Charles M. Relyea, 1904 - Ihe atụ maka James Whitcomb Riley'sA ntụpọ - ọmarịcha akwụkwọ nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Product ọmụma
In 1904 Charles M. Relyea made this 20th narị afọ Ibé nka aha "Illustration for James Whitcomb Riley'sA Defective". Akụkụ nka na-atụ nha - 19-1 / 2 x 13-1 / 2 na. Oil on illustration board was applied by the North American artist as the technique for the painting. Besides, this work of art is included in the digital collection of Analọ ihe nkiri nka nke Indianapolis, which is one of the finest universal art museums that has an extensive collection of art history from different eras with objects from all parts of the world.. With courtesy of Indianapolis Museum of Art (ọha na eze).Moreover, the artpiece has the creditline: . The alignment is portrait and has an image ratio of 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.
Họrọ ngwa ngwaahịa gị
N'ime ndetu ndetu ngwaahịa ị nwere ike họrọ ihe na nha masịrị gị. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:
- Mbipụta nke aluminom: This is a metal print made on aluminium dibond material with an outstanding depth effect, which creates a fashionable look throuch a non-reflective surface structure.
- Mbipụta enyo acrylic: A glossy print on acrylic glass, which is sometimes referred to as a plexiglass print, will turn your favorite original into décor. Additionally, it is a distinct alternative to aluminium or canvas fine art prints. Your work of art will be custom-made with state-of-the-art UV printing machines.
- Mbipụta kwaaji: A UV printed canvas material applied on a wood stretcher frame. Hanging a canvas print: A canvas print has the advantage of being low in weight, meaning that it is quite simple to hang the Canvas print without the help of any wall-mounts. A canvas print is suitable for all types of walls.
- Bipụta akwụkwọ mmado n'ihe kwaaji: The poster print is a printed cotton canvas paper with a nice surface structure. It is perfectly appropriate for framing the art copy with the help of a customized frame. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2-6 cm around the work of art in order to facilitate the framing.
Ozi omenka
aha: | Charles M. Relea |
Aha ndi ozo: | Relyea Charles M., Relyea Charles Mark, Relyea C. M., Charles M. Relyea |
okike nke onye nka: | nwoke |
Obodo onye nka: | American |
Ọrụ: | onye ihe ngosi |
Mba onye si: | United States |
Otu nka: | omenkà nke oge a |
Afọ ọnwụ: | 69 afọ |
Afọ ọmụmụ: | 1863 |
Afọ ọnwụ: | 1932 |
Ozi ndabere na nka
Aha nka: | "Illustration for James Whitcomb Riley'sA Defective" |
Nhazi nke ihe nka: | sere |
Okwu nche anwụ: | nkà nke oge a |
Narị afọ nka: | 20th narị afọ |
Year: | 1904 |
Afọ nka: | ihe dị ka afọ 110 |
Ihe osise izizi: | oil on illustration board |
Nha izizi nka: | 19-1 / 2 x 13-1 / 2 na |
Egosiputara na: | Analọ ihe nkiri nka nke Indianapolis |
Ebe ngosi nka: | Indianapolis, Indiana, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Analọ ihe nkiri nka nke Indianapolis |
License: | ngalaba ọha |
Site n'aka: | Analọ ihe nkiri nka nke Indianapolis |
Nkọwapụta ngwaahịa
Nkewa bipụta: | nka nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Nlụpụta: | German mere |
Stockdị ngwaahịa: | na mmepụta ihe |
A na-atụ aro iji ngwaahịa eme ihe: | mgbidi gallery, nka mgbidi |
Ndepụta: | usoro eserese |
Oke akụkụ onyonyo: | 3:4- ogologo: obosara |
Nkọwa nke oke onyonyo a: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Nhọrọ akwa: | Mbipụta iko acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 30x40cm - 12x16" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 30x40cm - 12x16" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 30x40cm - 12x16" |
Nhọrọ mbipụta aluminom: | 30x40cm - 12x16" |
Igwe onyonyo: | agunyeghi |
Nkwupụta iwu: We try our utmost to describe our products with as many details as possible and to demonstrate them visually on the various product detail pages. Although, some pigments of the print materials and the print result can vary to a certain extent from the representation on the screen. Depending on the settings of your screen and the condition of the surface, colors might not be printed 100% realistically. Given that all the fine art prints are processed and printed manually, there might also be slight deviations in the motif's size and exact position.
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