Bernardino Fungai, 1500 - Ọmụmụ ọmụmụ - mbipụta nka mara mma

Ozi mgbakwunye nke The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Fungai's mature style reflects his awareness of the work of Umbrian artists active in Siena in the last decade of the fifteenth century. The present picture seems to date after 1500 and repeats features of an altarpeice in the cathedral at Chiusi. The landscape, however, is more elaborate. A good deal of Fungai's work depends for its effect on his skillful handling of gilt ornament and delicately rendered details. In the present picture these passages have been sadly compromised by abrasion and over-cleaning.

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• Kwaaji: The canvas print is a printed cotton canvas stretched on a wooden frame. A canvas generates the particular effect of three dimensionality. Canvas prints are relatively low in weight. That means, it is easy to hang the Canvas print without the help of extra wall-mounts. Hence, a canvas print is suitable for any type of wall.
• Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an outstanding depth - for a modern look and a non-reflective surface. A direct Aluminium Dibond Print is the excellent start to fine prints manufactured on aluminum. For your Aluminium Dibond print, we print the chosen artpiece on the surface of the aluminum material. The bright sections of the work of art shimmer with a silky gloss but without the glare.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often labelled as a fine art print on plexiglass, will transform the original artwork into amazing home décor. The real glass coating protects your selected art replica against sunlight and external influences for between 40-60 years.
• Akwụkwọ mmado na ihe kwaaji: The Artprinta poster is a UV printed sheet of canvas paper with a granular structure on the surface. Please keep in mind, that depending on the size of the poster print we add a white margin of around 2-6cm round about the print in order to facilitate the framing with your custom frame.

Nkọwapụta nka nka akpọrọ Ọmụmụ ọmụmụ

Ihe nka aha ya bu Ọmụmụ ọmụmụ kere site na mmalite mmalite master Bernardino Fungai in 1500. The 520 eserese gbara afọ na-atụle akụkụ ndị a: N'ozuzu 55 3/8 x 40 1/2 na (140,7 x 102,9 cm); elu agba 54 7/8 x 39 3/4 inch (139,4 x 101 cm). Mmanụ na ọla edo n'elu osisi was used by the Italian artist as the technique for the masterpiece. It is part of the Ụlọ ihe ngosi nka nke Metropolitan nchịkọta dijitalụ dị na New York City, New York, Njikota Obodo Amerika. We are pleased to state that the masterpiece, which is part of the ngalaba ọha a na-enye ya site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1926. Na mgbakwunye na nke ahụ, artpiece nwere kreditline na-esonụ: Rogers Fund, 1926. Besides this, the alignment is portrait with an aspect ratio of 1: 1.4, meaning that the length is 29% shorter than the width. The painter Bernardino Fungai was a European artist, whose artistic style can primarily be attributed to Early Renaissance. The painter was born in the year 1460 in Siena, Siena province, Tuscany, Italy and died at the age of 56 in 1516 in Siena, Siena province, Tuscany, Italy.

Ederede iwu dị mkpa: We try everything to depict our art products as accurate as possible and to demonstrate them visually. However, the colors of the print products, as well as the print result might diverge slightly from the presentation on your monitor. Depending on your screen settings and the condition of the surface, not all colors are printed as exactly as the digital version depicted here. Since our fine art prints are printed and processed manually, there might as well be slight deviations in the exact position and the size of the motif.

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