John Vanderlyn, 1830 - John A. Sidell - mbipụta nka mara mma

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Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Aluminom dibond (ọkpụkpụ ọla): An Aluminium Dibond print is a print with an outstanding effect of depth. A direct Aluminium Dibond Print is the perfect start to art prints on aluminum. For your Aluminium Dibond option, we print the selected artwork right onto the aluminium white-primed surface. The bright sections of the artwork shine with a silk gloss but without glow. The colors are luminous, the details are clear and crisp.
• Mbipụta kanvas: A canvas direct print is a printed canvas mounted on a wood frame. It creates the extra impression of three dimensionality. Canvas Prints have the advantage of being relatively low in weight, meaning that it is quite simple to hang up your Canvas print without additional wall-mounts. Therefore, canvas prints are suitable for any kind of wall.
• Poster (akwa akwa akwa): A poster is a UV printed cotton canvas paper with a slightly rough surface finish. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of around 2 - 6cm around the work of art in order to facilitate the framing.
• Mbipụta enyo acrylic: The acrylic glass print, which is sometimes labelled as a UV print on plexiglass, will turn your favorite original into beautiful home décor and offers a distinct alternative to canvas or aluminium dibond fine art replicas. Your work of art is being made with the help of state-of-the-art UV print machines. Our acrylic glass protects your chosen fine art print against light and heat for between four and six decades.

Ederede iwu: We try everything to describe the art products in as much detail as possible and to exhibit them visually. Still, some tone of the printing material and the print result can vary somehwat from the presentation on the monitor. Depending on your settings of your screen and the nature of the surface, not all colors will be printed as realistically as the digital version shown here. Because all the art prints are processed and printed by hand, there might as well be minor discrepancies in the exact position and the size of the motif.

Ọrụ nka nke narị afọ nke 19 nwere aha John A. Sidell mere site na nwoke Onye na-ese ihe America John Vanderlyn in 1830. Emere ụdị izizi ya na oke nha ya: 30 x 24 n'ime (76,2 x 61 cm). Mmanụ na kwaaji was applied by the American painter as the medium of the work of art. Moveover, this work of art is part of the Ụlọ ihe ngosi nka nke Metropolitan collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The modern art work of art, which is part of the ngalaba ọha a gụnyere ya na nkwanye ùgwù nke The Metropolitan Museum of Art, New York, Bequest of C. V. Sidell, 1899. Creditline of the artwork: Bequest of C. V. Sidell, 1899. On top of that, alignment is portrait with a ratio of 1 : 1.2, which implies that ogologo bụ 20% mkpụmkpụ karịa obosara. The painter John Vanderlyn was a North American artist, whose art style can be attributed mainly to Romanticism. The painter lived for 77 years and was born in 1775 in Kingston, Ulster county, New York state, United States and passed away in 1852.

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