John Hoppner - Richard Humphreys, onye ọkpọ - mbipụta nka mara mma

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Nkọwapụta nka nka, nke nwere aha "Richard Humphreys, the Boxer"

This painting was painted by the male artist John Hoppner. Ụdị nka nka tụrụ nha: 55 3/4 x 44 1/4 na (141,6 x 112,4 cm) ewe me ya ihe eji eme ihe mmanụ na kwaaji. Ọzọkwa, artpiece dị n'ime Ụlọ ihe ngosi nka nke Metropolitan collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. We are pleased to state that the artpiece, which is in the ngalaba ọha is being included with courtesy of The Metropolitan Museum of Art, New York, The Alfred N. Punnett Endowment Fund, 1953. The creditline of the artwork is: The Alfred N. Punnett Endowment Fund, 1953. What is more, the alignment of the digital reproduction is Eserese ma nwee oke nke 1: 1.2, which implies that the length is 20% shorter than the width. John Hoppner was a male painter from the United Kingdom, whose style can mainly be attributed to Romanticism. The British artist was born in 1758 na London, Greater London, England, United Kingdom ma nwụọ mgbe ọ dị afọ 52 n'afọ 1810.

Ihe ndị a na-ahọrọ

Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche dị iche iche na nha. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, which is often referenced as a print on plexiglass, will transform your original work of art into lovely décor. With an acrylic glass art print contrasts and granular artwork details become identifiable with the help of the granular gradation in the picture.
  • Mbipụta akwụkwọ mmado (ihe kwaaji): A poster is a printed canvas with a nice finish on the surface, which resembles the original version of the work of art. It is suited for placing the fine art print in a personal frame. Please keep in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm round about the painting, which facilitates the framing with a custom frame.
  • Kwaaji: The printed canvas, not to be confused with a painting on a canvas, is a digital copy printed from a UV direct printing machine. A canvas generates the particular effect of three-dimensionality. Your canvas print of this artpiece will let you turn your personal fine art print into a large artpiece like you know from galleries. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang your Canvas print without additional wall-mounts. Therefore, a canvas print is suited for any kind of wall.
  • Mbipụta nke aluminom: These are metal prints on aluminium dibond with an outstanding effect of depth. Colors are bright and vivid, the details of the print appear clear and crisp, and the print has a a matte look that you can literally feel. The direct print on aluminium is the most popular entry-level product and is a modern way to display art reproductions, because it draws attention on the whole artwork.

Ederede iwu dị mkpa: We try our utmost to describe our products as precisely as possible and to display them visually in our shop. Although, the pigments of the print materials and the printing may differ marginally from the representation on your screen. Depending on your settings of your screen and the nature of the surface, color pigments can unfortunately not be printed as realisitcally as the digital version depicted here. Considering that all the art prints are processed and printed manually, there may also be slight differences in the exact position and the size of the motif.

Banyere ihe

Bipụta ngwaahịa: mmepụta nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ
Production: Germany
Stockdị ngwaahịa: na mmepụta ihe
Ojiji ngwaahịa: mgbidi gallery, foto mgbidi
Nhazi: usoro eserese
Ụdị anya: 1:1.2- (ogologo: obosara)
Nkọwa nha onyonyo: ogologo bụ 20% mkpụmkpụ karịa obosara
Materials: mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond)
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ nha nha nke Dibond (ihe alumnium): 50x60cm - 20x24", 100x120cm - 39x47"
ụba: agunyeghi

Nkọwapụta nka

Iberibe aha nka: "Richard Humphreys, the Boxer"
Nhazi: sere
Usoro izizi: mmanụ na kwaaji
Nha nke ihe osise izizi: 55 3/4 x 44 1/4 na (141,6 x 112,4 cm)
Ụlọ ihe ngosi nka / mkpokọta: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
E Nwere na: Museumlọ ihe ngosi nka nke Obodo
Ụdị ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, The Alfred N. Punnett Endowment Fund, 1953
Ebe E Si Nweta: Ego enyemaka nke Alfred N. Punnett, 1953

Ozi izugbe na onye na-ese ihe

Aha onye nka: John Hoppner
Aha utu aha: j. hoppner R. A., SIR JOHN HOPPNER, John Hoppner R. A., John Hoppner Esq. R. A., Hoppner R. A., Hoppner John, Hopner, hoppner jns, hoppner john, John Hoppner, J Hoppner RA, Hoppner R.A., Hoppner, Hopner John, J. Hoppner, hoppner j.
okike onye nka: nwoke
Obodo onye nka: British
Ọrụ: onye na-ese ihe
Obodo onye nka: United Kingdom
styles: Ihunanya
Akwụsị: 52 afọ
A mụrụ: 1758
Amụrụ na (ebe): London, Greater London, England, United Kingdom
Afọ ọnwụ: 1810
Ebe ọnwụ: London, Greater London, England, United Kingdom

Nwebiisinka © | Artprinta.com

Ozi izizi gbasara nka nke ihe ngosi nka (© - Ụlọ ihe ngosi nka nke obodo ukwu - www.metmuseum.org)

Boxing, well known in antiquity, was revived in England in the eighteenth century and afforded entertainment for all classes of society. Humphreys's portrait must have been commissioned by Wilson Braddyll, his manager and promoter, in anticipation of a well-publicized match against Daniel Mendoza, which was to take place on January 9, 1788. The portrait was engraved by John Young in a large folio mezzotint published on January 3. The young boxer is depicted in his defensive stance, on the turf, and wearing breeches, silk stockings, and pumps.

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