John O. Adams, 1910 - Frosty Morning - ọmarịcha nka

39,99 €

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Nkọwa ihe osise izizi sitere na ụlọ ngosi nka (© Nwebiisinka - nke Indianapolis Museum of Art - www.discovernewfields.org)

J. Ottis Adams mụrụ na Amity, Indiana wee biri na ezinụlọ ya na Shelbyville, Indiana. Ihe nka masịrị Adams na-eto eto ma jiri oge ya na-ese ihe. Ọ debanyere aha na Wabash College mana ọ hapụrụ otu afọ ka ọ mụọ nka na South Kensington School na London ebe ọ bịara n'okpuru mmetụta nke John Constable na Joseph Mallord William Turner, ndị ọdịdị ala ha nwere mmasị na Adams. Ọ laghachiri Indiana ma biri na Muncie. N'afọ 1880, Adams gara Munich ịga mụọ ihe na Royal Academy na ndị omenkà Indiana ibe Theodore Clement Steele na Samuel Richards. Adams mụrụ ịse na eserese na Academy wee guzobe studio nke ya na Munich. Mgbe ọ laghachiri Indiana na 1887, Adams hibere ụlọ ihe nkiri na Muncie wee malite ịkụziri klas nka. Na 1889, ya na onye omenkà ibe William Forsyth mepere Ụlọ Akwụkwọ Art Muncie, nke were afọ abụọ. Adams sonyere na ihe ngosi otu nke ndị na-ese ihe Hoosier si Indianapolis gaa Chicago. Onye nkatọ kpọrọ ndị na-ese ihe na ngosi The Hoosier Group. Afọ abụọ ka e mesịrị, Adams, Forsyth na Steele tinyere ndị ọzọ na-ese ihe na mpaghara, hiwere Society of Western Artists, nke mbụ nzukọ raara onwe ya nye n'ịkwalite ọrụ nke mpaghara nka. N'afọ 1898, Adams na TC Steele zụtara ụlọ na Brookville, Indiana mgbe e mesịrị mara dị ka Hermitage. Na 1901, Adams ghọrọ otu n'ime ndị nkụzi mbụ na John Herron Art Institute e wuru ọhụrụ ebe ọ kụziiri ihe site na 1902 ruo 1906. N'oge ikpeazụ nke ndụ ya, Adams rụrụ ọrụ na Florida na Michigan yana Brookville.

In December of 1907, Adams won a $500 prize at the annual exhibition of the Society of Western Artists for A Winter Morning. He continued painting winter scenes and was awarded another prize at the International Exhibition of Fine Arts held in Buenos Aires for his composition, Frosty Morning. The richly textured canvas is dominated by a snow-covered landscape and the frozen Whitewater River. Its violet tonality and use of reflected color and light are typical of the Impressionist technique. Even on the coldest January day in Brookville, Adams could work in comfort, looking out from his studio window at The Hermitage.

Signed and dated, l.l.: J. Ottis Adams 1910 Gift of Mrs. John A. Adams

Ozi ndabere na mpempe nka pụrụ iche

Aha nke ọrụ nka: "Frosty Morning"
nhazi ọkwa: sere
Okwu nche anwụ: nkà nke oge a
Nhazi oge: 20th narị afọ
Afọ okike: 1910
Afọ nka: karịa afọ 110
Agba na: mmanụ na kwaaji
Akụkụ izizi: 22 x 29-1/4 nke anụ ọhịa
Ụlọ ihe ngosi nka / mkpokọta: Analọ ihe nkiri nka nke Indianapolis
Ebe ebe ngosi nka: Indianapolis, Indiana, Njikota Obodo Amerika
website: Analọ ihe nkiri nka nke Indianapolis
Ụdị ikike nka: ngalaba ọha
Site n'aka: Analọ ihe nkiri nka nke Indianapolis

Tebụl nyocha nke onye na-ese ihe

Aha onye nka: John O. Adams
Gender: nwoke
Nationality: American
Ọrụ: onye na-ese ihe
Country: United States
nhazi ọkwa: omenkà nke oge a

Nkọwa ngwaahịa ahaziri ahazi

Bipụta ụdị ngwaahịa: ọrụ mgbidi
Usoro mmeputakwa: dijitalụ mmeputakwa
Production usoro: Mbipụta UV ozugbo (mbipụta dijitalụ)
Production: Germany
Ụdị ngwaahịa: na mmepụta ihe
A na-atụ aro iji ngwaahịa eme ihe: nka mgbidi, ihe ndozi ụlọ
Nhazi nka nka: usoro odida obodo
Njikwa oyiyi: 4: 3 (ogologo: obosara)
Nkọwa: ogologo bụ 33% ogologo karịa obosara
Materials: Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Mpempe aluminom (aluminium dibond ihe) nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhazi nke nka nka: agunyeghi

Akụrụngwa ị nwere ike ịhọrọ

In the dropdown menu next to the product you can choose your favorite material and size. We allow you to pick your favorite size and material among the following product individualization options:

  • Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a material with an impressive depth, creating a fashionable look thanks to a non-reflective surface. A direct Aluminium Dibond Print is your perfect introduction to art prints produced on aluminum. The colors are bright and vivid, details appear crisp and clear. The direct UV print on Aluminum Dibond is one of the most popular entry-level products and is a truly modern way to display art prints, because it puts all of the viewer’s focus on the whole artwork.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is often labelled as a plexiglass print, transforms your original work of art into home décor and forms a viable alternative option to aluminium or canvas fine art replicas. Your artwork is being custom-made with state-of-the-art UV direct print technology. The result of this are impressive and vivid colors. The plexiglass with real glass coating protects your chosen fine art print against light and external influences for between 40-60 years.
  • Mbipụta kwaaji: A canvas print is a printed cotton canvas stretched on a wooden stretcher. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without additional wall-mounts. Because of thata canvas print is suited for any type of wall in your home.
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Description of this painting from the modern artist named John O. Adams

The 20th narị afọ sere Ututu oyi was painted by the painter John O. Adams in 1910. The 110 ụdị nka nke afọ dị afọ tụrụ nha: 22 x 29-1/4 nke anụ ọhịa e jirikwa teknụzụ rụọ ya mmanụ na kwaaji. Nowadays, the artwork forms part of the art collection of Indianapolis Museum of Art located in Indianapolis, Indiana, Njikota Obodo Amerika. Site n'ikike nke Analọ ihe nkiri nka nke Indianapolis (licensed: public domain).The creditline of the artpiece is: . Moreover, alignment of the digital reproduction is landscape and has a side ratio of 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara.

Ihe dị mkpa: We try whatever we can to depict our art products with as many details as possible and to exhibit them visually on the different product detail pages. Please keep in mind that the colors of the print materials and the print result may diverge somehwat from the presentation on the monitor. Depending on your screen settings and the nature of the surface, not all colors are printed 100% realistically. Because all the are processed and printed manually, there might also be minor deviations in the size and exact position of the motif.

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