Sir Joshua Reynolds, 1784 - Georgiana Augusta Frederica Elliott (1782–1813), Nwanyị nwanyị Charles Bentinck mechara - mbipụta nka mara mma.

The kpochapụwo art masterpiece e sere site na nwoke onye na-ese ihe Sir Joshua Reynolds. Nke kariri 230 year-old original had the following size: 35 x 30 in (88,9 x 76,2 cm). Mmanụ na kwaaji was applied by the European painter as the technique for the artwork. Today, the piece of art is included in the The Metropolitan Museum of Art's digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. We are glad to mention that this artpiece, which is in the ngalaba ọha a na-enye ya site n'ikike nke The Metropolitan Museum of Art, New York, Arịrịọ nke Maria DeWitt Jesup, site na nchịkọta nke di ya, Morris K. Jesup, 1914. Additionally, the artwork has the following creditline: Bequest of Maria DeWitt Jesup, from the collection of her husband, Morris K. Jesup, 1914. On top of that, alignment is in Eserese format ya na oke akụkụ nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Sir Joshua Reynolds was a European artist, whose artistic style can be attributed primarily to Rococo. The artist was born in 1723 ma gafee na afọ nke 69 na 1792.

Ozi nkowa mgbakwunye by The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Georgiana Augusta Frederica was the daughter of Grace Dalrymple Elliott (whose portrait by Gainsborough at the Museum (20.155.1) is exhibited in Gallery 2). The record of her christening names George Augustus Frederick, Prince of Wales (later George IV) as her father, although her father may actually have been the 1st Marquess of Cholmondeley. She was reared in the Cholmondeley family and married William Charles Bentinck (1780–1826), third son of the 3rd Duke of Portland, in 1808, five years before her death at the age of thirty-one. Painted during the sitter's third year in 1784, the portrait is particularly well perserved.

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Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

• Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an impressive effect of depth. A direct Aluminium Dibond Print is the perfect start to fine art replicas on aluminum. For our Aluminium Dibond print, we print the favorite artwork on the aluminium composite surface. The bright & white parts of the original work of art shine with a silk gloss, however without any glare. The colors are luminous in the highest definition, fine details of the print appear crisp, and you can literally perceive a matte appearance.
• Ugogbe acrylic ebipụtara: An print on acrylic glass, which is often labelled as a plexiglass print, changes your favorite artwork into brilliant décor. The work of art is made with the help of state-of-the-art UV printing technology. It makes vivid and sharp print colors.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster is a printed sheet of cotton canvas with a slightly roughened surface finish, which reminds the actual masterpiece. It is used for placing the art print with the help of a personal frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin between 2-6cm round about the artwork to facilitate the framing with a custom frame.
• Kwaaji: A canvas print is a printed cotton canvas mounted on a wooden frame. A canvas generates the distinctive look of three dimensionality. What is more, printed canvas generates a lively and comfy atmosphere. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up your Canvas print without the use of any wall-mounts. Canvas prints are suited for all kinds of walls.

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Nkwupụta iwu: We try to depict our products as closely as possible and to showcase them visually. Still, the tone of the printed materials and the print result might differ slightly from the presentation on the monitor. Depending on your screen settings and the nature of the surface, colors can unfortunately not be printed as exactly as the digital version on this website. Given that all our art reproductions are processed and printed manually, there may as well be minor differences in the motif's exact position and the size.

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