Michele Gordigiani, 1864 - Eserese nwanyị (Marianna Panciatichi, Marquise Paolucci nke Roncole, site na 1835 ruo 1919, ma ọ bụ ọgọ ya nwanyị, Beatrice Ferrari Corbelli-Reggio, Lucciano Countess) - ọmarịcha nka.

"Portrait of a Woman (Marianna Panciatichi, Marquise Paolucci of Roncole, from 1835 to 1919, or her sister-in-law, Beatrice Ferrari Corbelli-Reggio, Lucciano Countess)" was painted by Michele Gordigiani in 1864. The masterpiece tụrụ nha 25 3/16 x 20 1/2 na (64 x 52 cm). Mmanụ na kwaaji was used by the painter as the technique for the piece of art. Today, this artwork is part of the art collection of Museumlọ ihe ngosi nka nke Obodo na New York City, New York, Njikota Obodo Amerika. Nke a ngalaba ọha piece of art is included with courtesy of The Metropolitan Museum of Art, New York, Purchase, Anne Cox Chambers Gift, 2011. The creditline of the artpiece is: Purchase, Anne Cox Chambers Gift, 2011. Moreover, alignment is Eserese ma nwee oke onyonyo nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Michele Gordigiani was a painter, whose style can be attributed mainly to Realism. The Realist artist was born in 1835 ma nwụọ mgbe ọ dị afọ 74 na 1909.

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The product dropdown menu ofers you the chance to select a material and a sizeaccording to your personal preferences. You can choose among the following product customization options:

• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is often described as a UV print on plexiglass, will transform your favorite original into great wall décor. The artwork is printed with modern UV print machines. This creates the effect of deep, intense colors.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a printed flat canvas paper with a slight finish on the surface. Please bear in mind, that depending on the size of the poster print we add a white margin of something between 2-6 cm around the artwork, which facilitates the framing with your custom frame.
• Mbipụta kanvas: The printed canvas, which shall not be confused with a painting on a canvas, is an image printed on a UV direct printer. It produces the unique impression of three-dimensionality. Canvas Prints have the great advantage of being relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without extra wall-mounts. Therefore, a canvas print is suited for any type of wall.
• Aluminom dibond (ọkpụkpụ ọla): An Aluminium Dibond print is a material with an impressive depth effect. For the Print On Aluminum Dibond, we print the chosen work of art onto the aluminium composite surface.

Ederede iwu dị mkpa: We try our best in order to describe our art products as accurate as possible and to illustrate them visually. Nevertheless, the pigments of the printing material, as well as the imprint can vary somehwat from the representation on your device's screen. Depending on your screen settings and the condition of the surface, not all color pigments are printed as realistically as the digital version depicted here. In view of the fact that the art reproductions are processed and printed manually, there may also be slight differences in the motif's size and exact position.

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Ozi nka dị ka e si na weebụsaịtị The Metropolitan Museum of Art webụsaịtị (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Gordigiani was the premier portraitist of the Risorgimento, the period of modern Italian unification. This portrait, commissioned by marchese Ferdinando Panciatichi (1813–1897), scion of a distinguished Florentine family, depicts the patron’s daughter or daughter-in-law. That it was one of a pair—the pendant is now unlocated—can be deduced from the original receipt for the exuberant gilt wood frame with silk velvet elements the painting still bears, a masterpiece of the intagliatore, or carver, Niccola Ricci (active 1848–1866). The frame’s opulence is evocative of the years 1864–71, during which Florence served as King Vittorio Emanuele II’s temporary capitol.