Pierre-Auguste Renoir, 1908 - Bather na-ehicha onwe ya (Baigneuse sessuyant) - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa ngwaahịa nka
N'elu 110 year-old artpiece was made by the onye echiche artist Pierre-Auguste Renoir in 1908. The original version measures the size: Overall: 36 7/16 x 29 1/8 in (92,5 x 74 cm) and was made with the Usoro oil on canvas. Today, this artpiece can be viewed in in the collection of Barnes Foundation. With courtesy of: Site n'ikike nke Barnes Foundation, Merion na Philadelphia, Pennsylvania (ọha na eze).Akụkọ nke ọrụ nka bụ ihe ndị a: . Nhazi nke mmepụta dijitalụ dị na Eserese format na a akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The illustrator, painter, sculptor Pierre-Auguste Renoir was a European artist, whose artistic style was mainly Impressionism. The Impressionist painter lived for a total of 78 afọ - a mụrụ n'afọ 1841 na Limoges, Nouvelle-Aquitaine, France na nwụrụ na 1919.
Additional information by Barnes Foundation (© - site na Barnes Foundation - www.barnesfoundation.org)
Renoir painted the female nude obsessively during his later career. He devoted hundreds of canvases to the depiction of bathing figures, presented alone or in groups. Here, as in the vast majority of these paintings, the bather does not acknowledge the presence of the artist or viewer but remains absorbed in her task, heightening the sense of voyeurism. Renoir achieved the effect of the soft and velvety-looking skin by applying liquid-thin paint in short, delicate strokes; this a hallmark of his late works.
Tebụl a haziri ahazi nke ihe osise
Aha eserese: | "Bather na-ehicha onwe ya (Baigneuse sessuyant)" |
Nhazi nka nka: | sere |
Otu sara mbara: | nkà nke oge a |
Narị afọ nka: | 20th narị afọ |
Emepụtara na: | 1908 |
Afọ nka: | karịa afọ 110 |
Usoro nka izizi: | mmanụ na kwaaji |
Nha izizi: | N'ozuzu: 36 7/16 x 29 1/8 na (92,5 x 74 cm) |
Ụlọ ihe ngosi nka: | Ntọala Barnes |
Ebe ngosi nka: | Philadelphia, Pennsylvania, Njikota Obodo Amerika |
Ebe nrụọrụ weebụ ihe ngosi nka: | Ntọala Barnes |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Site n'ikike nke Barnes Foundation, Merion na Philadelphia, Pennsylvania |
Ozi omenkà Contextal
Aha onye nka: | Pierre-Auguste Renoir |
Aha ndi ozo: | Auguste Renoir, Renoar Pjer-Ogist, Pierre Auguste Renoir, renoir a., Renoir August, renoir p.a., רנואר אוגוסט, Renuar Ogi︠u︡st, Pierre-Auguste Renoir, רנואר פייר אוגוסט, August Renoir, Renoir Auguste, Renoir Pierre Auguste, pierre august renoir, Renoir Pierre August, a. renoir, Renoir Pierre-Auguste, Renoir, p.a. renoir, firmin auguste renoir |
okike onye nka: | nwoke |
Obodo onye nka: | French |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe, onye na-ese ihe, onye na-ese ihe |
Obodo obibi: | France |
Nkewa onye nka: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Mmetụta |
Nwụrụ na afọ nke: | 78 afọ |
Afọ ọmụmụ: | 1841 |
Ebe amụrụ onye: | Limoges, Nouvelle-Aquitaine, France |
Nwụrụ n'afọ: | 1919 |
Nwuru na (ebe): | Cagnes-sur-Mer, Provence-Alpes-Cote d'Azur, France |
Nye iwu ihe kacha amasị gị
The product dropdown list ofers you the chance to select your individual material and size. You can choose among the following product customization options:
- Aluminom dibond (ọkpụkpụ ọla): This is a metal print manufactured on alu dibond with an impressive effect of depth. A non-reflective surface structure creates a fashionable look. Colors are luminous and vivid in the highest definition, details of the print are crisp and clear, and there’s a matte appearance that you can literally feel. The UV print on aluminium is one of the most demanded entry-level products and is a contemporary way to display fine art prints, as it draws attention on the replica of the artwork.
- Bipụta akwụkwọ mmado n'ihe kwaaji: The poster is a UV printed flat canvas paper with a slightly roughened surface finish, which reminds the actual work of art. Please keep in mind, that depending on the size of the poster print we add a white margin of approximately 2-6 cm round about the painting, which facilitates the framing with a custom frame.
- Mbipụta kanvas: The printed canvas, which should not be mistaken with an artwork painted on a canvas, is a digital image printed on a UV direct printer. Canvas prints are relatively low in weight, which means that it is easy to hang the Canvas print without the use of any wall-mounts. A canvas print is suitable for any type of wall.
- Bipụta na iko acrylic na-egbuke egbuke: The acrylic glass print, often named a print on plexiglass, makes the original artwork into gorgeous wall décor. Furthermore, it is a good alternative to canvas and aluminidum dibond fine art replicas. The acrylic glass protects your chosen fine art print against light and external influences for up to 60 years.
Nkọwa ngwaahịa
Nkewa ngwaahịa: | mmepụta nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro nhazi: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Production: | Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ihe eji eme atụmatụ: | Ụlọ mgbidi, nchịkọta nka (mmepụta) |
Nhazi: | nhazi ihe osise |
Oke akụkụ: | 1: 1.2 ogologo ruo obosara |
Ntụgharị nkọwa akụkụ akụkụ: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ akwa: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta ọla (aluminium dibbond) |
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nha mbipụta aluminium dibond: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mbipụta nka: | oyiri nka na-enweghị isi |
Ederede iwu dị mkpa: We try what we can in order to depict our products as accurate as possible and to showcase them visually on the different product detail pages. At the same time, the colors of the printing material and the print result might vary marginally from the image on your device's monitor. Depending on the screen settings and the nature of the surface, color pigments may not be printed one hundret percent realistically. In view of the fact that all fine art prints are processed and printed by hand, there might as well be minor differences in the motif's size and exact position.
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