George Morren, 1892 - ehihie Sọnde - mbipụta nka mara mma

29,99 €

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Nchịkọta nke ngwaahịa ebipụta

a 19th narị afọ ihe nka mere site na nwoke onye na-ese ihe George Morren n'afọ 1892. The over 120 afọ mbụ tụrụ nha: 20 x 29-5/16 nke anụ ọhịa na e ji teknuzu nke mmanụ na kwaaji. Furthermore, the piece of art forms part of the Indianapolis Museum of Art's art collection in Indianapolis, Indiana, Njikota Obodo Amerika. Site n'ikike nke Analọ ihe nkiri nka nke Indianapolis (ikike ngalaba ọha).Moreover, the artpiece has the following creditline: . In addition to that, the alignment is landscape and has a side ratio of 3: 2, nke na-egosi na ogologo bụ 50% ogologo karịa obosara.

Nkọwa ndị ọzọ sitere na ihe ngosi nka (© Nwebiisinka - Ụlọ ihe ngosi nka nke Indianapolis - www.discovernewfields.org)

Gallery label: The theme of a woman seated beside a window has a long tradition in Belgian and Dutch painting, most notably represented by the interiors of Jan Vermeer. In this canvas, Morren recasts the motif in the language of Neo-Impressionism. Morren transforms this silent realm crowded with furnishings and keepsakes into an intricate, colorful pattern of carefully applied dots. He even paints the paisley shawl in both shadow and bright light. The twisted rods at the right are the drying racks of a stove. They add a strangely energetic note to the motionless scene.

Nkọwa nka ahaziri

Aha nka: "Sunday Afternoon"
Nhazi nka: sere
Otu izugbe: nkà nke oge a
Time: 19th narị afọ
Emepụtara na: 1892
Afọ nka: 120 afọ
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Nha nke ihe nka izizi: 20 x 29-5/16 nke anụ ọhịa
Ụlọ ihe ngosi nka / mkpokọta: Analọ ihe nkiri nka nke Indianapolis
Ebe ngosi nka: Indianapolis, Indiana, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: www.discovernewfields.org
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: Analọ ihe nkiri nka nke Indianapolis

Nchịkọta nkenke nke onye na-ese ihe

Aha onye nka: George Morren
A makwaara dịka: Morren George, Morren Georges, George Morren, Georges Morren
Gender: nwoke
Obodo onye nka: Onye Belgium
Ọrụ: onye na-ese ihe
Mba onye si: Belgium
Nhazi nke onye nka: omenkà nke oge a
Afọ ọnwụ: 73 afọ
Afọ amụrụ: 1868
Ebe omuma: Ekeren, Antwerpen province, Flanders, Belgium
Nwuru: 1941
Obodo ọnwụ: Brussels, Bruxelles mpaghara, Belgium

Họrọ ngwa ngwaahịa ịchọrọ

Maka ngwaahịa ọ bụla anyị na-enye ụdị nha na ihe dị iche iche. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, often referenced as a fine art print on plexiglass, makes an original artwork into lovely home decoration. Furthermore, it forms a good alternative option to canvas or aluminium dibond fine art prints. Your own version of the artwork is made thanks to modern UV print technology. The result of this are deep, rich colors. With an acrylic glass art print contrasts plus smaller painting details become identifiable thanks to the precise gradation of the print. The acrylic glass protects your chosen art replica against sunlight and external influences for between 4 and six decades.
  • Mpempe akwụkwọ (ihe kwaaji): The Artprinta poster print is a UV printed canvas with a granular surface structure, that resembles the actual masterpiece. It is best used for putting your art print using a special frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the painting to facilitate the framing with your custom frame.
  • Mbipụta kanvas: The printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital image printed from an industrial printing machine. A canvas creates the exclusive effect of three-dimensionality. How can I hang a canvas print on the wall? The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang up your Canvas print without extra wall-mounts. That is why, canvas prints are suitable for any type of wall.
  • Aluminom dibond mbipụta (ọla): This is a metal print made on aluminium dibond with an impressive depth. The non-reflective surface structure creates a fashionable look. The white & bright components of the original work of art shine with a silky gloss, however without glow. The print on aluminium is one of the most demanded entry-level products and is an extremely contemporary way to display art, because it puts the viewer’s attention on the replica of the artwork.

Banyere ihe a

Nkewa edemede: ọmarịcha nka
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: Mbipụta UV / dijitalụ
Ihe ngosi: emepụtara na Germany
Stockdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa emebere: ihe ndozi ụlọ, mma mgbidi
Nhazi onyonyo: usoro odida obodo
Oke akụkụ onyonyo: 3: 2
Oke akụkụ pụtara: ogologo bụ 50% ogologo karịa obosara
Akwa ngwaahịa dị: acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ.
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Mbipụta aluminom: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhazi mbipụta nka: agunyeghi

Nkwupụta iwu: We try our best to depict the products as precisely as possible and to exhibit them visually. At the same time, the colors of the printing material, as well as the printing might diverge somehwat from the image on the screen. Depending on the screen settings and the nature of the surface, colors might not be printed as exactly as the digital version depicted here. Since all our fine art prints are processed and printed manually, there might as well be slight deviations in the motif's size and exact position.

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