Jean Baptiste Vanmour, 1727 - Sultan Ahmed III - ọmarịcha nka

39,99 €

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Nchịkọta ngwaahịa ebipụta nka ochie

N'elu 290 ihe osise dị afọ e ji esere ya Jean Baptiste Vanmour. Artpiece dị n'ime RijksmuseumNchịkọta nka. Site n'ikike nke: Rijksmuseum (nwere ikike - ngalaba ọha): . Na mgbakwunye na nke ahụ, nhazi ahụ bụ Eserese na a akụkụ ruru nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

Ozi izugbe sitere na webụsaịtị ihe ngosi nka (© nwebiisinka - Rijksmuseum - Rijksmuseum)

Turkish culture blossomed under the rule of Ahmed III. The sultan was fascinated by tulips and organized lavish festivities that lasted as long as the flowers were in bloom. This period, known as the Tulip Era, witnessed many celebrations and was more openly receptive to Western influences. Vanmour saw Ahmed III on various occasions and so was able to give an accurate portrayal of his features.

Tebụl a haziri ahazi nke mpempe nka

Aha nke ihe nka: "Sultan Ahmed III"
Nhazi: sere
Nhazi nka: nka ochie
Century: 18th narị afọ
Afọ nka: 1727
Ogologo afọ nka nka: gbara afọ 290
Ụlọ ihe ngosi nka / ebe: Rijksmuseum
Ebe ngosi nka: Amsterdam, Netherlands
Weebụsaịtị nke ihe ngosi nka: Rijksmuseum
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Rijksmuseum

Tebụl metadata omenkà

Aha onye nka: Jean Baptiste Vanmour
Aha utu aha: Jean Baptiste Vanmour, Vanmour, Van Mour Jean-Baptiste, Van Moor Jean-Baptiste, Jan Baptista van Mour, Vanmour Jean Baptiste, Mour Jean-Baptiste van, Mour Jean Baptiste van, Van Moor Jean Baptiste, Van-Mour, Mour, Van Mour Jean Baptiste, Jean-Baptiste van Mour, J.B. van Moor, Jean Baptiste Van Mour, Vanmour Jean-Baptiste, Moor Jean-Baptiste van
okike onye nka: nwoke
Nationality: French
Ọrụ onye na-ese ihe: onye na-ese ihe
Mba onye si: France
Nhazi nke onye nka: nna ukwu ochie
Ndụ: 66 afọ
Amụrụ n'afọ: 1671
Ebe amụrụ onye: Valenciennes, Hauts-de-France, France
Nwụrụ n'afọ: 1737
Obodo ọnwụ: Istanbul, Istanbul, Turkey

Họrọ ihe gị

Na menu ndọpụta ngwaahịa ị nwere ike họrọ ngwa na nha nke nhọrọ gị. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

  • Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a print with an impressive depth - for a modern look and a non-reflective surface. For your Direct Print On Aluminum Dibond, we print the artpiece onto the surface of the aluminum material. The bright parts of the work of art shine with a silk gloss, however without any glare. The colors of the print are luminous in the highest definition, details appear very clear, and there’s a matte look that you can literally feel.
  • Mbipụta iko acrylic na-egbuke egbuke (ya na mkpuchi iko n'ezie): A glossy print on acrylic glass, which is sometimes named as a UV print on plexiglass, changes your favorite artwork into décor. Additionally, it makes a good alternative option to canvas and dibond prints. Your artwork is being made with the help of state-of-the-art UV direct print technology. It creates intense, impressive print colors. The great advantage of a plexiglass fine art copy is that contrasts and image details will be more visible because of the very fine gradation. The real glass coating protects your chosen art replica against light and heat for between 4 and six decades.
  • Mbipụta akwụkwọ mmado (akwa akwa akwa): A poster is a UV printed canvas with a fine surface structure. It is excellently designed for framing your art replica with the help of a custom-made frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm round about the print motif, which facilitates the framing.
  • Kwaaji: The printed canvas, which shall not be mistaken with an artwork painted on a canvas, is a digital image applied on a cotton canvas. What is more, printed canvas creates a cosy and comfy impression. A printed canvas of this artwork will allow you to transform your very own fine art print into a large artwork. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang your Canvas print without the help of any wall-mounts. That is why, a canvas print is suitable for all kinds of walls.

Product nkọwa

Nkewa ngwaahịa: ọmarịcha nka
Usoro mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: mbipụta dijitalụ
Nlụpụta: Germany
Stockdị ngwaahịa: na mmepụta ihe
Eji ngwaahịa a chọrọ: mgbidi gallery, nchịkọta nka (mmepụta)
Nhazi: nhazi ihe osise
Njikwa oyiyi: (ogologo: obosara) 3: 4
Nkọwa nke oke akụkụ: ogologo bụ 25% mkpụmkpụ karịa obosara
Nhọrọ akwa: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), akwụkwọ akwa akwa.
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Ụdị mbipụta aluminom: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhazi mbipụta nka: agunyeghi

Disclaimer: We try what we can in order to describe our products with as many details as it is possible and to display them visually on the different product detail pages. Although, the pigments of the print materials, as well as the imprint may vary marginally from the image on your device's screen. Depending on your settings of your screen and the nature of the surface, not all colors will be printed 100% realistically. In view of the fact that the art prints are printed and processed by hand, there may also be minor differences in the size and exact position of the motif.

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