Antoine Watteau - nkuzi ịhụnanya - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
About this artpiece created by with the name Antoine Watteau
Ibe nka Ihe nkuzi ịhụnanya e sere ya rococo master Antoine Watteau. The original creation measures the size: Ogologo: 44 cm (17,3 ″); Obosara: 61 cm (24 ″) Ekebere: Elu: 80 cm (31,4 ″); Obosara: 88 cm (34,6 ″); Omimi: 17 cm (6,6 ″). Ihe osise a gụnyere na nchịkọta nka dijitalụ nke National Museum nke Stockholm. The artpiece, nke bụ nke ngalaba ọha a na-enye ya site n'ikike nke Nationalmuseum Stockholm na Wikimedia Commons.Ebe E Si Nweta nke ihe osise:. Ndozi n'ime odida obodo format na akụkụ ruru nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara. The painter Antoine Watteau was a European artist, whose art style can be attributed mainly to Rococo. The European painter was born in the year 1684 na Valenciennes wee nwụọ na afọ nke 37 N'afọ 1721 na Nogent-sur-Marne.
(© Nwebiisinka - National museum Stockholm - www.nationalmuseum.se)
English: In Antoine Watteau’s painting The Love Lesson, a group of young people are sitting by a marble statue of a huddled nymph in a parkland setting. They are being entertained by a man with a Spanish guitar. One of the girls is breaking off roses and appears to strew petals over the group. The girl in the yellow dress has a notebook on her knee. The Love Lesson is an example of a fête galante, a genre painting depicting a park landscape of sultry light and leafy greenery with people socialising together, a typical theme for the artist. X-ray images show that Watteau painted The Love Lesson on a coach door bearing a coat of arms with two unicorns and the crown of a marquis. Nationalmuseum acquired the work in 1953 by means of fundraising, donations from the Friends of Nationalmuseum and money from the museum’s funds. I Antoine Watteaus målning Kärlekslektionen sitter en grupp unga människor intill en staty —en uppkrupen nymf i marmor— i ett parklandskap. De låter sig underhållas av mannen med den spanska gitarren. En av flickorna bryter en ros och liksom strör den över sällskapet. Flickan i den gula klänningen har ett nothäfte i knäet. Kärlekslektionen är en så kallad fête galante, en genremålning föreställande ett parklandskap med dovt ljus och lummig grönska med människor som umgås – ett motiv typisk för konstnären. Röntgenbilder visar att Watteau målat Kärlekslektionen på en karossdörr, med en vapensköld, två enhörningar och krönt av en markiskrona. Nationalmuseum köpte målningen 1953 dels genom en insamling, dels genom bidrag från Nationalmuseums vänner och med medel från museets fonder.
Ozi ndabere gbasara nka nka pụrụ iche
Aha nka nka: | "The Love Lesson" |
nhazi ọkwa: | sere |
Ogo nke ọrụ nka izizi: | Ogologo: 44 cm (17,3 ″); Obosara: 61 cm (24 ″) Ekebere: Elu: 80 cm (31,4 ″); Obosara: 88 cm (34,6 ″); Omimi: 17 cm (6,6 ″) |
Ụlọ ihe ngosi nka: | National Museum nke Stockholm |
Ebe ngosi nka: | Stockholm, Obodo Stockholm, Sweden |
Weebụsaịtị nke ihe ngosi nka: | National Museum nke Stockholm |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | Nationalmuseum Stockholm na Wikimedia Commons |
Tebụl onye na-ese ihe
Ihe nkiri: | Antoine Watteau |
okike nke onye nka: | nwoke |
Obodo onye nka: | French |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Obodo obibi: | France |
Ụdị nka: | Rococo |
Nwụrụ anwụ: | 37 afọ |
A mụrụ: | 1684 |
Ebe amụrụ onye: | Valenciennes |
Nwuru: | 1721 |
Obodo ọnwụ: | Nogent-sur-Marne |
Họrọ ụdị ngwaahịa ngwaahịa gị
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster is a UV printed flat canvas paper with a granular surface texture, that resembles the actual work of art. It is excellently designed for framing your fine art print in a customized frame. Please keep in mind, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the print to facilitate the framing.
- Mbipụta kwaaji: The canvas print is a printed cotton canvas mounted on a wooden stretcher. What is more, canvas print makes a cosy, enjoyable atmosphere. Canvas prints are relatively low in weight, meaning that it is quite simple to hang the Canvas print without any wall-mounts. Hence, a canvas print is suitable for all types of walls.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often described as a fine art print on plexiglass, makes your favorite artwork into beautiful wall decoration. With an acrylic glass fine art print sharp contrasts and small artwork details will be more identifiable thanks to the subtle tonal gradation.
- Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with an impressive depth effect, which creates a fashionable impression by having a surface structure, which is not reflective. For our Direct Aluminium Dibond option, we print the artpiece on the aluminium composite white-primed surface. This UV print on aluminium is the most popular entry-level product and is a modern way to display fine art prints, because it puts the viewer’s attention on the whole artwork.
Nkọwa ngwaahịa
Nkewa edemede: | ọmarịcha nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Ihe ngosi: | German mere |
Ụdị ngwaahịa: | a na-achọ |
A na-atụ aro iji ngwaahịa eme ihe: | ịchọ mma mgbidi, ihe ndozi ụlọ |
Nhazi nka nka: | nhazi odida obodo |
Ụdị anya: | ogologo ruo obosara 1.4: 1 |
Nkọwa: | ogologo bụ 40% ogologo karịa obosara |
Nhọrọ dị: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: | 70x50cm - 28x20", 140x100cm - 55x39" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 70x50cm - 28x20", 140x100cm - 55x39" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 70x50cm - 28x20" |
Nhọrọ nha nke mbipụta aluminom (aluminium dibond material) | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhazi mmeputa nka nka: | enweghị etiti |
Nkwupụta iwu: We do to describe the products as closely as possible and to demonstrate them visually. Nevertheless, the pigments of the printed materials, as well as the imprint can differ to a certain extent from the representation on the screen. Depending on the settings of your screen and the quality of the surface, colors may not be printed as realisitcally as the digital version. Given that our fine art prints are printed and processed manually, there may as well be slight differences in the motif's exact position and the size.
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