Pierre Parrocel, 1735 - Nwanyị na-agụ akwụkwọ n'ihu ebe ọkụ - mbipụta nka mara mma

Nkọwa ahaziri nke ihe osise

Ose okwu

Banyere ngwaahịa a

Họrọ ụdị ihe ebipụta nka

Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche na nha. Nhọrọ ndị a dị maka n'otu n'otu:

• Mbipụta nke aluminom: This is a metal print made on aluminium dibond with a true depth effect. A direct Aluminium Dibond Print is your perfect introduction to fine art reproductions with aluminum. For the Aluminium Dibond option, we print your chosen artpiece right onto the aluminium composite surface. The colors are luminous in the highest definition, fine details are crisp and clear. This UV print on Aluminum Dibond is the most popular entry-level product and is a modern way to display art reproductions, because it draws focus on the replica of the artwork.
• Mbipụta kanvas: A canvas print, which shall not be mistaken with a painting on a canvas, is an image printed on an industrial printer. Canvas prints are relatively low in weight. That means, it is easy and straightforward to hang up your Canvas print without the support of any wall-mounts. A canvas print is suitable for any type of wall.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a printed canvas paper with a slightly rough surface texture. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6 cm round about the painting in order to facilitate the framing with a custom frame.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often denoted as a plexiglass print, transforms your favorite original artwork into marvellous home décor. Above all, it makes a great alternative to dibond and canvas fine art prints. Your favorite artwork is made thanks to state-of-the-art UV print technology. This creates impressive, vibrant colors. Our real glass coating protects your chosen fine art print against light and heat for many years to come.

Ozi nbipụta ngwaahịa dị omimi

Ihe nka nke narị afọ nke 18 Woman Reading in front of a Fireplace onye France esere ya Pierre Parrocel na 1735. The 280 years old version of the piece of art was made with the size - Ogologo: 36,5 cm (14,3 ″); Obosara: 47 cm (18,5 ″) Ekebere: Elu: 51 cm (20 ″); Obosara: 61 cm (24 ″); Omimi: 7 cm (2,7 ″). Oil on canvas was used by the French artist as the technique for the painting. The artpiece can be viewed in in the Nationalmuseum Stockholm's collection, which is Sweden's museum of art and design, a Swedish government authority with a mandatet o preserve cultural heritage and promote art, interest in art and knowledge of art. This nka ochie artwork, nke bụ nke ngalaba ọha a na-enye ya site n'ikike nke Nationalmuseum Stockholm na Wikimedia Commons.Ebe E Si Nweta nke ihe osise:. Ndozi n'ime odida obodo format and has a side ratio of 4 : 3, which implies that the length is 33% longer than the width. Pierre Parrocel was a painter from France, whose style was primarily Baroque. The French artist lived for 69 afọ - amuru n'ime 1670 in Avignon, Provence-Alpes-Cote d'Azur, France and deceased in the year 1739 in Avignon, Provence-Alpes-Cote d'Azur, France.

Nkwupụta iwu: We try our best in order to depict the art products in as much detail as we can and to showcase them visually on the product detail pages. However, the tone of the print materials and the print result might vary to a certain extent from the image on your device's monitor. Depending on the settings of your screen and the nature of the surface, not all color pigments are printed one hundret percent realistically. Given that all our art prints are printed and processed manually, there might also be minor differences in the exact position and the size of the motif.

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