Sir Lawrence Alma-Tadema, 1891 - Zoo na Chọọ - mbipụta nka mara mma

Additional artwork information from the museum's website (© - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

In the gardens of the Villa Albani near Rome, a girl (perhaps the gardener's daughter) sits at the top of a classical staircase and holds one finger to her lips. A hooded youth stands below and leans in as though he has just discovered her. Behind is an expansive terraced garden with a figure on one of the paths. Terms on tall pillars mark the top of the staircase. The print is based on an oil on canvas of 1876 now at the Salar Jung Museum, Hyderabad.

Ozi ọrụ nka

Nchịkọta ihe nkiri

Nkọwa akụkọ ahaziri ahazi

Họrọ ụdị ebipụta nka nka

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

• Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an impressive depth. The non-reflective surface make a modern impression. The bright & white parts of the original artpiece shine with a silk gloss but without any glow.
• Mpempe akwụkwọ (ihe kwaaji): The poster is a UV printed cotton canvas with a fine structure on the surface. Please bear in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm round about the print motif, which facilitates the framing.
• Mbipụta kanvas: A UV printed canvas material stretched on a wood frame. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang the Canvas print without the use of extra wall-mounts. Therefore, canvas prints are suitable for any kind of wall.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is sometimes named as a print on plexiglass, will change your artwork into amazing home décor and makes a distinct alternative option to dibond and canvas art prints. The artwork will be manufactured with modern UV direct printing technology. This has the effect of intense and deep color tones.

Eziokwu na-adọrọ mmasị gbasara eserese ihe karịrị afọ 120

Ozuzo na ọchụchọ bụ ihe osise nke onye na-ese ihe mere Sir Lawrence Alma-Tadema in 1891. Ụdị ihe nkiri ahụ dị afọ 120 nwere nha ndị a: Onyonyo: 14 15/16 × 9 1/8 na (38 × 23,2 cm) Efere: 17 15/16 × 11 1/8 na (45,5 × 28,2 cm) Mpempe akwụkwọ: 19 9/16 × 15 1/8 inch (49,7 × 38,4 cm) ma were ihe osise ese Usoro of etching on tissue. Moveover, this work of art is included in the collection of Museumlọ ihe ngosi nka nke Obodo in New York City, New York, Njikota Obodo Amerika. Site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Harris Brisbane Dick Fund, 1946 (nwere ikike - ngalaba ọha). : Harris Brisbane Dick Fund, 1946. N'elu nke ahụ, nhazi nke mmepụta dijitalụ bụ Eserese ma nwee oke nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara.

Ederede iwu dị mkpa: We try our best in order to depict our products as clearly as it is possible and to demonstrate them visually on the different product detail pages. At the same time, the pigments of the print products, as well as the imprint may differ marginally from the representation on your device's screen. Depending on the screen settings and the nature of the surface, colors might not be printed as realisitcally as the digital version depicted here. Bearing in mind that all are printed and processed manually, there might as well be slight differences in the size and exact position of the motif.

Ederede a bụ ikike ọgụgụ isi ma chekwaa ya site na nwebisiinka © - Artprinta (www.artprinta.com)