Aleksander Lauréus, 1823 - Ndị ohi na-abanye n'ụlọ ndị ọzụzụ atụrụ - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ihe ndị a na-ahọrọ
N'ime ndetu ndetu ngwaahịa ị nwere ike họrọ ngwa na nha nke nhọrọ gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Metal (aluminium debond mbipụta): Aluminium Dibond prints are prints on metal with a true depth. A direct Aluminium Dibond Print is the ideal start to fine art replicas on aluminum. For your Direct Aluminium Dibond option, we print your chosen work of art on the aluminium composite surface. The colors are vivid and luminous in the highest definition, the fine details of the print appear crisp and clear, and you can feel a matte appearance of the print. This print on aluminium is one of the most demanded entry-level products and is a truly sophisticated way to showcase art prints, as it puts the viewer’s attention on the whole artwork.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An acrylic glass print, often named a plexiglass print, changes the original into stunning décor. The work of art is printed with state-of-the-art UV print technology. The acrylic glass protects your selected art print against light and external influences for many years.
- Mbipụta akwụkwọ mmado (ihe kwaaji): The poster is a UV printed sheet of flat canvas paper with a granular texture on the surface. Please keep in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm round about the artwork, which facilitates the framing.
- Mbipụta kanvas: The printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital replica printed on a cotton canvas material. The advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang up your Canvas print without the support of extra wall-mounts. Therefore, canvas prints are suited for all types of walls.
Nkwupụta iwu: We try to describe our art products as precisely as possible and to display them visually on the product detail pages. Please bear in mind that the colors of the printed materials and the printing may differ slightly from the image on your device's monitor. Depending on the screen settings and the quality of the surface, color pigments can unfortunately not be printed as exactly as the digital version on this website. Considering that all the art prints are processed and printed by hand, there might also be minor variations in the exact position and the size of the motif.
Nkọwa nke edemede
In 1823 Aleksander Lauréus created the 19th century piece of art Bandits Entering a Shepherd's Dwelling. The masterpiece had the size - Ogologo: 86 cm (33,8 ″); Obosara: 73 cm (28,7 ″) Ekebere: Elu: 106 cm (41,7 ″); Obosara: 93 cm (36,6 ″); Omimi: 10 cm (3,9 ″) e jikwa ya see ya mmanụ na kwaaji. Enwere ike ilele ihe nka na n'ime National Museum nke Stockholm digital art collection, which is Sweden's museum of art and design, a Swedish government authority with a mandatet o preserve cultural heritage and promote art, interest in art and knowledge of art. The modern art ngalaba ọha a na-enye mpempe nka site n'ikike nke Nationalmuseum Stockholm na Wikimedia Commons.In addition to that, the artpiece has the following creditline: . On top of that, alignment is Eserese ma nwee oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.
Ozi nka ahaziri
Aha eserese: | "Bandits Entering a Shepherd's Dwelling" |
Nhazi: | sere |
Nhazi nka: | nkà nke oge a |
oge: | 19th narị afọ |
Afọ okike: | 1823 |
Afọ nka: | 190 afọ |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Akụkụ izizi (ọrụ nka): | Ogologo: 86 cm (33,8 ″); Obosara: 73 cm (28,7 ″) Ekebere: Elu: 106 cm (41,7 ″); Obosara: 93 cm (36,6 ″); Omimi: 10 cm (3,9 ″) |
Egosiputara na: | National Museum nke Stockholm |
Ebe ngosi nka: | Stockholm, Obodo Stockholm, Sweden |
ibe weebụ: | www.nationalmuseum.se |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Nationalmuseum Stockholm na Wikimedia Commons |
Banyere ihe
Bipụta ngwaahịa: | ezi nka mmeputakwa |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Production usoro: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Ihe ngosi: | German mmepụta |
Stockdị ngwaahịa: | a na-achọ |
A na-atụ aro iji ngwaahịa eme ihe: | foto mgbidi, ụlọ ihe osise nka |
Nhazi: | nhazi ihe osise |
Njikwa oyiyi: | 1:1.2- (ogologo: obosara) |
Pụtara nke akụkụ akụkụ: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ akụrụngwa: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nha mbipụta aluminom: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mbipụta nka: | enweghị etiti |
Nkọwa onye nka
aha: | Aleksander Lauréus |
Obodo onye nka: | Finnish |
Ọrụ: | onye na-ese ihe |
Obodo obibi: | Finland |
Nhazi nke onye nka: | omenkà nke oge a |
Nwụrụ na afọ nke: | 40 afọ |
Afọ ọmụmụ: | 1783 |
Amụrụ na (ebe): | Turku |
Nwuru: | 1823 |
Nwuru na (ebe): | Rome |
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