JC Thom, 1882 - Okirikiri ala ya na Boatman - mbipụta nka mara mma

Họrọ ngwa ngwaahịa gị

Maka mbipụta nka ọ bụla dị mma anyị na-enye nha na ihe dị iche iche. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Mbipụta kwaaji: The printed canvas, not to be confused with a real painting on a canvas, is a digital image printed from a UV direct printer. What is more, printed canvas makes a cosy and pleasing atmosphere. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up your Canvas print without extra wall-mounts. Therefore, a canvas print is suitable for any kind of wall.
• Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are prints on metal with an impressive depth. The Direct Print on Aluminum Dibond is the perfect introduction to art prints with aluminum. The bright parts of the artwork shimmer with a silky gloss but without any glare.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is sometimes denoted as a print on plexiglass, will change your favorite original into wonderful wall décor. Your favorite artwork is custom-made thanks to the help of state-of-the-art UV print technology. The acrylic glass protects your chosen art replica against sunlight and heat for many years.
• Mpempe akwụkwọ mmado ebipụtara na akwa akwa: The poster is a UV printed flat canvas with a slightly roughened surface finish. It is particularly suited for putting the art print in a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm around the work of art in order to facilitate the framing with your custom frame.

Nkwupụta iwu: We try all that we can to describe our art products as accurately as possible and to showcase them visually in our shop. Nonetheless, the pigments of the printing material and the printing may vary marginally from the image on the screen. Depending on your screen settings and the quality of the surface, not all colors can be printed as realisitcally as the digital version shown here. Given that all the fine art prints are processed and printed manually, there might as well be minor differences in the motif's size and exact position.

N'elu 130 onye na-ese ihe mere afọ ochie J.C. Thom in 1882. Moveover, this artwork forms part of the collection of Analọ ihe nkiri nka nke Indianapolis, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị mma nke ụwa nwere nnukwu nchịkọta akụkọ ihe mere eme nke oge dị iche iche nwere ihe sitere n'akụkụ niile nke ụwa .. Site n'ikike nke Indianapolis Museum of Art & Wikimedia Commons (ọha na eze).: . Besides this, the alignment of the digital reproduction is in landscape format ya na oke nke 16: 9, nke pụtara na ogologo bụ 78% ogologo karịa obosara.

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