Claude Vignon, 1624 - Kraịst gwara Pita ka ọ na-azụ atụrụ m - ihe osise mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Kedu ihe ndị otu curator nke Rijksmuseum say about the 17th century work of art created by Claude Vignon? (© - site na Rijksmuseum - Rijksmuseum)
Peter Christ carries on, "Feed my sheep." Christ gestures to open a beaten book in which the words are "Me Amas Petre pass CE Oves Meas" (John 21: 15-23). Peter has turned toward Christ, in the background two other disciples.
Summary
The nka ochie nka nka Christ Instructs Peter to Feed My Sheep mere site na Baroque nwe- Claude Vignon in 1624. Besides, the artwork is included in the Rijksmuseum's nchịkọta dijitalụ na Amsterdam, Netherlands. Site n'ikike nke: Rijksmuseum (ikike - ngalaba ọha) .Njirimara nke ọrụ nka bụ ndị a: . Ọzọkwa, alignment bụ Eserese n'akụkụ akụkụ nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Claude Vignon was a engraver, painter, etcher, drawer of French nationality, whose style can mainly be classified as Baroque. The Baroque artist lived for 77 years and was born in the year 1593 in Tours and died in the year 1670 in Paris.
Họrọ ihe dị iche iche ihe onwunwe gị
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Nhọrọ ndị a dị maka n'otu n'otu:
- Mbipụta nke aluminom: An Aluminium Dibond print is a print with an outstanding depth, which creates a fashionable look by having a non-reflective surface. The Aluminium Dibond Print is the ideal introduction to art prints manufactured on aluminum. The colors are luminous, the fine details of the print appear clear and crisp.
- Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often referred to as a an art print on plexiglass, makes your favorite artwork into gorgeous wall decoration. Furthermore, the acrylic art print forms a great alternative to canvas and aluminidum dibond art prints. Our acrylic glass protects your chosen fine art print against sunlight and heat for many years.
- Akwụkwọ mmado ebipụtara (ihe kwaaji): The poster is a printed canvas paper with a slight finish on the surface. The poster print is best suited for framing the art copy with the help of a customized frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm round about the print in order to facilitate the framing with a custom frame.
- Mbipụta kwaaji: The UV printed canvas material stretched on a wooden frame. Your canvas of this masterpiece will allow you to transform your new into a large size work of art like you know from galleries. A canvas print has the advantage of being low in weight, which means that it is easy to hang up the Canvas print without the help of any wall-mounts. That is why, canvas prints are suited for all kinds of walls.
Tebụl ozi omenkà
Ihe nkiri: | Claude Vignon |
Aliases: | Monsù Vignone pittor francese, Vignon Claude I, Vignon Claude der Ältere, Vignon Claude the elder, Monsù Vignone pittore francese, Wignon, Vignon Claude I, Claude I Vignon, Vignon Claude, Vignon, Claude Vignon, Monsù Vignon, Cl. Vignon, Vignion, claude f. vignon |
okike onye nka: | nwoke |
Obodo onye nka: | French |
Ọrụ nke onye na-ese ihe: | drawer, etcher, engraver, painter |
Country: | France |
nhazi ọkwa: | nna ukwu ochie |
styles: | Baroque |
Nwụrụ anwụ: | 77 afọ |
Afọ ọmụmụ: | 1593 |
Obodo amụrụ: | Tours |
Afọ ọnwụ: | 1670 |
Nwụrụ na (ebe): | Paris |
Ozi ndabere ihe nka
Aha nka nka: | "Christ Instructs Peter to Feed My Sheep" |
Nhazi nka: | sere |
Otu sara mbara: | nka ochie |
oge: | 17th narị afọ |
Emepụtara na: | 1624 |
Ogologo afọ nka nka: | karịa afọ 390 |
Ụlọ ihe ngosi nka / ebe: | Rijksmuseum |
Ebe ngosi nka: | Amsterdam, Netherlands |
Webụsaịtị ihe ngosi nka: | Rijksmuseum |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Banyere ihe
Nkewa ngwaahịa: | ezi nka mmeputakwa |
Usoro mmeghari: | dijitalụ mmeputakwa |
Production usoro: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Ihe ngosi: | Germany |
Ụdị ngwaahịa: | a na-achọ |
Eji ngwaahịa emebere: | mgbidi gallery, ụlọ ihe ngosi nka |
Ndepụta: | usoro eserese |
Oke akụkụ: | 1: 1.2 |
Mmetụta akụkụ: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ akwa: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta aluminom (ihe alumini debond ihe): | 50x60cm - 20x24", 100x120cm - 39x47" |
Igwe onyonyo: | na-enweghị etiti |
Disclaimer: We try whatever we can to depict our products in as much detail as it is possible and to demonstrate them visually on the various product detail pages. At the same time, the colors of the print materials, as well as the imprint might vary somehwat from the representation on the device's screen. Depending on your settings of your screen and the nature of the surface, not all colors can be printed as realistically as the digital version shown here. Considering that all fine art prints are printed and processed manually, there might also be slight deviations in the size and exact position of the motif.
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