Marie Guillelmine Benoist, 1802 - Oriakụ Philip Panon Desbassayns Richemont (Jeanne Mourgue Egle, 1778-1855) na Ọkpara ya, Eugene (1800-1859) - ọmarịcha nka.

Ozi ndabere ngwaahịa

Mrs. Philip Panon Desbassayns Richemont (Jeanne Mourgue Egle, 1778-1855) and Her Son, Eugene (1800-1859) is a painting painted by Marie Guillelmine Benoist. The original of the work of art had the dimensions: 46 x 35 1/4 in (116,8 x 89,5 cm) and was manufactured with the techinque of oil on canvas. Today, this work of art forms part of the Ụlọ ihe ngosi nka nke Metropolitan collection, nke bụ otu n'ime ụwa kasị na kasị mma art ngosi ihe mgbe ochie, nke na-agụnye ihe karịrị nde abụọ ọrụ nka spanning puku afọ ise nke omenala ụwa, site prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke - Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye Julia A. Berwind, 1953 (ọha na eze). : Onyinye nke Julia A. Berwind, 1953. Ọzọkwa, nhazi ahụ bụ Eserese na nwere akụkụ ruru nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

Ngwa ngwaahịa nke ị nwere ike họrọ na:

Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often referred to as a print on plexiglass, transforms an original into lovely décor. Further, the acrylic print offers a great alternative option to aluminium or canvas fine art prints. Your work of art is being custom-made with state-of-the-art UV printing technology. With an acrylic glass fine art print contrasts plus color details become more recognizeable thanks to the very subtle tonal gradation. Our real glass coating protects your selected art replica against light and external influences for decades.
• Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an outstanding effect of depth, which makes a fashionable impression by having a non-reflective surface. The Direct Print on Aluminum Dibond is your best start to art reproductions on aluminum. The white and bright parts of the original artwork shimmer with a silk gloss, however without glow. Colors are bright and luminous in the highest definition, details appear clear and crisp, and there’s a matte appearance that you can literally feel.
• Akwụkwọ mmado ebipụtara (ihe kwaaji): A poster print is a UV printed canvas with a slightly rough surface finish, which resembles the original artwork. It is ideally designed for putting your art copy using a custom-made frame. Please bear in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm round about the artwork in order to facilitate the framing with your custom frame.
• Kwaaji: The canvas print, not to be mistaken with a painting on a canvas, is an image applied onto cotton canvas. A canvas of your favorite artpiece will let you turn your very own fine art print into a large size work of art like you would see in a gallery. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without extra wall-mounts. Canvas prints are suitable for any type of wall.

Ederede iwu: We try in order to depict our products as closely as we can and to illustrate them visually. Nonetheless, the tone of the print products, as well as the printing may vary to a certain extent from the presentation on your device's screen. Depending on your settings of your screen and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. In view of the fact that all our fine art prints are processed and printed manually, there might as well be minor differences in the motif's exact position and the size.

Banyere ihe

Iberibe nkọwa nka

Tebụl ozi omenkà

© nwebisiinka, Artprinta.com (Artprinta)

Original artwork information by The Metropolitan Museum of Art (© - The Metropolitan Museum of Art - www.metmuseum.org)

Jeanne Eglé Fulcrande Catherine Mourgue, called Égle, born in Montpellier in 1778, married Philippe Panon Desbassayns de Richemont (1774–1840) in 1799. Her husband enjoyed a successful administrative and diplomatic career under the Consulat, Empire, and Restoration.This double portrait, once attributed to Jacques Louis David, is now given to David's pupil Marie Guillelmine Benoist and is probably identifiable with a portrait she showed at the Salon of 1802.