with a silky gloss, however without any glow.
- Mbipụta enyo acrylic: An acrylic glass print, which is often described as a an art print on plexiglass, makes your favorite artwork into beautiful wall décor. Additionally, the acrylic print is a great alternative to canvas or dibond fine art prints. Your work of art is printed with the help of state-of-the-art UV direct printing technology. The great upside of an acrylic glass fine art print is that sharp contrasts and granular image details become more identifiable with the help of the delicate gradation of the print.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster is a printed canvas with a fine texture on the surface. Please keep in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm around the print motif, which facilitates the framing with your custom frame.
Ihe nkọwa
Nkewa edemede: | nka nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV / dijitalụ |
Production: | Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa a chọrọ: | nchịkọta nka (mmeputakwa), mma mgbidi |
Nhazi onyonyo: | usoro eserese |
Ụdị anya: | ogologo ruo obosara 1: 1.2 |
Nkọwa: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ dị: | Mpempe akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nha ebipụta aluminium dibond: | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | mmeputakwa na-enweghị isi |
Disclaimer: We make every effort to depict the products in as much detail as possible and to demonstrate them visually on the product detail pages. Although, the tone of the printed materials and the print result may diverge somehwat from the presentation on your device's screen. Depending on the settings of your screen and the nature of the surface, colors may not be printed as exactly as the digital version shown here. Given that our fine art prints are processed and printed by hand, there may also be minor deviations in the motif's size and exact position.
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