Eugène Delacroix, 1850 - Onye na-agba ịnyịnya Moroccan na-agafe Ford - mbipụta nka mara mma.

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Nchịkọta nke ngwaahịa

"Moroccan Horseman Crossing a Ford" was by the male French artist Eugène Delacroix in 1850. Moveover, the artpiece is part of the art collection of Ụlọ ihe ngosi nka nke J. Paul Getty, nke dị na Los Angeles, California, Njikota Obodo Amerika. Site n'ikike nke: Ụlọ ihe ngosi nka nke J. Paul Getty (ikike ngalaba ọha).The creditline of the artwork is the following: . Moreover, alignment is portrait with a ratio of 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Eugène Delacroix was a European artist, whose style can be classified as Romanticism. The painter lived for 65 years, born in the year 1798 in Saint-Maurice, Val-de-Marne and died in 1863.

Nkọwa mgbakwunye sitere na ụlọ ngosi nka (© Nwebiisinka - Ụlọ ihe ngosi nka J. Paul Getty - Ụlọ ihe ngosi nka nke J. Paul Getty)

Dramatically lit and heroically isolated, a Moroccan horseman, fist upraised, charges across a ford, his horse rearing as it gains the riverbank. Behind them stretches an expansive plain where another lone horseman gallops towards a military encampment. The two rearing horses echo each other, just as the foremost horse's tail repeats the form of the weeds on the riverbank. In the background, under a turbulent sky, lies a chain of dark mountains.

Delacroix drew inspiration for this painting from his 1832 trip to Morocco, during which he feverishly took notes and made countless sketches and watercolors. The horsemen he encountered in Morocco were among his favorite subjects. As his writings attest, Delacroix saw in them a living incarnation of the noble of spirit and terrible strength of will that he associated with the heroes of antiquity. He designed this small-scale painting for private contemplation, signaling a general retreat into a more subjective realm of exoticism and fantasy.

Ozi ndabere na nka nka izizi

Aha nke ọrụ nka: "Moroccan Horseman Crossing a Ford"
Nhazi nka: sere
Otu sara mbara: nkà nke oge a
Century: 19th narị afọ
Emepụtara na: 1850
Ogologo afọ nka nka: 170 afọ
Ụlọ ihe ngosi nka / ebe: Ụlọ ihe ngosi nka nke J. Paul Getty
Ebe ngosi nka: Los Angeles, California, Njikota Obodo Amerika
Weebụsaịtị nke ihe ngosi nka: Ụlọ ihe ngosi nka nke J. Paul Getty
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke J. Paul Getty

Tebụl nchịkọta ihe nkiri

aha: Eugene Delacroix
Gender: nwoke
Obodo onye nka: French
Ọrụ: onye na-ese ihe
Obodo onye nka: France
nhazi ọkwa: omenkà nke oge a
Ụdị nka: Ihunanya
Nwụrụ na afọ nke: 65 afọ
Afọ ọmụmụ: 1798
Ebe amụrụ onye: Saint-Maurice, Val-de-Marne
Nwụrụ n'afọ: 1863
Nwụrụ na (ebe): Paris

Nweta ngwaahịa ngwaahịa ọkacha mmasị gị

In the dropdown menu right next to the article you can select your individual size and material. We allow you to pick your favorite size and material among the following product individualization options:

  • Mbipụta kanvas: The printed canvas, not to be mistaken with a painting on a canvas, is a digital image applied directly on cotton canvas fabric. It creates the exclusive effect of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang the Canvas print without the help of additional wall-mounts. Therefore, canvas prints are suited for all kinds of walls.
  • Mpempe akwụkwọ mmado ebipụtara na akwa akwa: The Artprinta poster is a printed cotton canvas with a slight structure on the surface. Please note, that depending on the size of the poster print we add a white margin of approximately 2-6 cm around the print motif, which facilitates the framing with your custom frame.
  • Metal (aluminium debond mbipụta): An Aluminium Dibond print is a material with an outstanding effect of depth. The non-reflective surface creates a contemporary impression. For the Print On Aluminum Dibond, we print the chosen artpiece onto the surface of the aluminum.
  • Ugogbe acrylic ebipụtara: The acrylic glass print, which is sometimes denoted as a plexiglass print, will convert your favorite original into wonderful décor. In addition to that, the acrylic glass fine art print offers a distinct alternative option to canvas or dibond fine art prints. The work of art is made with state-of-the-art UV direct print technology. This makes intense, impressive colors. With an acrylic glass fine art print contrasts and small painting details become exposed due to the precise gradation of the print. Our acrylic glass protects your custom art replica against light and external influences for many years.

Ozi ederede ahaziri

Ụdị ngwaahịa: mmepụta nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Ihe ngosi: emepụtara na Germany
Stockdị ngwaahịa: a na-achọ
Eji ngwaahịa a chọrọ: Ụlọ ihe ngosi nka, ụlọ mgbidi
Ndozi onyonyo: usoro eserese
Njikwa oyiyi: 1: 1.2
Ihe: ogologo bụ 20% mkpụmkpụ karịa obosara
Ngwa ngwaahịa dị: Mbipụta iko acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 50x60cm - 20x24", 100x120cm - 39x47"
Ụdị mbipụta aluminom: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi mmeputa nka nka: biko buru n'uche na emebeghi ngwaahịa a

Nkwupụta iwu: We try what we can in order to describe the art products as precisely as we can and to display them visually on the respective product detail pages. Nevertheless, the tone of the printed materials and the printing might diverge marginally from the presentation on the monitor. Depending on your settings of your screen and the quality of the surface, colors might not be printed 100% realistically. Since all the art reproductions are printed and processed manually, there may also be minor discrepancies in the motif's exact position and the size.

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