George Romney, 1787 - Oriakụ Bryan Cooke (Frances Puleston, 1765-1818) - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Details
Nke a kariri 230 year old painting was painted by the painter George Romney. The version of the masterpiece measures the size of 50 x 39 1/2 na (127 x 100,3 cm). Mmanụ na kwaaji was applied by the painter as the medium of the masterpiece. Nowadays, the artwork is part of the digital art collection of Museumlọ ihe ngosi nka nke Obodo in New York City, New York, United States of America. With courtesy of: Ụlọ ihe ngosi nka nke Metropolitan, New York, Fletcher Fund, 1945 (ikike - ngalaba ọha). Creditline of the artwork: Fletcher Fund, 1945. On top of that, alignment is in Eserese format and has a side ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. The painter George Romney was a European artist, whose art style can mainly be classified as Rococo. The artist lived for a total of 68 afọ, amuru na afo 1734 and deceased in 1802 in Kendal, Cumbria, England, United Kingdom.
(© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
A Welsh heiress, Frances Puleston was married in 1786 to Bryan Cooke, of Owston (Yorkshire), Member of Parliament for Malton. Sittings for the present portrait are recorded in 1787 and 1789, and the picture was paid for in 1791. Mrs. Cooke was concerned with education, and was one of the promoters of the Society for the Education of the Poor in the neighborhood of Doncaster (Yorkshire). She died in 1818.
Data ndabere gbasara ọrụ nka pụrụ iche
Aha nke ihe nka: | "Mrs. Bryan Cooke (Frances Puleston, 1765-1818)" |
Nhazi nka: | sere |
Okwu nche anwụ: | nka ochie |
Narị afọ nka: | 18th narị afọ |
Ekepụtara: | 1787 |
Ogologo afọ nka nka: | gbara afọ 230 |
Usoro nka izizi: | mmanụ na kwaaji |
Akụkụ izizi: | 50 x 39 1/2 na (127 x 100,3 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Fletcher Fund, 1945 |
kreditline ọrụ nka: | Fletcher Fund, 1945 |
Ozi izugbe gbasara onye na-ese ihe
Aha onye nka: | George Romney |
Aha utu aha: | georg romney, geo. romney, George Romney, romney george, Romny, romney g., Romney, רומני ג'ורג', romney geo, geo romney, G. Romney, romney geo., Romney George |
okike nke onye nka: | nwoke |
Obodo onye nka: | British |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Country: | United Kingdom |
Nkewa onye nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Rococo |
Afọ ọnwụ: | 68 afọ |
Amụrụ n'afọ: | 1734 |
Nwuru: | 1802 |
Obodo ọnwụ: | Kendal, Cumbria, England, United Kingdom |
Họrọ nhọrọ ihe ebipụta nka
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:
- Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a print with an outstanding depth effect. A direct Direct Print on Aluminum Dibond is your ideal introduction to fine art prints produced on aluminum. The bright & white components of the artwork shimmer with a silk gloss but without any glow.
- Mbipụta iko acrylic na-egbuke egbuke: An print on acrylic glass, which is often described as a plexiglass print, will convert your favorite artwork into marvellous décor and offers a viable alternative to canvas and aluminidum dibond fine art replicas. With a glossy acrylic glass fine art print contrasts as well as smaller details will be more recognizeable thanks to the very fine tonal gradation.
- Poster (akwa akwa akwa): The Artprinta poster print is a UV printed canvas with a nice surface texture. It is appropriate for framing your fine art print with a personal frame. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6cm around the artwork in order to facilitate the framing with your custom frame.
- Mbipụta kanvas: A canvas direct print is a printed cotton canvas stretched on a wooden stretcher. The advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without extra wall-mounts. That is why, canvas prints are suited for any kind of wall.
Nkọwa ngwaahịa
Nkewa edemede: | nka nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Nlụpụta: | German mmepụta |
Ụdị ngwaahịa: | a na-achọ |
A na-atụ aro iji ngwaahịa eme ihe: | mgbidi mma, mgbidi gallery |
Nhazi onyonyo: | usoro eserese |
Ụdị anya: | ogologo: obosara 1:1.2 |
Pụtara nha onyonyo: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Ụdị dị iche iche dị: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mpempe aluminom (aluminium dibond ihe) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi nke nka nka: | enweghị etiti |
Nkwupụta iwu: We try our best to describe the products as exact as it is possible and to demonstrate them visually on the various product detail pages. Nonetheless, the colors of the printed materials and the printing might vary marginally from the image on the monitor. Depending on the screen settings and the quality of the surface, not all color pigments are printed as exactly as the digital version on this website. Considering that all the are processed and printed by hand, there may also be minor deviations in the size and exact position of the motif.
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