Thomas Couture, 1859 - Ncha ncha - mbipụta nka mara mma

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A schoolboy, identifiable by the books on the desk, contemplates soap bubbles, traditional symbols of the transience of life. A wilting laurel wreath on the wall behind him suggests the fleeting nature of praise and honors. The word "immortalité," inscribed on the paper inserted in the mirror, reinforces the painting’s allegorical content.Couture was an influential teacher known for his opposition to strict academic instruction. Among his pupils was Manet, who in 1867 painted his own, more naturalistic, version of this subject (Museu Calouste Gulbenkian, Lisbon).

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In 1859 Thomas Couture mere ihe osise. Nke 160 year-old painting measures the size 51 1/2 x 38 5/8 na (130,8 x 98,1 cm). Oil on canvas was used by the French painter as the technique for the work of art. The work of art is in the the digital art collection of Museumlọ ihe ngosi nka nke Obodo, nke dị na New York City, New York, Njikota Obodo Amerika. Site n'ikike nke - Ụlọ ihe ngosi nka nke Metropolitan, New York, Catharine Lorillard Wolfe mkpokọta, Arịrịọ nke Catharine Lorillard Wolfe, 1887 (public domain). Additionally, the artpiece has the creditline: Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887. Moreover, alignment of the digital reproduction is portrait with a ratio of 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. Thomas Couture was a painter, whose art style can primarily be classified as Historicism. The Historicist painter was born in 1815 in Senlis, Hauts-de-France, France and deceased at the age of 64 in 1879 in Villiers-le-Bel, Ile-de-France, France.

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Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

• Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster is a printed flat canvas paper with a fine finish on the surface. Please bear in mind, that depending on the size of the poster print we add a white margin of around 2-6cm round about the work of art, which facilitates the framing with your custom frame.
• Mbipụta iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is sometimes named as a UV print on plexiglass, will turn your favorite original into marvellous wall decoration. Additionally, the acrylic glass print offers a viable alternative option to canvas or dibond fine art replicas. The work of art is custom-made with the help of state-of-the-art UV print machines. The major benefit of an acrylic glass fine art copy is that sharp contrasts plus artwork details will be more recognizeable thanks to the very subtle tonal gradation. Our plexiglass with real glass coating protects your selected fine art print against light and external influences for between 40-60 years.
• Mbipụta kanvas: The canvas direct print is a printed canvas mounted on a wood stretcher. Canvas prints are relatively low in weight. This means, it is easy to hang the Canvas print without any wall-mounts. A canvas print is suitable for all types of walls.
• Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an impressive depth. The non-reflective surface creates a contemporary impression. The Aluminium Dibond Print is the perfect introduction to the sophisticated world of art replicas on aluminum. The bright sections of the artwork shine with a silk gloss but without any glow.

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Ederede iwu: We try the best we can in order to depict our art products with as many details as it is possible and to illustrate them visually in our shop. Nevertheless, the colors of the printing material, as well as the print result can differ somehwat from the representation on the monitor. Depending on your settings of your screen and the nature of the surface, colors can unfortunately not be printed as exactly as the digital version shown here. Given that our art reproductions are printed and processed manually, there might as well be slight differences in the exact position and the size of the motif.

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