Giovanni Battista Tiepolo, 1760 - Geometry - mbipụta nka mara mma

Interesting facts about the art print "Geometry"

In 1760 Giovanni Battista Tiepolo made this nka ochie nka nka aha ya "Geometry". Ihe gafere 260 ụdị izizi nke afọ gbara nha: 146 x 57 7/8 na (370,8 x 147 cm) ma were ihe osise ese Usoro fresco, bufere na kwaaji. N'oge a, akụkụ nke art dị n'ime Ụlọ ihe ngosi nka nke Metropolitan art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Bequest of Grace Rainey Rogers, 1943 (public domain). : Arịrịọ nke Grace Rainey Rogers, 1943. Na mgbakwunye na nke ahụ, nhazi ahụ bụ Eserese ma nwee oke onyonyo nke 2: 5, which means that the length is 60% shorter than the width. Giovanni Battista Tiepolo was a painter, printmaker of Italian nationality, whose art style can be classified as Rococo. The painter was born in the year 1696 in Venice, Venezia province, Veneto, Italy and deceased at the age of 74 in 1770.

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Like the other frescoes in this gallery, this allegorical figure of Geometry, identified by the inscription on the base of the feigned statue, is from the Palazzo Valle-Marchesini-Sala in Vicenza. The simulated architecture, foreshortened from a viewing point in the center of the room, was carried out by a specialist in this type of work, Girolamo Mengozzi Colonna, who collaborated with Tiepolo on a number of commissions. The frescoes were probably commissioned by Count Giorgio Marchesini, and their iconography may reflect his particular interest in Freemasonry. They were detached from the palace about 1900. A change is visible in the left arm, which was originally upright, holding a pair of dividers.