Katherine H. Wagenhals, 1916 - Onye ọbịa - mbipụta nka mara mma

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The nkà nke oge a nka nka Onye ọbịa onye nwe ya sere ya Katherine H. Wagenhals n’afọ 1916. Ihe kariri 100 year old original version has the size - 26-1 / 8 x 20-1 / 8 na na e mere ya na Usoro of oil on canvas. Today, the work of art is part of the digital art collection of Indianapolis Museum of Art, which is one of the finest universal art museums that has an extensive collection of art history from different eras with objects from all parts of the world.. We are glad to reference that the artpiece, which is in the public domain is being supplied with courtesy of Indianapolis Museum of Art.In addition to that, the work of art has the creditline: . What is more, the alignment of the digital reproduction is in portrait format with a side ratio of 3 : 4, which means that the length is 25% shorter than the width.

What does the Indianapolis Museum of Art say about this work of art created by Katherine H. Wagenhals? (© - Ụlọ ihe ngosi nka nke Indianapolis - Analọ ihe nkiri nka nke Indianapolis)

A Pennsylvania native, Katherine Wagenhals studied at Smith College and at the Art Students League in New York and at the Académie Moderne in Paris before making her way to Fort Wayne, Indiana. There she may have taught t the Fort Wayne School of Art with her talented relatives the printmakers Jessie and Norah Hamilton.

This prim lady in a blue suit and rather assertive bonnet won Wagenhals the Art Association of Indianapolis Purchase Prize in 1916. Although the genteel setting falls within the tradition of interiors painted by the Boston School artists, the thick, simple strokes used to suggest the visitor’s hands show Wagenhals’ familiarity with bolder painting styles. The tidy background of straight lines and 90 degree angles reinforces the impression of propriety. If not for the sitter’s intelligent expression and alert bearing, the door in the background might be interpreted as a symbol of a highly desired departure rather than a welcome arrival.

Reference

Mary Q. Burnet. Art and Artists of Indiana, New York: The Century Company, 1921. Reprinted by Unigraphic, Inc., 1981. ASIN: B002J7QO2K

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• Aluminom dibond mbipụta (ọla): These are metal prints on aluminium dibond material with an outstanding effect of depth, which makes a fashionable look by having a non-reflective surface. The colors are luminous, the details are clear and crisp.
• Mbipụta kanvas: A UV printed canvas material mounted on a wooden stretcher frame. Also, a canvas generates a charming and comfortable appearance. Hanging a canvas print: Canvas Prints have the advantage of being low in weight, which means that it is easy and straightforward to hang up the Canvas print without any wall-mounts. A canvas print is suited for all types of walls.
• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a printed flat canvas with a fine finish on the surface. It is optimally suited for putting your fine art print in a custom frame. Please note, that depending on the size of the poster we add a white margin of around 2-6cm round about the painting to facilitate the framing with your custom frame.
• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often named a an art print on plexiglass, will convert your favorite original work of art into beautiful décor. Your own replica of the work of art is being printed with the help of state-of-the-art UV direct printing technology. This creates the effect of stunning, vibrant colors. With an acrylic glass art print contrasts plus painting details will be more recognizeable with the help of the very fine tonal gradation.

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