Alexandre C. Guillemot, 1827 - Mars na Venus tụrụ Vulcan n'anya - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nye iwu ihe ị ga-atụkwasị na mgbidi gị
The product dropdown menu gives you the possibility to pick your favorite material and size. Therefore, we allow you to choose among the following options:
- Mbipụta kanvas: A canvas print, which shall not be confused with a real artwork painted on a canvas, is a digital replica applied on a cotton canvas. It generates the typical impression of three-dimensionality. The printed canvas creates a lovely and enjoyable appearance. The great advantage of canvas prints is that they are relatively low in weight. This means, it is easy to hang up the Canvas print without the support of additional wall-mounts. Because of thata canvas print is suitable for any kind of wall.
- Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster print is a UV printed cotton canvas with a nice finish on the surface. Please bear in mind, that depending on the size of the poster we add a white margin of something between 2-6cm around the print to facilitate the framing with your custom frame.
- Mbipụta iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): An acrylic glass print, often referenced as a UV print on plexiglass, makes your favorite artwork into magnificient décor. The work of art is being manufactured with the help of state-of-the-art UV direct printing machines. This creates vivid and deep color tones. The major advantage of a plexiglass print is that contrasts and also smaller artwork details will be more visible thanks to the granular gradation of the picture.
- Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with an outstanding depth effect. The bright & white components of the work of art shine with a silky gloss but without the glow. Colors are luminous in the highest definition, the details are clear and crisp.
Ozi dị mkpa: We try whatever we can to describe our products as precisely as possible and to showcase them visually in our shop. Still, the colors of the print materials, as well as the print result might diverge to a certain extent from the image on the device's monitor. Depending on the screen settings and the quality of the surface, not all colors are printed as realisitcally as the digital version shown here. Because all our fine art prints are processed and printed manually, there might also be minor variations in the size and exact position of the motif.
What does the website of the Indianapolis Museum of Art state about the work of art painted by Alexandre C. Guillemot? (© Copyright - Indianapolis Museum of Art - Analọ ihe nkiri nka nke Indianapolis)
Gallery label: Like the renowned painter Ingres, Guillemot was a student of the Neoclassicist Jacques-Louis David and remained his faithful follower. During their era, French academic painters turned to Greek and Roman myths for subject matter. This picture, which was accepted for the Salon of 1827, illustrates the story of Vulcan, Roman god of metalworking, snaring his adulterous wife with her lover, Mars. Guillemot lavished attention on Venus's sinuous pose and the careful shading of her body, the central focus of his composition.
Akụkụ nke art"Mars na Venus tụrụ Vulcan n'anya"by Alexandre C. Guillemot dị ka ihe osise nke gị
Nke a kariri 190 eserese afọ Mars na Venus tụrụ Vulcan n'anya was created by the artist Alexandre C. Guillemot. The original measures the size 57-1/2 x 44-3/4 in. Mmanụ na kwaaji was applied by the painter as the technique for the painting. It can be viewed in in the Ụlọ ihe ngosi nka nke Indianapolis digital collection. This work of art, which is in the ngalaba ọha is being provided with courtesy of Indianapolis Museum of Art.The creditline of the artpiece is the following: . Further, the alignment is in portrait format with a ratio of 3 : 4, which means that ogologo bụ 25% mkpụmkpụ karịa obosara.
Data nka ahaziri
Aha nka nka: | "Vulcan tụrụ Mars na Venus anya" |
Nhazi: | sere |
Otu izugbe: | nkà nke oge a |
Nhazi oge: | 19th narị afọ |
Ekepụtara: | 1827 |
Afọ nka: | karịa afọ 190 |
Usoro nka izizi: | mmanụ na kwaaji |
Akụkụ nke ọrụ nka mbụ: | 57-1 / 2 x 44-3 / 4 na |
Ụlọ ihe ngosi nka / mkpokọta: | Analọ ihe nkiri nka nke Indianapolis |
Ebe ngosi nka: | Indianapolis, Indiana, Njikota Obodo Amerika |
E Nwere na: | Analọ ihe nkiri nka nke Indianapolis |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Analọ ihe nkiri nka nke Indianapolis |
Nkọwa ngwaahịa ahaziri ahazi
Bipụta ngwaahịa: | ọmarịcha nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Production usoro: | mbipụta dijitalụ |
Mmalite ngwaahịa: | German mmepụta |
Ụdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa a chọrọ: | Ụlọ ihe osise nka, mkpokọta nka (mmepụta) |
Nhazi nke ihe nka: | usoro eserese |
Oke akụkụ onyonyo: | 3: 4 |
Ihe: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond) |
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Mbipụta nke aluminom (ihe aluminom): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
ụba: | na-enweghị etiti |
Ozi ndabere izugbe gbasara onye na-ese ihe
Ihe nkiri: | Alexandre C. Guillemot |
Gender: | nwoke |
Nationality: | French |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Obodo obibi: | France |
Nkewa onye nka: | omenkà nke oge a |
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