Jean-Baptiste Greuze - Ekpere ụtụtụ - mbipụta nka mara mma

59,99 €

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Nke a masterpiece e kere site Jean-Baptiste Greuze. E ji nha ya see ụdị izizi ahụ: Ogologo: 68 cm, obosara: 53,5 cm. N'oge a, a na-etinye ihe osise na nchịkọta nka dijitalụ nke Ụlọ ihe nkiri Cognacq-Jay Paris in Paris, France. Site n'ikike nke - Musée Cognacq-Jay - le goût du XVIIIe Paris (ngalaba ọha): . N'elu nke ahụ, nhazi n'ime Eserese format na a akụkụ ruru nke 1: 1.2, meaning that the length is 20% shorter than the width. Jean-Baptiste Greuze was a painter, whose art style was mainly Rococo. The Rococo painter lived for a total of 80 years - born in 1725 na Tournus, Bourgogne-Franche-Comte, France wee nwụọ na 1805 na Paris, Ile-de-France, France.

Ozi nka nka izizi sitere na webụsaịtị ihe ngosi nka (© - nke Musée Cognacq-Jay Paris dere - Ụlọ ihe nkiri Cognacq-Jay Paris)

The theme of the "Morning Prayer," which evokes a particularly recommended by the Reformed Church devotion was probably inspired by Greuze its links with Protestantism.

The Morning Prayer museum Cognac-Jay, of very pretty quality, is certainly at least one good copy of the workshop panel same subject preserved in Montpellier Musée Fabre, painted by Jean-Baptiste Greuze to 1775-1780, but is not unreasonable to see a replica of the same hand that dernier.Il are several known copies of this work, more or less good quality (see Burollet, Therese, 2004 p.142-143). "The Morning Prayer" inspired Greuze in 1780 after many "heads of expression," imitated by his pupils.

Nkọwa ọrụ nka

Aha eserese ahụ: "The Morning Prayer"
Nhazi nka: sere
Nha izizi (ọrụ nka): Ogologo: 68 cm, obosara: 53,5 cm
Ụlọ ihe ngosi nka: Ụlọ ihe nkiri Cognacq-Jay Paris
Ebe ngosi nka: Paris, France
E Nwere na: Ụlọ ihe nkiri Cognacq-Jay Paris
License: ngalaba ọha
Site n'aka: Musée Cognacq-Jay - le goût du XVIIIe Paris

Nchịkọta dị mkpirikpi nke onye na-ese ihe

Ihe nkiri: Jean-Baptiste Greuze
Aha utu aha: Gruese, g. b. greuze, J. Bapt. Greuze, Creuse Jean-Baptiste, jan bapt. greuze, Grouse, Greuse Jean-Baptiste, Greuz, J.-B. Greuse, i. b. greuze, greuze j. b., greuze jean-baptiste, Grëz Zhan-Batist, jean bapt. greuze, joh. bapt. greuze, Greuze Jan Bapt., J.B. Greuze, jean b. greuze, J. B. Greuzes, Gruce Jean-Baptiste, Gruze, Jean Baptiste Greuze, Jean-Bapt. Greuze, Cruise Jean-Baptiste, Gruze Jean-Baptiste, John Baptist Greuze, greuze j.b., Greuze, I.B. Greuze, J.B. Greüse, Gruize, J. Baptist Greuze, Creuse, Jean-Baptiste Greuze, Gruce, Greuze J.-B., greuze jean baptiste, J. P. Greuze, Grenze, גרץ ז'אן בפטיסט, jan baptiste greuze, J.-B. Greuze, J. B. Greuze, D'apres M. Greuze, De Gruse Jean-Baptiste, Greuse, jan-baptiste greuze, Attribué a Greuze, Creuze Jean-Baptiste, De Gruse, Gruise, J. B. Greuse, Greuze Jean-Baptiste, Gruse, M. Greuze, Creuze, Greuze Jean Baptiste, Johann Baptist Greuze, Greuzs, M. Greuse, Grouse Jean-Baptiste, J.B Greuse, Grueze, Greuzes, jean baptist greuze
okike nke onye nka: nwoke
Obodo onye nka: French
Ọrụ: onye na-ese ihe
Obodo obibi: France
Ụdị nka: Rococo
Nwụrụ anwụ: 80 afọ
Afọ amụrụ: 1725
Amụrụ na (ebe): Tournus, Bourgogne-Franche-Comte, France
Nwụrụ n'afọ: 1805
Nwụrụ na (ebe): Paris, Ile-de-France, France

Họrọ nhọrọ akụrụngwa gị

Ndepụta ndetu ngwaahịa na-enye gị ohere ịhọrọ ihe na nha ọkacha mmasị gị. Nhọrọ ndị a dị maka n'otu n'otu:

  • Mbipụta kanvas: The printed canvas, which shall not be confused with a canvas painting, is an image printed directly on canvas material. The advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang your Canvas print without additional wall-mounts. Because of thatcanvas prints are suited for any kind of wall.
  • Mbipụta iko acrylic na-egbuke egbuke: A glossy acrylic glass print, which is often referred to as a plexiglass print, will change the original into beautiful wall décor. Further, the acrylic glass art print offers a great alternative option to dibond and canvas fine art prints. The great advantage of an acrylic glass fine art print is that contrasts and image details become more recognizeable with the help of the subtle tonal gradation of the picture. The acrylic glass protects your chosen fine art print against sunlight and heat for between 40-60 years.
  • Mbipụta nke aluminom: An Aluminium Dibond print is a material with an impressive effect of depth. The Aluminium Dibond Print is your best start to fine art reproductions manufactured on aluminum. The UV print on aluminium is the most popular entry-level product and is a truly modern way to display artworks, as it puts 100% of the viewer’s attention on the image.
  • Poster (akwa akwa akwa): The Artprinta poster is a printed sheet of canvas with a nice surface finish. It is excellently designed for putting your art replica using a custom frame. Please keep in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm round about the print in order to facilitate the framing with a custom frame.

Ihe omuma

Bipụta ngwaahịa: nka nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite ngwaahịa: German mere
Stockdị ngwaahịa: na mmepụta ihe
Ihe eji eme atụmatụ: mgbidi mgbidi, ụlọ mmepụta nka nka
Ndepụta: nhazi ihe osise
Ụdị anya: 1: 1.2 ogologo ruo obosara
Ntụgharị nkọwa akụkụ onyonyo: ogologo bụ 20% mkpụmkpụ karịa obosara
Ụdị ihe dị iche iche dị: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), akwụkwọ akwa akwa.
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Mbipụta aluminom (aluminium dibond ihe) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi nke nnomi nka: enweghị etiti

Ederede iwu: We try whatever we can to describe the art products as accurate as it is possible and to display them visually in our shop. Still, the pigments of the printed materials, as well as the print result can diverge slightly from the presentation on your device's monitor. Depending on your screen settings and the condition of the surface, not all color pigments are printed 100% realistically. In view of the fact that our are printed and processed by hand, there may also be slight deviations in the motif's size and exact position.

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