Georges de La Tour, 1640 - The Penitent Magdalen - ọmarịcha nka
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Edemede nka mara mma nkeonwe gị
The Penitet Magdalen is an artwork created by the French painter Georges de La Tour in 1640. The 380 years old artwork measures the size 52 1/2 x 40 1/4 na (133,4 x 102,2 cm) e tekwara ya na ọkara mmanụ na kwaaji. Nowadays, this work of art forms part of the collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye nke Mr. na Oriakụ Charles Wrightsman, 1978 (ọha na eze). : Onyinye nke Mr. na Oriakụ Charles Wrightsman, 1978. N'elu nke ahụ, nhazi nke mmepụta dijitalụ bụ Eserese ya na oke nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. Georges de La Tour was a male painter of French nationality, whose style can mainly be classified as Baroque. The artist was born in the year 1593 in Vic-sur-Seille, Grand Est, France and died at the age of 60 na 1653.
What does the original artwork description of the The Metropolitan Museum of Art state about this work of art painted by Georges de La Tour? (© - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
A sinner, perhaps a courtesan, Mary Magdalen was a witness of Christ who renounced the pleasures of the flesh for a life of penance and contemplation. She is shown with a mirror, symbol of vanity; a skull, emblem of mortality; and a candle that probably stands for her spiritual enlightenment. The style of La Tour, a native of the duchy of Lorraine in eastern France, is much indebted to Caravaggesque painting. The contrast of candlelight and shadow, the pure geometry of form, and the meditative mood characterize the pictures for which he is famous.
Ozi ndabere na mpempe nka
Aha ọrụ nka: | "The Penitet Magdalen" |
Nhazi nka nka: | sere |
Okwu mkpokọta: | nka ochie |
Narị afọ nka: | 17th narị afọ |
Afọ nka: | 1640 |
Ogologo afọ nka nka: | ihe karịrị afọ 380 |
Usoro nka izizi: | mmanụ na kwaaji |
Nha izizi: | 52 1/2 x 40 1/4 na (133,4 x 102,2 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
website: | Museumlọ ihe ngosi nka nke Obodo |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye nke Mr. na Oriakụ Charles Wrightsman, 1978 |
Ebe kredit nke ọrụ nka: | Onyinye nke Mr. na Oriakụ Charles Wrightsman, 1978 |
Ozi omenka
aha: | Georges de La Tour |
Aha ndị ọzọ: | La Tour Georges Dumesnil, La Tour Georges du Mesnil de, La Tour, La Tour Georges du Mesnil, g. de la tour, Georges de La Tour, De La Tour Georges du Mesnil, La Tour Claude du Menil de, La Tur Zhorzh dʹo, La Tour Ménil, De La Tour Claude du Menil, de la Tour, Tour Georges de la, latour georges, Sr. Latour, La Tour Dumesnil, Georges Du Mesnil La Tour, Georges du Mesnil de La Tour, Latour, georges latour, De La Tour Georges, Du Mesnil de La Tour Georges, La Tour Georges de |
Gender: | nwoke |
Obodo onye nka: | French |
Ọrụ: | onye na-ese ihe |
Mba onye si: | France |
Nkewa onye nka: | nna ukwu ochie |
Ụdị nka: | Baroque |
Akwụsị: | 60 afọ |
Amụrụ n'afọ: | 1593 |
Ebe omuma: | Vic-sur-Seille, Grand Est, France |
Nwụrụ n'afọ: | 1653 |
Ebe ọnwụ: | Luneville, Grand Est, France |
Họrọ ngwa ngwaahịa masịrị gị
Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha nke gị. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often labelled as a an art print on plexiglass, will transform your favorite original artwork into beautiful wall décor. Additionally, it makes a great alternative to canvas or aluminium dibond fine art replicas. Your favorite artwork will be printed with state-of-the-art UV direct printing machines.
- Mbipụta kwaaji: The canvas print is a printed cotton canvas mounted on a wooden stretcher. How do I hang a canvas on my wall? A canvas print has the advantage of being relatively low in weight. That means, it is quite simple to hang up your Canvas print without the help of extra wall-mounts. Canvas prints are suited for any kind of wall in your house.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster print is a printed flat canvas paper with a slightly rough surface structure. Please note, that depending on the size of the poster print we add a white margin of around 2-6cm round about the print in order to facilitate the framing.
- Aluminom ihe eji eme ihe: These are metal prints on aluminium dibond material with a true depth. The white & bright parts of the original artwork shimmer with a silk gloss but without glare.
Data ndabere ihe
Bipụta ụdị ngwaahịa: | ọrụ mgbidi |
Usoro mmeghari: | dijitalụ mmeputakwa |
Production usoro: | mbipụta dijitalụ |
Ihe ngosi: | arụpụtara na Germany |
Ụdị ngwaahịa: | a na-achọ |
Eji ngwaahịa emebere: | ihe ndozi mgbidi, mma mgbidi |
Ndozi onyonyo a: | usoro eserese |
Ụdị anya: | 1: 1.4 ogologo: obosara |
Mmetụta ihe onyonyo: | ogologo bụ 29% mkpụmkpụ karịa obosara |
Nhọrọ dị: | Mpempe akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 50x70cm - 20x28", 100x140cm - 39x55" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 50x70cm - 20x28", 100x140cm - 39x55" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x70cm - 20x28" |
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: | 50x70cm - 20x28", 100x140cm - 39x55" |
ụba: | biko mara na edeghị nnomi nka nka |
Disclaimer: We try everything in order to depict the art products with as many details as it is possible and to demonstrate them visually. Although, the colors of the print materials, as well as the print result might vary somehwat from the representation on the screen. Depending on the screen settings and the condition of the surface, not all color pigments are printed 100% realistically. Bearing in mind that all fine art prints are printed and processed by hand, there may also be minor deviations in the motif's size and exact position.
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