Titian, 1555 - Venus nwere enyo - mbipụta nka mara mma

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N'elu 460 years old artwork titled "Venus with a Mirror" was painted by the male Italian onye na-ese ihe Titian n’afọ 1555. The over 460 years old original was made with the size: 124,5 x 105,5 cm (49 x 41 9/16 in) and was crafted with mmanụ na kwaaji. It belongs to the art collection of National Gallery of Art, which is the museum of the US-American nation that preserves, collects, exhibits, and fosters an understanding of works of art. We are pleased to mention that the ngalaba ọha piece of art is included with courtesy of National Gallery of Art, Washington.The creditline of the artpiece is the following: . What is more, the alignment of the digital reproduction is portrait with an image ratio of 1: 1.2, which means that the length is 20% shorter than the width. The painter Titian was an artist from Italy, whose artistic style can primarily be classified as High Renaissance. The High Renaissance painter was born in the year 1477 na Pieve di Cadore ma nwụọ mgbe ọ dị afọ 99 na 1576 na Venice.

Nweta ọmarịcha ihe ebipụta nka

The product dropdown menu provides you with the possibility to choose the material and sizeaccording to your personal preferences. We allow yout to choose among the following variants:

• Poster (akwa akwa akwa): A poster is a printed canvas paper with a slight surface structure. Please bear in mind, that depending on the absolute size of the poster we add a white margin of around 2-6 cm round about the artwork, which facilitates the framing.
• Kwaaji: A UV printed canvas material mounted on a wood stretcher frame. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without additional wall-mounts. Because of thata canvas print is suited for any kind of wall.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is often described as a print on plexiglass, transforms your favorite original work of art into amazing décor.
• Aluminom dibond mbipụta (ọla): These are metal prints on aluminium dibond with a true depth. The bright & white parts of the work of art shine with a silk gloss but without the glare. The colors are luminous, fine details are crisp.

Ihe dị mkpa: We try the best we can in order to describe the art products with as many details as possible and to exhibit them visually. Although, the pigments of the printing material and the imprint might vary to a certain extent from the representation on the device's screen. Depending on the settings of your screen and the quality of the surface, not all colors are printed one hundret percent realistically. Bearing in mind that all our fine art prints are processed and printed by hand, there might as well be minor discrepancies in the motif's size and exact position.

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Original artwork information from National Gallery of Art (© Copyright - National Gallery of Art - Nnukwu osisi nke Art)

At the core of Renaissance art is the revival of the classical past, and in his Venus with a Mirror, Titian revealed both his appreciation of antiquity and his remarkable modernity. During a sojourn in Rome he wrote that he was "learning from the marvelous ancient stones" that were being unearthed daily in the city. Indeed, he based the gesture of the goddess, her hands held to her breast and lap, on a famous Roman statue of Venus that later belonged to the Medici.

Yet Titian breathed a warmth and life into the remote source to conjure a startlingly immediate and sensual modern Venus. Her pliant flesh seems to melt at the touch of the cupid who strains to bestow on her the crown of love. While she pulls about her a wine–colored velvet wrap lined in fur, soft, opulent, and evoking the sense of touch, Venus reveals her body as much as she conceals it. The beautiful woman gazing at her reflection is a favorite theme of Renaissance love poetry in which the writer envies the fortunate mirror that enjoys his lady's splendid image.