Pesellino, 1440 - Madonna na Nwatakịrị nwere ndị nsọ isii - mbipụta nka mara mma

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The 15th narị afọ onye na-ese ihe sere ibe nka Pesellino. The 580 years old version of the painting had the following size: 8 7/8 x 8 in (22,5 x 20,3 cm). Tempera on wood, gold ground was used by the Italian artist as the technique for the painting. Besides, the artpiece is in the the The Metropolitan Museum of Art's collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Mary Stillman Harkness, 1950 (ikike - ngalaba ọha). Ebe kredit nke ọrụ nka: Arịrịọ nke Mary Stillman Harkness, 1950. N'elu nke ahụ, nhazi nke mmepụta dijitalụ bụ Eserese na oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Pesellino was an artist, whose art style can be classified as Early Renaissance. The Early Renaissance artist lived for a total of 35 afọ a mụrụ ya n'afọ 1422 wee nwụọ n'afọ 1457.

Nkọwapụta nka site na webụsaịtị ihe ngosi nka (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Pesellino specialized in delicately executed small-scale paintings ideal for private study or to carry for private devotion. Remarkably, despite their small size, the figures are described with a mastery that opens a new chapter in Florentine painting. Left to right the saints are: Anthony Abbot, Jerome, Cecilia, Catherine of Alexandria, Augustine, and George. The figure types and lighting reveal the influence of Fra Filippo Lippi, with whom Pesellino occasionally collaborated.

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Họrọ ihe kacha amasị gị

Nchịkọta nhọrọ ndetu ngwaahịa na-enye gị ohere ịhọrọ nha na ihe kacha amasị gị. Nhọrọ ndị a dị maka n'otu n'otu:

• Poster (akwa akwa akwa): The poster print is a printed sheet of canvas with a fine finish on the surface. Please bear in mind, that depending on the absolute size of the poster we add a white margin of something between 2 - 6cm around the print, which facilitates the framing with a custom frame.
• Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are prints on metal with an outstanding effect of depth - for a modern look and non-reflective surface structure. The Aluminium Dibond Print is the ideal start to art reproductions on aluminum. The bright & white sections of the original artwork shine with a silky gloss, however without glow.
• Mbipụta kwaaji: A printed canvas, which shall not be mistaken with a real painting on a canvas, is a digital copy printed on a canvas material. Your canvas of this artpiece will let you turn your customized into a large work of art. A canvas print has the advantage of being relatively low in weight, which means that it is easy to hang up the Canvas print without extra wall-mounts. Because of thatcanvas prints are suited for any type of wall.
• Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke (ya na mkpuchi iko n'ezie): An print on acrylic glass, often denoted as a plexiglass print, will transform the original artwork into brilliant décor. The artwork will be manufactured with the help of state-of-the-art UV print technology. This makes deep, vibrant print colors. The acrylic glass protects your selected art replica against light and heat for many more years.

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Important note: We try all that we can to describe our products as precisely as it is possible and to demonstrate them visually. Although, the colors of the printed materials, as well as the print result can diverge marginally from the image on your device's monitor. Depending on your settings of your screen and the condition of the surface, color pigments can unfortunately not be printed 100% realistically. Because all the art reproductions are printed and processed manually, there might also be slight variations in the motif's size and exact position.

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