Sir Joshua Reynolds, 1764 - Anne Dashwood (1743–1830), Mgbe e mesịrị Countess nke Galloway - ọmarịcha nka.

59,99 €

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  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster print is a printed flat canvas with a granular texture on the surface. Please bear in mind, that depending on the size of the poster we add a white margin of something between 2-6cm round about the print in order to facilitate the framing with a custom frame.
  • Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): The acrylic glass print, which is sometimes referred to as a plexiglass print, makes the original into décor. Moreover, the acrylic glass art print makes a distinct alternative option to canvas and aluminidum dibond fine art replicas. The work of art is being printed with the help of state-of-the-art UV direct printing machines. It makes deep, vibrant colors. With a glossy acrylic glass art print sharp contrasts and small color details will be more identifiable with the help of the precise tonal gradation.
  • Mbipụta nke aluminom: These are metal prints on aluminium dibond with an impressive depth. The colors are luminous, the fine details are clear and crisp. The print on aluminium is one of the most popular entry-level products and is an extremely modern way to display artworks, since it puts the viewer’s attention on the artwork.
  • Mbipụta kanvas: The canvas print is a printed cotton canvas mounted on a wooden frame. How do I hang a canvas on my wall? A canvas print has the advantage of being low in weight, which implies that it is quite simple to hang up the Canvas print without the support of any wall-mounts. Because of thatcanvas prints are suited for any kind of wall.

Ozi dị mkpa: We try what we can to describe the products as closely as possible and to display them visually in our shop. Please keep in mind that the tone of the print products and the printing may differ to a certain extent from the presentation on the screen. Depending on your settings of your screen and the quality of the surface, not all color pigments will be printed as realistically as the digital version shown here. Given that all are processed and printed manually, there may also be slight differences in the motif's size and exact position.

What does the curator team of the The Metropolitan Museum of Art state about the artwork made by Sir Joshua Reynolds? (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

The sitter was the daughter of Sir James Dashwood, Member of Parliament for Oxford (whose portrait by Seeman is in the Aitken Galleries). She sat for Reynolds four times in the month preceding her marriage on June 13, 1764, to John Stewart, Lord Garlies, later seventh earl of Galloway. The artist presents her in the traditional guise of a shepherdess with a crook, but wearing a fashionable gauze scarf, rubies, and pearls.Her pallor may in part be accounted for by the fact that the flesh tones have faded.

Details

N'elu 250 years old work of art was painted by the male painter Sir Joshua Reynolds in 1764. The original measures the size: 52 1/2 x 46 3/4 in (133,4 x 118,7 cm), with strip of 7 1/8 in (18,1 cm) folded over the top of the stretcher. Mmanụ na kwaaji was applied by the artist as the medium of the painting. It forms part of the art collection of The Metropolitan Museum of Art. This nka ochie masterpiece, nke dị na ngalaba ọha a na-enye ya site n'ikike nke The Metropolitan Museum of Art, New York, Gift of Lillian S. Timken, 1950. : Gift of Lillian S. Timken, 1950. Furthermore, alignment of the digital reproduction is Eserese with a side ratio of 1 : 1.2, which means that the length is 20% shorter than the width. Sir Joshua Reynolds was a painter, whose art style can primarily be attributed to Rococo. The Rococo painter lived for a total of 69 years and was born in the year 1723 ma nwụọ na 1792.

Nkọwa ahaziri nke ọrụ nka

Aha ọrụ nka: "Anne Dashwood (1743–1830), Later Countess of Galloway"
Nhazi nka nka: sere
Okwu nche anwụ: nka ochie
Time: 18th narị afọ
Afọ nka: 1764
Afọ nka: ihe karịrị 250 afọ
Agba na: mmanụ na kwaaji
Akụkụ izizi (ọrụ nka): 52 1/2 x 46 3/4 in (133,4 x 118,7 cm), with strip of 7 1/8 in (18,1 cm) folded over the top of the stretcher
Ụlọ ihe ngosi nka / ebe: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: www.metmuseum.org
License: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Gift of Lillian S. Timken, 1950
kreditline ọrụ nka: Gift of Lillian S. Timken, 1950

data ndabere ngwaahịa

Ụdị ngwaahịa: ọmarịcha nka
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Nlụpụta: emepụtara na Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa emebere: mgbidi gallery, nka mgbidi
Ndozi onyonyo: nhazi ihe osise
Ụdị anya: 1: 1.2
Nsonaazụ: ogologo bụ 20% mkpụmkpụ karịa obosara
Nhọrọ akwa: mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Mpempe akwụkwọ Dibony (ihe alumnium) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
ụba: agunyeghi

Banyere omenka

Aha onye nka: Sir Joshua Reynolds
okike nke onye nka: nwoke
Obodo onye nka: British
Ọrụ: onye na-ese ihe
Obodo onye nka: United Kingdom
Nhazi nke onye nka: nna ukwu ochie
Ụdị nka: Rococo
Afọ ọnwụ: 69 afọ
A mụrụ: 1723
Afọ ọnwụ: 1792

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