Paolo Veronese, 1578 - Eserese nke nwoke - mbipụta nka mara mma

Ozi nka nka mbụ sitere na ụlọ ngosi nka (© - nke J. Paul Getty Museum dere - Ụlọ ihe ngosi nka nke J. Paul Getty)

The identity of this man is a mystery. Originally, scholars thought the painting was a self-portrait by Paolo Veronese, but no one can confirm this speculation since Veronese's appearance is otherwise completely unknown. Best known for his large decorative fresco cycles, Veronese did not paint many portraits. For him to have taken the time to paint this large, impressive portrait points to the commission's importance.

The man leans on the base of a structure with fluted columns. In a niche between the columns is a marble sculpture of a draped female figure, of which only the lower portion is visible. Carved reliefs, barely discernible, adorn the sides of the architectural base. These clues may refer to the subject's profession, perhaps that of a sculptor or architect. In the background at the lower left is the Venetian basilica of San Marco, placed in an imaginary rural setting. Most likely, the inclusion of San Marco alludes to the sitter's association with the church or the Venetian state.

Ozi ngwaahịa ebipụta zuru oke

Ihe osise a na-akpọ Eserese nke nwoke was made by the painter Paolo Veronese in 1578. Besides, this artpiece can be viewed in in the digital art collection of The J. Paul Getty Museum - the museum is part of the J. Paul Getty trust and is one of the world's largest arts organizations worldwide. It seeks to inspire curiosity about, and enjoyment and understanding of, the visual arts by collecting, conserving, exhibiting, and interpreting works of art of outstanding quality and historical importance.. With courtesy of: Ụlọ ihe ngosi nka nke J. Paul Getty (ọha na eze).: . Ọzọkwa, nhazi ahụ bụ Eserese ya na oke nke 1: 1.4, which implies that the length is 29% shorter than the width. Paolo Veronese was a male painter from Italy, whose art style can be attributed primarily to Mannerism. The European artist lived for 60 afọ - born in the year 1528 in Verona, Verona province, Veneto, Italy and died in the year 1588.

Akụrụngwa ị nwere ike iburu

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• Mbipụta kwaaji: A printed canvas material applied on a wood stretcher frame. It generates a exclusive look of three dimensionality. In addition to that, a canvas creates a attractive and comfy appearance. A canvas print of this masterpiece will allow you to transform your very own into a large size work of art as you know from galleries. Canvas Prints have the advantage of being low in weight. This means, it is quite simple to hang your Canvas print without any wall-mounts. A canvas print is suitable for all types of walls.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster is a printed canvas paper with a granular surface texture, which resembles the original masterpiece. A poster is ideally qualified for placing your art print with the help of a special frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin between 2-6 cm around the painting, which facilitates the framing with your custom frame.
• Mbipụta enyo acrylic: An print on acrylic glass, often referenced as a plexiglass print, changes your favorite original into beautiful home décor. Our real glass coating protects your custom art print against light and external influences for many decades.
• Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a print material with a true depth - for a modern look and non-reflective surface. The Aluminium Dibond Print is the best start to art replicas with aluminum. For our Aluminium Dibond option, we print your work of art on the surface of the white-primed aluminum composite. The white & bright sections of the work of art shimmer with a silky gloss, however without the glare.

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Ozi dị mkpa: We do the best we can in order to describe our art products as closely as possible and to display them visually. At the same time, the tone of the printed materials and the print result may vary to a certain extent from the image on the monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments can be printed one hundret percent realistically. Because all the are processed and printed by hand, there may as well be minor deviations in the exact position and the size of the motif.

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