Parmigianino, 1523 - Eserese Lorenzo Cybo - mbipụta nka mara mma

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The 16th narị afọ masterpiece was made by the mannerist artist Parmigianino. The artwork is part of the art collection of Statens Museum for Kunst (National Gallery of Denmark), which is the largest museum of fine arts in Denmark and is attached to the Danish Ministry of Culture.. With courtesy of - National Gallery of Denmark (ikike ngalaba ọha).Ebe E Si Nweta nke ihe osise:. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ Eserese ma nwee oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Parmigianino was a male painter from Italy, whose art style can primarily be assigned to Mannerism. The Italian painter lived for 37 years - born in 1503 in Parma and deceased in the year 1540 in Casalmaggiore bei Parma.

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Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ ihe na nha ọkacha mmasị gị. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster is a printed flat canvas with a slightly roughened texture on the surface, which reminds the original masterpiece. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm round about the work of art, which facilitates the framing with your custom frame.
• Mbipụta kwaaji: The printed canvas, which should not be mistaken with an artwork painted on a canvas, is an image printed on a cotton canvas material. Further, a canvas creates a attractive and appealing atmosphere. Hanging a canvas print: Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the support of any wall-mounts. A canvas print is suited for all kinds of walls.
• Mbipụta nke aluminom: This is a metal print made on aluminium dibond with an outstanding depth effect. The non-reflective surface structure creates a contemporary impression. The Direct Print on Aluminum Dibond is the perfect introduction to art replicas on aluminum.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often labelled as a UV print on plexiglass, makes your favorite original into marvellous décor.

Ederede iwu dị mkpa: We try all that we can to depict the products with as many details as it is possible and to illustrate them visually on the respective product detail pages. Still, the colors of the printed materials and the imprint may vary somehwat from the presentation on your monitor. Depending on your screen settings and the quality of the surface, color pigments can unfortunately not be printed as exactly as the digital version on this website. Given that our are processed and printed manually, there might as well be minor differences in the motif's exact position and the size.

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Nkọwa mgbakwunye sitere na webụsaịtị ihe ngosi nka (© - site na Statens Museum for Kunst (National Gallery of Denmark) - Statens Museum maka Kunst (National Gallery nke Denmark))

Giorgio Vasari said:

”As a result of his fame, Lorenzo Cybo, the captain of the Swiss guard and a very handsome man, chose to have his portrait painted by Francesco; one might say that the artist did not so much portray him as create him of flesh and blood.”

Parmigianino certainly brings to life the blond Italian, whose straight posture and reserved gaze radiates a certain arrogance. Striking a relaxed pose, he holds a dagger and an impressive twohanded broadsword so heavy that a small, eager boy lends support.

The painting's object The weapons and the year 1523 at the bottom of the painting presumably refers to the year in which Lorenzo Cybo was appointed captain of the Pope’s personal guard. The professional duties did, however, leave some time for pleasure, as demonstrated by a gaming table complete with dice and chips.

The artistic production of Parmigianino Parmigianino died young, only 37 years old, and consequently his body of work is quite limited. His most famous work is a small self-portrait in which the artist’s face is reflected in a round convex mirror; a work that is regarded as the cornerstone of the Mannerist style.