George Romney, 1795 - Foto nke onwe - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi nka sitere na The Metropolitan Museum of Art (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
This must be the self-portrait described by the artist's son John in 1830.In the winter of 1795 he painted a head of himself, which, though slight, and not entirely finished, being painted at once, shows uncommon power of execution; the likeness also is strong, but there is a certain expression of languor that indicates the approach of disease. . . . It is remarkable that it is painted without spectacles, though he had been in the habit of using glasses for many years.
Nkọwapụta ngwaahịa
The nka ochie sere Onyonyo was made by the rococo painter George Romney in 1795. The original version measures the dimensions - 30 x 25 n'ime (76,2 x 63,5 cm). Mmanụ na kwaaji was used by the artist as the medium of the painting. Today, this artpiece can be viewed in in the art collection of Museumlọ ihe ngosi nka nke Obodo, nke dị na New York City, New York, United States of America. Nke nka ochie ngalaba ọha artpiece is included with courtesy of The Metropolitan Museum of Art, New York, Bequest of Maria DeWitt Jesup, from the collection of her husband, Morris K. Jesup, 1914. Additionally, the artpiece has the following creditline: Bequest of Maria DeWitt Jesup, from the collection of her husband, Morris K. Jesup, 1914. Furthermore, alignment of the digital reproduction is portrait and has a side ratio of 1 : 1.2, meaning that ogologo bụ 20% mkpụmkpụ karịa obosara. The painter George Romney was an artist, whose artistic style can be classified as Rococo. The Rococo artist lived for 68 years and was born in 1734 and died in the year 1802 in Kendal, Cumbria, England, United Kingdom.
Họrọ ihe gị
Nchịkọta nhọrọ ndetu ngwaahịa na-enye gị ohere ịhọrọ nha na ihe onwunwe dabere na mmasị gị n'otu n'otu. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:
- Kwaaji: The printed canvas material stretched on a wooden frame. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang the Canvas print without additional wall-mounts. That is why, canvas prints are suited for all kinds of walls.
- Mpempe akwụkwọ ederede (akwa akwa akwa): A poster print is a UV printed flat cotton canvas paper with a fine surface texture, that reminds the original artwork. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm around the artwork to facilitate the framing.
- Ihe odide acrylic glass: The acrylic glass print, often described as a print on plexiglass, transforms the artwork into marvellous home decoration. In addition, the acrylic fine art print offers a distinct alternative to aluminium and canvas art prints. The artwork is made with state-of-the-art UV direct printing machines. With an acrylic glass fine art print contrasts and image details will be more exposed thanks to the fine gradation. Our plexiglass with real glass coating protects your chosen art replica against sunlight and heat for between 40-60 years.
- Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with a true depth. A direct Direct Print on Aluminum Dibond is the excellent start to the sophisticated world of fine art reproductions with aluminum. The bright and white parts of the original work of art shimmer with a silk gloss, however without glare. This print on aluminium is one of the most popular entry-level products and is an extremely sophisticated way to showcase fine art reproductions, because it draws focus on the image.
Banyere onye na-ese ihe
aha: | George Romney |
Aha ndị ọzọ: | geo romney, George Romney, G. Romney, romney g., georg romney, Romny, Romney George, romney george, romney geo, geo. romney, Romney, רומני ג'ורג', romney geo. |
Gender: | nwoke |
Obodo onye nka: | British |
Ọrụ: | onye na-ese ihe |
Obodo onye nka: | United Kingdom |
Otu nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Rococo |
Nwụrụ anwụ: | 68 afọ |
Afọ ọmụmụ: | 1734 |
Nwuru: | 1802 |
Nwuru na (ebe): | Kendal, Cumbria, England, United Kingdom |
Data ndabere gbasara ọrụ nka
Aha nke eserese ahụ: | "Ihe osise onwe" |
Nhazi: | sere |
Nhazi nka: | nka ochie |
oge: | 18th narị afọ |
Emepụtara n'afọ: | 1795 |
Afọ nka: | 220 afọ |
Usoro izizi: | mmanụ na kwaaji |
Nha izizi (ọrụ nka): | 30 x 25 n'ime (76,2 x 63,5 cm) |
Ụlọ ihe ngosi nka / ebe: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Ebe nrụọrụ weebụ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Arịrịọ nke Maria DeWitt Jesup, site na nchịkọta nke di ya, Morris K. Jesup, 1914 |
Ebe kredit nke ọrụ nka: | Arịrịọ nke Maria DeWitt Jesup, sitere na nchịkọta nke di ya, Morris K. Jesup, 1914 |
Nkọwa ngwaahịa ahaziri ahazi
Nkewa ngwaahịa: | ezi nka mmeputakwa |
Mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Usoro nhazi: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Ihe ngosi: | German mmepụta |
Ụdị ngwaahịa: | a na-achọ |
Ngwaahịa were: | ihe ndozi ụlọ, ụlọ ihe osise nka |
Nhazi nke ihe nka: | usoro eserese |
Oke akụkụ onyonyo: | 1: 1.2 - ( Ogologo: obosara) |
Oke akụkụ pụtara: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ ihe dị: | ígwè obibi akwụkwọ (aluminium dibond), akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta aluminom (aluminium dibond ihe) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | biko buru n'uche na emebeghi mmeputakwa a |
Important note: We try everythig possible in order to describe the products as accurate as possible and to showcase them visually in our shop. Although, the tone of the print products, as well as the printing can diverge to a certain extent from the representation on the device's screen. Depending on the settings of your screen and the nature of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Given that all our fine art prints are processed and printed manually, there may also be slight differences in the size and exact position of the motif.
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