Henri-Edmond Cross, 1896 - Pines N'akụkụ Shore - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa ndị ọzọ site na ihe ngosi nka (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)
Henri-Edmond Cross was a practitioner of the Neoimpressionist style of painting, a short-lived avantgarde movement in the late nineteenth century which emphasized the use of separate touches of interwoven pigment to achieve greater vibrancy of color in the observer’s eye. In Pines Along the Shore, painted in the south of France overlooking the Mediterranean, Cross weaves and layers separate brushstrokes, building his paint surface in a tapestry-like fashion from cool tones on the pine grove floor to brilliant foliage at the water’s edge to softer hues in the sky and mountains beyond.
Iberibe nkọwa nka
Aha nka nka: | "Pines Along the Shore" |
nhazi ọkwa: | sere |
Okwu mkpokọta: | nkà nke oge a |
oge: | 19th narị afọ |
Emepụtara n'afọ: | 1896 |
Afọ nka: | gbara afọ 120 |
Agba na: | mmanụ na kwaaji |
Nha izizi: | 21 3/8 × 25 3/4 × 1 1/8 in (54,3 × 65,4 × 2,8 cm) Framed: 30 1/4 × 34 1/2 × 4 1/4 in (76,8 × 87,6 × 10,8 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
E Nwere na: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Robert Lehman, 1975 |
kreditline ọrụ nka: | Nchịkọta Robert Lehman, 1975 |
Ose okwu
Aha onye nka: | Henri-Edmond Cross |
okike nke onye nka: | nwoke |
Obodo onye nka: | French |
Ọrụ: | onye na-ese ihe |
Mba onye si: | France |
nhazi ọkwa: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Mmetụta |
Oge ndu: | 54 afọ |
Afọ ọmụmụ: | 1856 |
Nwuru: | 1910 |
Ozi ihe ahaziri ahazi
Bipụta ngwaahịa: | ọmarịcha nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Production: | German mmepụta |
Ụdị ngwaahịa: | a na-achọ |
Ngwaahịa were: | ime ụlọ, gallery mgbidi |
Nhazi: | nhazi odida obodo |
Oke akụkụ onyonyo: | (ogologo: obosara) 1.2: 1 |
Nkọwa nke oke akụkụ akụkụ: | ogologo bụ 20% ogologo karịa obosara |
Nhọrọ ihe: | Mbipụta iko acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 60x50cm - 24x20", 120x100cm - 47x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39" |
Ụdị mbipụta aluminom dibond: | 60x50cm - 24x20", 120x100cm - 47x39" |
ụba: | adịghị |
Nhọrọ akụrụngwa ngwaahịa enwere ike
The product dropdown menu gives you the possibility to pick your individual material and size. Choose among the following product options now to match your preferences in size and material:
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): A glossy print on acrylic glass, often labelled as a an art print on plexiglass, makes your favorite original into beautiful home décor. The work of art is being printed with modern UV direct print machines. It creates vivid, impressive color hues.
- Mbipụta kwaaji: The canvas print is a printed canvas stretched on a wooden frame. A canvas has the unique impression of three dimensionality. What is more, canvas produces a familiar, comfy effect. The advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang the Canvas print without the help of additional wall-mounts. A canvas print is suited for any type of wall.
- Mbipụta akwụkwọ mmado (ihe kwaaji): A poster print is a printed canvas with a fine surface texture. A print poster is excellently qualified for framing the art print in a special frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin 2 - 6cm round about the print motif to facilitate the framing with a custom frame.
- Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an outstanding depth effect. A direct Direct Print on Aluminum Dibond is the best start to fine art reproductions on aluminum.
a nkà nke oge a mere nka nka site na Henri-Edmond Cross in 1896. Ihe gafere 120 years old original has the size 21 3/8 × 25 3/4 × 1 1/8 in (54,3 × 65,4 × 2,8 cm) Framed: 30 1/4 × 34 1/2 × 4 1/4 in (76,8 × 87,6 × 10,8 cm). Mmanụ na kwaaji was applied by the European artist as the technique for the painting. Today, this artwork is part of the collection of Museumlọ ihe ngosi nka nke Obodo. Site n'ikike nke: Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Robert Lehman, 1975 (ọha na eze). Ihe kredit nke ọrụ nka bụ: Nchịkọta Robert Lehman, 1975. Ọzọkwa, nhazi ahụ bụ odida obodo na nwere akụkụ ruru nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. The painter Henri-Edmond Cross was a European artist from France, whose style was primarily Impressionism. The Impressionist painter was born in 1856 ma gafee na afọ nke 54 na 1910.
Ederede iwu dị mkpa: We do our utmost to describe our products in as much detail as possible and to illustrate them visually on the different product detail pages. However, the pigments of the printed materials, as well as the printing can vary marginally from the presentation on the screen. Depending on the screen settings and the nature of the surface, colors can unfortunately not be printed as exactly as the digital version on this website. Given that the fine art prints are processed and printed by hand, there might as well be slight variations in the motif's size and exact position.
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