William Etty, 1832 - Eserese James Atkinson - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Kedu ihe York Museums Trust write about the work of art painted by William Etty? (© - York Museums Trust - York Museums Trust)
Half-length white haired figure, seen full face, hands resting on a ledge.
Nkọwa na ọrụ nka
Aha nka nka: | "Portrait of James Atkinson" |
Nhazi nka: | sere |
Okwu nche anwụ: | nkà nke oge a |
Narị afọ nka: | 19th narị afọ |
Afọ nka: | 1832 |
Afọ nka: | 180 afọ |
Ihe osise izizi: | mmanụ na kwaaji |
Akụkụ izizi nka: | Ogologo akwa akwa 74,9 cm; Ogologo kanvas 62,6 cm |
Ụlọ ihe ngosi nka / ebe: | York Museums Trust |
Ebe ngosi nka: | York, Yorkshire, United Kingdom |
Ebe nrụọrụ weebụ ihe ngosi nka: | York Museums Trust |
License: | ngalaba ọha |
Site n'aka: | Foto ngosi nke York Museums Trust, Ngalaba Ọhaneze, http://yorkmuseumstrust.org.uk/ |
Nchịkọta ihe nkiri
Aha onye nka: | William Etty |
Aha utu aha: | William Etty, Etty William |
Gender: | nwoke |
Obodo onye nka: | British |
Ọrụ onye na-ese ihe: | onye nhazi |
Mba onye si: | United Kingdom |
Otu nka: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Ihunanya |
Afọ ọnwụ: | 62 afọ |
Afọ amụrụ: | 1787 |
Nwuru: | 1849 |
Nkọwa ngwaahịa
Nkewa bipụta: | nka nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Production usoro: | Mbipụta UV / dijitalụ |
Nlụpụta: | emepụtara na Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ihe eji eme atụmatụ: | mgbidi gallery, art mmeputakwa gallery |
Nhazi: | usoro eserese |
Oke akụkụ: | ogologo: obosara - 1: 1.2 |
Nkọwa nha onyonyo: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Akwa ngwaahịa dị: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), akwụkwọ akwa akwa. |
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta aluminom (ihe alumini debond ihe): | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | agunyeghi |
Nye iwu ihe ị ga-achọ inwe
In the dropdown menu next to the product offering you can select the size and materialaccording to your preferences. The following sizes and materials are the options we offer you for individualization:
- Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with a true depth - for a modern impression and a non-reflective surface structure. A direct Aluminium Dibond Print is the best introduction to the sophisticated world of replicas on aluminum. The white & bright sections of the work of art shimmer with a silk gloss, however without the glow.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is sometimes referred to as a print on plexiglass, makes your artwork into beautiful wall décor. The major benefit of an acrylic glass fine art copy is that contrasts plus small color details become more visible thanks to the very subtle tonal gradation. The plexiglass with real glass coating protects your selected art print against light and external influences for up to 60 years.
- Kwaaji: A canvas print, which should not be mistaken with a painting on a canvas, is a digital copy printed on a UV direct printing machine. It creates a particular impression of three-dimensionality. How can I hang a canvas print on my wall? The advantage of canvas prints is that they are relatively low in weight. That means, it is easy to hang the Canvas print without the support of extra wall-mounts. That is why, canvas prints are suited for any type of wall.
- Akwụkwọ mmado na ihe kwaaji: The poster print is a printed canvas paper with a slightly roughened surface finish, that resembles the original version of the work of art. It is suited for putting your art copy with a custom frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2 - 6cm around the print motif, which facilitates the framing with a custom frame.
Kedu ụdị ngwaahịa anyị na-enye gị?
Ọ bụ ndị mere ihe osise ahụ British onye na-ese ihe William Etty. Ọrụ nka nwere nha ndị a: Ogologo akwa akwa 74,9 cm; Ogologo kanvas 62,6 cm. Mmanụ na kwaaji was used by the British artist as the technique for the painting. This artpiece forms part of the digital art collection of York Museums Trust, nke bụ ọrụ ebere nọọrọ onwe ya nke na-elekọta York Castle, Yorkshire Museum na Gardens, York Art Gallery na York St Marys. Site n'ikike nke - Foto ngosi nke York Museums Trust, Ngalaba Ọhaneze, http://yorkmuseumstrust.org.uk/ (ikike ngalaba ọha).Na mgbakwunye, ọrụ nka nwere akara kredit: . Ọzọkwa, nhazi nke mmepụta dijitalụ bụ Eserese na akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. William Etty was a male architect from the United Kingdom, whose art style was mainly Romanticism. The European painter was born in 1787 and passed away at the age of 62 n'afọ 1849.
Nkwupụta iwu: We try in order to describe the art products in as much detail as possible and to showcase them visually in our shop. At the same time, the tone of the printing material, as well as the imprint can differ marginally from the representation on your monitor. Depending on the screen settings and the condition of the surface, color pigments may not be printed as exactly as the digital version. Given that the art prints are printed and processed manually, there might as well be slight discrepancies in the size and exact position of the motif.
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