Jean Bellegambe, 1509 - The Le Cellier Altarpiece - ọmarịcha nka

28,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Additional description by the museum's website (© Copyright - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

Saint Bernard, the standing monk seen on the left interior wing, was a reformer of the Cistercian order and a fervent proponent of the cult of Mary. In this triptych he gathers with his family around the throne of the Virgin. The altarpiece was commissioned by Jeanne de Boubais, abbess of the Cistercian convent of Flines, who appears in the central panel in the guise of Saint Bernard's sister, Humbeline, and for this reason wears the black Benedictine habit. Painted in grisaille on the exterior is Bernard's vision of the Virgin, who miraculously wet the saint's lips with her milk.

Tebụl nka nka

Aha ọrụ nka: "The Le Cellier Altarpiece"
Nhazi nke ọrụ nka: sere
Otu sara mbara: nka ochie
Nhazi oge: 16th narị afọ
Emepụtara na: 1509
Afọ nka: karịa afọ 510
Ihe osise izizi: mmanụ n'elu osisi
Nha ihe osise izizi: Shaped top: central panel 40 x 24 in (101,6 x 61 cm); left wing 37 3/4 x 10 in (95,9 x 25,4 cm); right wing 37 1/2 x 9 1/2 in (95,3 x 24,1 cm)
Ụlọ ihe ngosi nka / mkpokọta: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ụdị ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Friedsam, Arịrịọ nke Michael Friedsam, 1931
Ebe E Si Nweta: Nchịkọta Friedsam, Arịrịọ nke Michael Friedsam, 1931

Ozi ndabere na onye na-ese ihe

Aha onye nka: Jean Bellegambe
Aha ndi ozo: Jean Bellegambe, Bellegambe Jean, Bellegambe Jehan, Bellegambe, Master of Colors
okike nke onye nka: nwoke
Nationality: French
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Country: France
Otu nka: nna ukwu ochie
Ụdị nka: Northern Renaissance
Ndụ: 66 afọ
Afọ ọmụmụ: 1470
Obodo ọmụmụ: Douai, Hauts-de-France, France
Afọ nwụrụ: 1536
Nwụrụ na (ebe): Douai, Hauts-de-France, France

Banyere ngwaahịa

Nkewa edemede: ọrụ mgbidi
Mmeputakwa: dijitalụ mmeputakwa
Usoro nhazi: Mbipụta UV / dijitalụ
Ihe ngosi: emere na Germany
Ụdị ngwaahịa: na mmepụta ihe
Ihe eji eme atụmatụ: ihe ndozi mgbidi, mma mgbidi
Nhazi onyonyo: usoro square
Oke akụkụ: 1: 1
Ntụgharị nkọwa akụkụ onyonyo: ogologo ya na obosara
Ụdị dị iche iche dị: Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: 20x20cm - 8x8 ", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180-x180cm
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 20x20cm - 8x8 ", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180-x180cm
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Nhọrọ ebipụta aluminom: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Igwe onyonyo: mmeputakwa na-enweghị isi

Nye iwu ihe ị họọrọ

Maka mbipụta nka ọ bụla mara mma anyị na-enye ụdị nha na ihe dị iche iche. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:

  • Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with an impressive depth. The Direct Print on Aluminum Dibond is the excellent start to art reproductions with aluminum. This UV print on aluminium is the most popular entry-level product and is an extremely stylish way to display artworks, as it draws focus on the image.
  • Mbipụta enyo acrylic: The print on acrylic glass, often described as a fine art print on plexiglass, will convert your favorite original work of art into amazing home décor and is a good alternative option to dibond or canvas fine art replicas. The work of art is custom-made with modern UV direct print technology. It creates intense, stunning color tones. With an acrylic glass art print contrasts and artwork details will be more recognizeable with the help of the precise tonal gradation in the print.
  • Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster is a printed canvas with a slightly roughened surface texture, that reminds the original work of art. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm around the painting in order to facilitate the framing with a custom frame.
  • Mbipụta kanvas: A UV printed canvas stretched on a wood stretcher frame. A canvas of your favorite work of art will provide you with the opportunity to turn your individual fine art print into a large collection piece. Canvas prints are relatively low in weight. That means, it is quite simple to hang your Canvas print without extra wall-mounts. Canvas prints are suited for all types of walls.

Ozi ngwaahịa nka zuru ezu

The nka ochie artwork na aha The Le Cellier Altarpiece nke nwoke mere French artist Jean Bellegambe in 1509. The version of the work of art had the size - Shaped top: central panel 40 x 24 in (101,6 x 61 cm); left wing 37 3/4 x 10 in (95,9 x 25,4 cm); right wing 37 1/2 x 9 1/2 in (95,3 x 24,1 cm) and was painted with the medium mmanụ n'elu osisi. Ọ bụ na nchịkọta dijitalụ nke Museumlọ ihe ngosi nka nke Obodo, nke dị na New York City, New York, Njikota Obodo Amerika. The nka ochie masterpiece, nke dị na ngalaba ọha is being provided with courtesy of The Metropolitan Museum of Art, New York, The Friedsam Collection, Bequest of Michael Friedsam, 1931. : The Friedsam Collection, Bequest of Michael Friedsam, 1931. The alignment of the digital reproduction is square na oke nke 1: 1, nke pụtara na ogologo ya na obosara. The painter Jean Bellegambe was an artist, whose artistic style was mainly Northern Renaissance. The French painter lived for 66 years, born in 1470 in Douai, Hauts-de-France, France and passed away in 1536.

Ihe dị mkpa: We try everything in order to depict our products as clearly as possible and to display them visually on the various product detail pages. However, the pigments of the printed materials, as well as the printing might differ marginally from the representation on the screen. Depending on the screen settings and the quality of the surface, color pigments can unfortunately not be printed 100% realistically. Considering that all our art reproductions are processed and printed by hand, there may also be minor differences in the motif's exact position and the size.

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