Pinturicchio, 1509 - Ụgbọ ala Ceres - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nhọrọ akụrụngwa gị
N'ime ndetu ndetu ngwaahịa ị nwere ike họrọ ihe na nha ọkacha mmasị gị. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:
- Mpempe akwụkwọ (ihe kwaaji): A poster print is a UV printed canvas with a granular texture on the surface. It is excellently designed for placing your art copy with a custom frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6 cm round about the print to facilitate the framing with your custom frame.
- Kwaaji: The canvas print is a printed cotton canvas mounted on a wooden frame. A canvas print of this work of art will allow you to transform your art print into a large collection piece as you would see in a gallery. A canvas print has the advantage of being relatively low in weight, which means that it is quite simple to hang the Canvas print without the support of additional wall-mounts. Hence, canvas prints are suited for all types of walls.
- Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are prints on metal with an impressive effect of depth - for a modern impression and non-reflective surface structure. For the Aluminium Dibond print, we print your selected work of art on the aluminium composite white-primed surface. The colors are luminous, the fine details appear very clear, and you can really notice the matte appearance of the art print surface.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is often described as a an art print on plexiglass, will change the artwork into wonderful décor. Your favorite artwork is made with state-of-the-art UV direct print machines. The great benefit of a plexiglass art print is that sharp contrasts and also small painting details become more visible due to the delicate gradation. Our acrylic glass protects your selected art replica against light and heat for several decades.
Ederede iwu dị mkpa: We try everything in order to depict our products as precisely as possible and to illustrate them visually in our shop. Although, the pigments of the printing material and the print result may vary slightly from the presentation on your monitor. Depending on the screen settings and the condition of the surface, not all colors can be printed one hundret percent realistically. Because our art reproductions are printed and processed manually, there may also be slight discrepancies in the size and exact position of the motif.
(© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Otu n'ime ogwe iri abụọ na abụọ (14.114.1-.22) na-akpụ ụlọ si n'obí Pandolfo Petrucci, nke a na-akpọ Il Magnifico, Siena. Nkesa n'ozuzu na nkebi nke uko ụlọ dị ka ọ na-enweta site na nke ụlọ a gbanyere mkpọrọgwụ na nke e sere n'ụlọ Nero's Golden House na Rome. Ọtụtụ n'ime ọnụ ọgụgụ mmadụ n'otu n'otu dịkwa ka ọ na-enweta site na ọrụ nka ochie - karịsịa sarcophagi.
Nkọwa ngwaahịa nka
a nka ochie eserese a na-akpọ The Chariot of Ceres was painted by the painter Pinturicchio in 1509. The original measures the size: N'ozuzu: 31 × 30 1/8 na (78,7 × 76,5 cm) and was painted with the techinque of fresco, transferred to canvas and attached to wood panels. Nowadays, this piece of art belongs to the art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of The Metropolitan Museum of Art, New York, Rogers Fund, 1914 (public domain). Also, the artpiece has the creditline: Rogers Fund, 1914. In addition to that, the alignment is in portrait format ma nwee oke onyonyo nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Pinturicchio was a painter, whose artistic style can be classified as Early Renaissance. The Early Renaissance painter was born in 1454 ma nwụọ mgbe ọ dị afọ 59 na 1513.
Nkọwa ọrụ nka
Aha nka: | "The Chariot of Ceres" |
nhazi ọkwa: | sere |
Okwu nche anwụ: | nka ochie |
Narị afọ nka: | 16th narị afọ |
Emepụtara na: | 1509 |
Afọ nka: | ihe karịrị 510 afọ |
Ihe osise izizi: | fresco, bufee na kwaaji ma tinye ya na ogwe osisi |
Akụkụ izizi nka: | N'ozuzu: 31 × 30 1/8 na (78,7 × 76,5 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Dị n'okpuru: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1914 |
Ebe kredit nke ọrụ nka: | Rogers Fund, 1914 |
Banyere ngwaahịa a
Nkewa bipụta: | mmepụta nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ |
Ihe ngosi: | emepụtara na Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
A na-atụ aro iji ngwaahịa eme ihe: | ihe ndozi mgbidi, mkpokọta nka (mmeputakwa) |
Ndozi onyonyo: | usoro eserese |
Njikwa oyiyi: | (ogologo: obosara) 1: 1.2 |
Oke akụkụ pụtara: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Akụrụngwa dị: | acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ. |
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nha ebipụta aluminium dibond: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mbipụta nka: | mbipụta nka na-enweghị isi |
Data omenka ahaziri ahazi
Ihe nkiri: | Pinturicchio |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Otu nka: | nna ukwu ochie |
Ụdị nka: | Renaissance mmalite |
Nwụrụ anwụ: | 59 afọ |
A mụrụ: | 1454 |
Nwụrụ n'afọ: | 1513 |
Enwere ikike nwebiisinka © | www.artprinta.com (Artprinta)