Francisco Rizi, 1665 - Nrọ nke St. Joseph - ọmarịcha nka

29,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ozi izizi gbasara ihe osise sitere na ụlọ ngosi nka (© Nwebiisinka - nke Indianapolis Museum of Art - Analọ ihe nkiri nka nke Indianapolis)

In a subject that became popular in Spain during the 17th century, an angel appears to St. Joseph in a dream and explains that Mary has miraculously conceived a child. The luminous angel points to a vision of Mary with the infant Christ in her womb and the dove of the Holy Spirit above her. The veneration of the expectant Virgin as protectress of women in childbirth was prevalent at the Spanish court and was promoted by the royal confessor. Francisco Rizi was the Spanish-born son of a Bolognese painter who went to work for Philip II at the Escorial in 1583. Rizi, who became royal painter to Philip IV in 1658, was also active as a stage designer.

Kedu ụdị ngwaahịa anyị na-enye ebe a?

In 1665 Francisco Rizi created the classic art artpiece named "Nrọ nke St. Joseph". The version of the painting was made with the size - 66 x 44-3/8 nke anụ ọhịa. Mmanụ na kwaaji was used by the painter as the technique for the piece of art. The artwork can be viewed in in the collection of Analọ ihe nkiri nka nke Indianapolis in Indianapolis, Indiana, United States of America. This artwork, which belongs to the ngalaba ọha is being included with courtesy of Indianapolis Museum of Art.Creditline of the artwork: . The alignment is in Eserese usoro na oke nke 2: 3, meaning that the length is 33% shorter than the width. The painter, scenographer Francisco Rizi was an artist from Spain, whose art style can mainly be classified as Baroque. The European painter lived for a total of 77 years and was born in the year 1608 in Madrid, Madrid province, Comunidad de Madrid, Spain and died in 1685 in Madrid, Madrid province, Comunidad de Madrid, Spain.

Họrọ ihe gị

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

  • Bipụta akwụkwọ mmado n'ihe kwaaji: The poster is a UV printed flat canvas with a granular finish on the surface, that resembles the actual version of the masterpiece. It is best qualified for putting the fine art print using a custom-made frame. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm round about the work of art, which facilitates the framing with a custom frame.
  • Aluminom ihe eji eme ihe: This is a metal print made on aluminium dibond material with an impressive depth, which makes a fashionable look throuch a non-reflective surface. For the Aluminium Dibond print, we print the artpiece right onto the surface of the white-primed aluminum material. The colors are bright and vivid in the highest definition, the details are crisp, and there’s a matte appearance that you can literally feel.
  • Mbipụta kwaaji: The canvas direct print is a printed canvas mounted on a wooden frame. It produces the exclusive effect of three-dimensionality. What is more, printed canvas creates a cosy and enjoyable look. How can I hang a canvas on the wall? Canvas Prints have the advantage of being relatively low in weight, which implies that it is easy to hang the Canvas print without additional wall-mounts. A canvas print is suited for all types of walls.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, often named a UV print on plexiglass, transforms the original into home décor. Your work of art is being made with the help of modern UV printing machines. This creates the effect of intense, sharp colors. With an acrylic glass fine art print sharp contrasts and also painting details become more recognizeable because of the very subtle gradation of the print.

Ozi ndabere izugbe gbasara onye na-ese ihe

aha: Francisco Rizi
Aha ndi ozo: F. Ricci, Rizi, Rici de Guevara Francisco, Rizzi Francisco, fr^Tco^R Riçi, Francisco Ricci, Francisco Rizi, Ricci Francisco, Ricci de Guevara Francisco, Guevara Francisco Rizi de, Ricci Francesco, Rizi de Guevara Francisco, Rizi Francisco, Rici Francisco
Gender: nwoke
Obodo onye nka: spanish
Ọrụ nke onye na-ese ihe: scenographer, painter
Country: Spain
Nhazi nke onye nka: nna ukwu ochie
Ụdị nka: Baroque
Nwụrụ anwụ: 77 afọ
Afọ ọmụmụ: 1608
Ebe amụrụ onye: Madrid, mpaghara Madrid, Comunidad de Madrid, Spain
Nwụrụ n'afọ: 1685
Ebe ọnwụ: Madrid, mpaghara Madrid, Comunidad de Madrid, Spain

Iberibe nkọwa nka

Aha nka: "Nrọ nke St. Joseph"
Nhazi: sere
Okwu mkpokọta: nka ochie
Narị afọ nka: 17th narị afọ
Emepụtara na: 1665
Afọ nka: ihe karịrị afọ 350
Usoro izizi: mmanụ na kwaaji
Ogo nke ọrụ nka izizi: 66 x 44-3/8 nke anụ ọhịa
Egosiputara na: Analọ ihe nkiri nka nke Indianapolis
Ebe ngosi nka: Indianapolis, Indiana, Njikota Obodo Amerika
website: Analọ ihe nkiri nka nke Indianapolis
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Analọ ihe nkiri nka nke Indianapolis

Banyere edemede a

Nkewa edemede: ọrụ mgbidi
Mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo
Nlụpụta: emere na Germany
Ụdị ngwaahịa: a na-achọ
Ihe eji eme atụmatụ: ihe ndozi ụlọ, ihe ndozi mgbidi
Nhazi nka nka: usoro eserese
Oke akụkụ: 2: 3
Mmetụta akụkụ onyonyo: ogologo bụ 33% mkpụmkpụ karịa obosara
Nhọrọ ihe dị: Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Mbipụta nke aluminom (ihe aluminom): 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
ụba: mmeputakwa na-enweghị isi

Important information: We try the best we can to depict the products as precisely as possible and to display them visually on the different product detail pages. At the same time, the tone of the print materials and the print result can differ somehwat from the presentation on your monitor. Depending on your screen settings and the condition of the surface, not all color pigments will be printed one hundret percent realistically. Because all are processed and printed manually, there might also be minor deviations in the motif's exact position and the size.

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