Johan Fredrik Höckert, 1862 - The Bey nke Tunis, Sid Muhammed Es Sadok - ọmarịcha nka.

Ngwa ngwaahịa dị

Maka ngwaahịa ọ bụla anyị na-enye ụdị nha & ihe dị iche iche. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

• Mpempe akwụkwọ ederede (akwa akwa akwa): The poster is a printed canvas with a slight surface finish. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm around the artwork to facilitate the framing.
• Aluminom ihe eji eme ihe: An Aluminium Dibond print is a material with an outstanding depth effect. The print on aluminium is the most popular entry-level product and is a modern way to display art reproductions, as it draws focus on the whole artwork.
• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): An acrylic glass print, which is often denoted as a plexiglass print, will turn the original into stunning décor. The artwork will be manufactured with the help of state-of-the-art UV printing machines. The special effect of this are stunning, intense colors. With an acrylic glass art print contrasts and smaller details will be more identifiable due to the very fine tonal gradation.
• Kwaaji: A printed canvas material applied on a wooden frame. A canvas makes the typical effect of three dimensionality. Canvas prints are relatively low in weight. This means, it is quite simple to hang up the Canvas print without extra wall-mounts. Canvas prints are suitable for all types of walls.

Ozi dị mkpa: We try everything in order to depict the art products as accurate as we can and to showcase them visually on the various product detail pages. However, the pigments of the print products, as well as the imprint might diverge marginally from the image on your monitor. Depending on the screen settings and the quality of the surface, not all color pigments will be printed one hundret percent realistically. Given that all the fine art prints are printed and processed manually, there might also be minor differences in the exact position and the size of the motif.

Kedu ụdị ngwaahịa anyị na-enye ebe a?

Ihe osise a akpọrọ The Bey of Tunis, Sid Muhammed Es Sadok e sere ya Johan Fredrik Höckert. Ihe osise a nwere nha: Ogologo: 92,5 cm (36,4 ″); Obosara: 73,5 cm (28,9 ″) Ekebere: Elu: 114 cm (44,8 ″); Obosara: 96 cm (37,7 ″); Omimi: 7 cm (2,7 ″). Mmanụ na kwaaji was applied by the artist as the medium of the work of art. Nowadays, this piece of art forms part of the National Museum nke Stockholm mkpokọta nka. Site n'ikike nke Nationalmuseum Stockholm na Wikimedia Commons (nwere ikike - ngalaba ọha).: . Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ bụ Eserese ya na oke onyonyo nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

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